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First, I really enjoy the autobiography woven through the book. From a childhood in England to marriage and children in the USA, it's a very interesting story. For the career minded, it's a wonderful tale of a cottage industry grown on talent, charm and hard work.
This book also includes several of my favorite "patterns". For those unfamiliar with EZ, a word of caution. The greatest of Elizabeth's accomplishments (IMHO), was her rebellion against blind following of patterns. Sure, you could make exact duplicates of her sweaters, but where's the fun in that? Elizabeth teaches (and writes patterns) in terms of concepts and thinking. The result -- patterns that can be adapted for different weights of yarn and different bodies. So, in this book are "instructions" for a beautiful Norwegian sweater; the classic shetland wool, fair isle neck sweater so popular in the 70's; the mocassin sock (easy to reknit when heels and toes wear out); the "Pi-R" shawl; and the great mobieus scarf (think the infinity circle).
If you have the chance, the video series that accompanies this book (for a series of PBS shows as I recall) is also a treat. Schoolhouse Press produces them (don't know if Amazon carries them).
Bottom line: Not a book for the novice knitter but a wonderful addition to the library of any person who can no longer remember how many times they've said "just let me finish this row."
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Watch the video by itself, or read The Diary of Anne Frank and then watch the video--Anne Frank Remembered will stick in your mind for a long time.
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It doesn't matter how many times I watch it, (and swear I won't laugh), I can't help myself.
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What this book ultimately reveals is a growing awareness of how men and women have both a male and female essence. The arc of polarity between the two is what counts in the realm of sexual satisfaction. If you have more masculine energy then you will attract a more feminine partner.
"For magnetic energy to flow, you need a north pole and a south pole. For sexual energy to flow, you need two poles too." ~David Deida
"Intimate Communion" not only explains why our relationships go through periods of dissatisfaction, but it reveals why we also go through intense moments of sheer ecstasy.
What makes a woman invite a man deeper into her world? Could it be as easy as the man listening to her and being fully present, strong and passionate? What are the qualities of an ideal woman? Yes, beauty does seem to be first, but intelligence is fifth on the list. It seems men want beauty and sex and women want presence and intelligence. Makes sense. What is a woman's deepest desire? It seems we women know what we want, but at times need to know why we are not attracting what we desire most.
Once you realize what attracts you to your opposite, you can start to work on areas to increase desire in your relationship. To find out which sexual essence you possess, there is a sexual essence quiz. This book also emphasizes the three main stages of Intimacy. Intimate Communion is the goal. This place where you are spontaneously loving or at least open as the sky. Where you see arguments as a place for self-improvement and welcome anger, extreme lust, the feminine sea of emotions and masculine possession.
Do women really want to be selfishly possessed? Or is it that the man realizes that when we say we want to be alone, we actually want the man to stay?
I still think there is time to just be by yourself or literally withdraw a bit from your partner and David seems to promote an absolute openness that might be exhausting for some individuals who enjoy their quiet space or a pout now and then. I see room for a woman being allowed to retreat, renew herself and then open again when she is ready. If a man is not sensitive to a woman's needs, then she should not be expected to remain so open that she continues to be wounded. I think when a woman is finally ready to return to the relationship, the most important thing a man can do is listen. I think we all just want to be understood.
David Deida seems mostly interested in helping his readers find their deepest gifts and literally become a magnet for their partner to be attracted to. The process to get to this point does contain risks.
After reading this book you will know:
Why men hate women giving them directions.
Why surrender can be erotic.
Why men have trouble committing to a relationship even when they are "in love."
Why the essential form of the feminine bad mood is the hurt of being unloved and the anger that results from feeling abandoned or rejected.
Why you can attract the wrong partner if you are giving off the wrong energy.
Why is confidence, vision and guidance so sexy?
What is amazing is how aware you become of everything around you. After reading this book, even songs on the radio will have a completely new twist.You start realizing that what men are singing about is at times directly related to the top 6 things men want in a woman and what women are singing about is the top 6 things women want in a man. There are also men who sing what women want to hear and seem to have that deeper awareness of what women really want.
While I normally like to read all David Deida's books while I'm snuggled up in my comfy bed, this might be a book you want to read twice. Once just to read the book and then once to study and make notes!
The more books you read by this author, the better your relationship becomes. Even if only one partner is reading the books, it can make a big difference in your relationship.
It is as if these principles seep into your very soul. Suddenly you realize all the things you could be doing to encourage a more fulfilling relationships and all the things you are doing that are destroying what you want the most.
I can also highly recommend:
The Way of the Superior Man
Dear Lover: A Woman's Guide to Enjoying Love's Deepest Bliss
Living Sacred Intimacy
Naked Buddhism
Finding God through Sex
David Deida's books are for men and women who are turned on by spiritual ecstasy and want to break free from sexual neutrality. Reading any book by David Deida is a comforting embrace for the heart, a slow dance with your soul and enlightenment for the mind.
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The story is one that is very true to the world today - it talks about a culture that is slowly being lost to technology. It is a very touching story, about love, loss, friendship, trust....in fact it is about every conceivable human emotion. It is told in a beautiful way, that iss incredibly realistic, and transports you to its setting. The myths and stories that are described are very insightful of the tribal culture. The stories were believed whole-heartedly, even though they may seem childish and unbelievable. But it is that childish innocence that allowed these tribes to thrive and live in a peaceful way. The dimension that the vicar from the outside world brings is interesting in the sense that although he symbolises the technology that is overshadowing the tribal culture, he is the one who is trying his best to maintain it. It shows how a simple life can silence the want for a more luxurious one.
All in all, this book is extremely good, and I recommend it as a very interesting read. The author has managed to show a culture that is dying out, without distorting it or adding overly-fictitious elements. Simply beautiful.
Often in the avalanche of letters I received after I Heard the Owl Call My Name was published, people asked me what disease killed Mark Brian. I don't know. What matters is that he learned more of love and life in his three years with the Indians than most men learn in a long lifetime, and that it was he who thanked them. - from Again Calls the Owl, Craven's autobiography
Margaret Craven, the author, actually went to an Indian village to do her research and learn the culture, the tales as well as the language. Some of the characters and events in the story are based on people she met at the village, and that makes her work much more realistic and believable. Some of the themes discussed in this book are cycles or changes of life, vanishing way of life of the natives, and, most of all, acceptence of death. The only main character is the vicar himself and the conflict of the novel of his being accepted.
The book is fairly simple and straight forward, but the author describes the setting with vivid imagery, which makes me really understand and learn a lot about the Kwakiutl culture and customs, for example, in one of the chapters, she talks about the cannibal dance. The mood remains quite consistent throughout the whole book. It is not really the sadness that urges me to read on - it is the calmness and the selflessness of the native people that are so enchanting, and the closeness with nature as well. I have to agree that the beginning of the book was quite dull to begin with, and the climax did not come until the second last chapter. However, if I really read the book carefully, I can also see that every few chapters is a short, descriptive story by itself, for example, there is one about a few Indian kids going to residential school in Vancouver, and how the elders disapprove the idea. There is also another one which tells about druken Indians being cheated by a white man.
The vocabulary is fairly simple, and the novel can easily be understood by grade nines, but the meaning, or the lessons of this memorable novel really takes someone much older and much more mature to understand and appreciate. Therefore, I would only recommand this book to those of you who enjoy books about nature. All in all, this is a marvelously compelling work of Canadian literature. To conclude my presentation, I am going to read you a short quote that will give you some idea about the author's style:
Under a green spruce Marta stood by herself, her eyes on the young vicar. How thin and white he was! How long had it been there - that look on his face she had seen many times in her long life and knew well? It was not the hard winter that had placed it there. It was death gently reaching out his hand, touching the face gently, even before the owl had called the name.
Thank you!
I was surprised at how easily Margaret Craven made it all so believeable. Kingcome became real and the slowly disintegrating tribe of the Kwakiutl Indians touched my heart as I thought of the many indiginous tribes of people all over the world forced to integrate in a world that is not their own. Margaret Craven showed how humanity's progress and ignorance can be the footsteps of doom to others. Even the "Christian" theme did not offend, in fact it softened my usually hard heart toward people who interfere in others lives.
This is a wonderful book and it is one I will always treasure.
I might also point out that the video with Tom Courtney playing the part of the doomed Priest is not bad either, though like most films it does not alway follow the plot of the book but then you can't have everything in life, can you ?
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This book is utterly delightful. It is my favorite knitting book and if I could only have one, this would be my choice. I have knitted my way through most of the patterns and they are varied, interesting and good for designing your own things.
Included in the book is the percentage system, same as in Knitting without Tears, her classic for beginning knitters. This is applied to a beautiful Shetland sweater with a yoke fair-isle design. This classic design looks wonderful on children and adults. You can make it in any size.
There is also the wildly clever Moccasin sock, that can be re-soled. The construction is unlike any other kind of sock and shows the brilliant engineering mind of EZ.
There is a shawl (PI r squared) which is a varation of the PI shawl found in the Knitting Almanac. This has a straight front, like a stole, and rounds off in the back.
The Moebius scarf is also in this book (a ring with a twist that goes around your neck and drapes attractively.) These are just some of the knitting patterns; there is a lot more. Elizabeth knew how to pack a book with plenty of information and this is no exception.
There's not only knitting here, there are lovely color photographs of Elizabeth's watercolors (she was trained in Munich at a famous art school.) There is a gallery in the book of some of her wonderful designs in the most attractive colors. And best of all, an autobiographical "digression" that tells Elizabeth's story, funny, interesting and always unique.
If you don't own all of EZ's books (Knitting Without Tears, Knitting Almanac, Knitting Workshop and this one, Knitting Around) I think this is the best one to start with if you more or less know how to knit. It improved my knitting 1000 percent and I recommend this book to everyone who likes to knit.