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THE CONQUERING FAMILY chronicles the reigns of Henry II (1154-1189), and his sons Richard I "the Lionhearted" (1189-1199) and John (1199-1216). Henry II, in my opinion the greatest of English monarchs, created an empire that included not only Britain, but perhaps as much as two-thirds of present day France (thanks, in great part, to his marriage to the dynamic Eleanor of Aquitaine, the Duchess of that province and the former Queen of France.) By the end of John's reign, virtually all French possessions were lost and England was racked by civil war. No chip off the old block was John.
The general public usually associates Henry II with his quarrel with, and eventual murder of, Archbishop Thomas Becket of Canterbury. Richard I is, of course, "the Lionhearted" king who crusaded in the Holy Land against the infidels, and who has a fictional association with Robin Hood. And, lastly, there's the misfit King John, of Magna Carta fame.
A perfect companion piece to this volume is the 1968 film THE LION IN WINTER, starring Peter O'Toole as Henry and Katharine Hepburn as Eleanor, the latter winning an Academy Award for her performance. The film's story evolves over Christmas, 1183, in the royal castle of Chinon, as Henry, Eleanor, and sons Richard, Geoffrey and John quarrel, backstab, and plot amongst themselves as to which son will inherit the thrown on Henry's death. It's my all-time favorite film for reasons given in my review of it on this website. More to the point, the book and the film are consistent in their portrayal of this royal family as dysfunctional with a capital "D". It's a quote from Hepburn's Eleanor that heads this review, and which says it all. (By comparison, the current English royal family is merely a bunch of trivial sissies.) Both the book and the film are powerful portrayals of a ruling dynasty, the likes of which the world will likely never see again. If you're at all interested in English history, you absolutely must not overlook either the Costain series or the movie.
His account is respendent with detail where it exsists historically or is highly suggested culturally. He notes the difference by indicating what was probable, what was possible, what is known, and what is thought to be known.
Before I click over into my dry academic language, let me say that this book rocks! It is obviously well researched. I would recommend reading this BEFORE you read Alison Weir's "The Princes in the Tower." After you read "The Conquering Family" may I suggest picking up "The Three Edwards" (also by Costain). This will give you a good portion of the background and backdrop of English History against which the tragedy of the imprisonment and subsequent disappearance of Edward V and his brother Richard, Duke of York (not to be confused with their uncle who would later become Richard III). THEN read "The Princes in the Tower," which of course examines, in light of ALL of the available historical evidence, the 'who-did-it,' 'when,' and 'how' of the disappearance and death of the two young princes (King and Duke actually).
Given the time period which "The Conquering Family" treats, there are next to no pictures. While I would dread to see enough pictures to warrant calling this a pictorial history, I would suggest that some portraits of the participants and such, would have helped to spark the imagination of the reader and to further engage their interest. Also, while there are maps in the book, there is no listing of the maps in the front of the book, and a map of locations such as Anjou, could only have served to enhance the readers' perspective and understanding of the subject matter.
Now if someone would only buy me "The Magnificent Century" and "The Last Plantagenets"!
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It takes place beginning on the day the Duke of Wellington defeats Bonaparte at Waterloo, and follows the fortunes of two rival families through Regency and early Victorian England, along with their friends, lovers, enemies and many famous figures who have 'walk-on' parts.
The title comes from a type of lottery popular in England at the time, in which four of the young characters are enrolled by their parents, and the tontine is instrumental in each of their lives, right to the last.
It's worth the length, and provides an interesting view of the England of that time, its manners and mores.
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