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The only downside to having this companion is the irresistable temptation to read ahead...the plot lines of the first 17 books are all given in general outline. As O'Brian readers know, however, much of the joy is as much in the characterization and writing as in the plot line. So, even if you do look ahead, it in all likelihood only will increase your desire to move on to the next book....I personally can hardly wait to get to Treason's Harbour and the mood that O'Brian will create around historic Malta.
If you love maps, though, and have always used them to add a visual learning dimension and reference to the words, you can't possibly read the books without it.
In closing, I guess I should add the warning that as addictive as these books are, they become even more addictive with the companion.
Beware!
Now as I travel the world in the O'Brian series I know where I am and where I've been -- and often where I'm going. The maps are outstanding (I always thought a map here and there in the novels themselves was called for), and King's narrative takes me ashore in places all over the aquatic world to round out my adventures with my favorite literary characters.
The old pictures from The Naval Chronicle are worthy -- and thoughtful -- additions to the whole fine work.
I guess I'll be reading Aubrey/Maturin books forever, and with Harbors and High Seas right at hand. Too bad the guide had to end with The Commodore but, hey, I'm not complaining. I'm happy for what's here.
Thanks to King, too, for his lexicon, A Sea of Words. That was the finishing touch for the O'Brian addict that I am -- I want to KNOW what a studding sail is, a snow (for I, like Maturin, thought a "snow" must be a white ship), the mainchains (not "chains" at all), the messenger (definitely not a means by which you might get a message to Garcia) . . .
A tip of the hat and a warm thank you to Dean King and his cohorts: John B. Hattendorf, J. Worth Estes, and mapmakers William Clipson and Adam Merton Cooper.
It is truly wonderful that this incredible series of historical novels has inspired these indispensible accompaniments. There is also the volume edited by A.E. Cunningham, "Patrick O'Brian: Critical Essays and a Bibliography" which belongs on the shelf with every O'Brian fan's collection. These books about O'Brian's books are a further testimony to the greatness of them -- they stood tall on their own, it's only that they're even more robust now.
Doug Briggs
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NEVER TRUST A SQUIRREL! is about a young guinea-pig who fails to listen to the advice of his mother and goes wondering in the woods with a squirrel. When a sly fox shows up, the squirrel abandons the guinea-pig and what follows is a story of love and a lesson in parental obedience.
This is a great book and the kids I used to teach in preschool loved it. The illustrations are lively and full of natural color, augmenting each scene they accompany.