King's book deals with the performance of Arthur Conan Doyle's short play "A Story of Waterloo" by eminent Victorian actor Henry Irving and a devastating review of this production written by George Bernard Shaw in 1895. The play is about an old and feeble soldier who has played a heroic role at Waterloo and pathetically dies while reliving his finest hour, thereby bringing the house down (in the theatre, that is). King uses this intersection of two remarkable theatrical careers to consider the Victorians' retrospective glance at the Napoleontic wars, the nature of Irving's performance, which by modern standards would be inconceivably sentimental, Irving's relation to his audience, Shaw's development as a critic and playwright, Irving's leading lady Ellen Terry and her son, the theatre director, designer and Irving acolyte Edward Gordon Craig. An instructive and entertaining read for anyone with a broad interest in the theatre and (cultural) history. Highly accessible, but marred by some unnecessary excursions into academic obscurities that the opening chapters had led me to believe were going to be avoided. Still, fascinating stuff.