The history begins with an account of pre-war Romanian history, and the brutalities that occurred even before the country joined the Nazis. Only the desperate would have paid the shamefully exorbitant cost for passage on the leaky, filthy cattle boat _Struma_, with the hope of getting to Palestine. The British controlled such immigration, however, and restricted it so as not to bother the Arabs and their oil supplies. The ship left Romania in December 1941, with intent to sail out of the Black Sea, through the Bosporus Strait, and on to Palestine. The engine failed on the first day, was patched, and failed three days later. The ship was towed by a Turkish tug to Istanbul harbor. There the ship stayed for almost two months, while bureaucratic nonsense was conducted to seal the fate of the passengers. They slowly withered due to disease and lack of fresh food and fresh air. There was even bickering over a plan to let the children leave the ship, a plan that never happened because Turkey, following a suggestion from the British, cut the anchor of the engineless vessel and simply set it adrift. Stalin had ordered Russian submarines to sink all ships in the Black Sea to prevent them from getting to Germany. A day after being set adrift, the helpless _Struma_ was torpedoed, and quickly sank. Nineteen-year-old David Stoliar miraculously was rescued by Turkish fishermen, but was imprisoned in Turkey thereafter; much of the book is his story.

The horrific story of the _Struma_ is here told in a plain and unsensational way. The authors have rightly sensed that there is no need to try to make the account more dramatic by artificial recreations of imagined conversations or thoughts of the people involved. There is some heroism, like that of Simon Brod, an Istanbul businessman who selflessly devoted constant efforts to helping refugees of various kinds and from various sources. Such lights are few in this, one of the darkest episodes of the war and one that took longest to be seen clearly. There is a portion of blame to go to the U.S., which parroted the British line about the importance of limiting emigration, and did not want to get further involved. The evil of the Nazi purge is to blame, of course, in its Romanian variant, as is the ruthlessness of Stalin's blanket order to clear the Black Sea of shipping indiscriminately. Those on the _Struma_ died, however, because of the joint efforts of the British and the Turks, from veiled anti-Semitism to indifference to outright murder. Frantz and Collins have produced a vivid and shocking book to rescue a gruesome but essential story into history again.

Pay particular attention to "Releve", the story contributed by Patricia Wallace and her daughter. This story introduces us to Sydney Bryant, the private eye that Pat Wallace has featured in a terrific series for adults. The titles in the series include "Deadly Devotion" and "Blood Lies".

Other outstanding stories include those by Wendy Hornsby, Scott Turow, Stuart Kaminsky, and Sharyn McCrumb (and their collaborators). This is a book that parents can read and enjoy with their children. It might inspire them to collaborate on some mystery stories of their own!

I look forward to reading the companion volume, "Great Writers and Kids Write Spooky Stories". I

"When you think of a mystery, what comes to mind? A dark secret? An unsolved crime? A curious detective hunting for clues?"

The only mystery, the only secret, the only crime is how this anthology could be so easily overlooked. "Great Writers and Kids Write Mystery Stories" (1996) is a collection of stories written by some of today's greatest mystery authors in collaboration with their children and grandchildren. Jonathan Kellerman, Sharyn McCrumb, and Scott Turow are three of the thirteen award-winning writers that create wonderous whodunits with their offspring, ages 6 to adult.

While written at about the junior high/ middle school level, this complilation is enjoyable to all. The stories are five to several pages. Some are written with the child as the amateur detective, some are written as a type of psychological thriller.

The introduction serves as a "mini-lesson" on mystery writing. And, each story features a short personal introduction by the adult and child writing team on what it was like to collaborate on their included story. Other contributors include Barbara D'Amato, Ed Gorman, Stuart Kaminsky, Elizabeth Engstrom, and many others.

This book has the unique ability to be educational as well as entertaining. Those that enjoy this book may also enjoy the first volume as well: "Great Writers and Kids Write Spooky Stories" (1995).

EXCELLENT BOOK!

Plenty of room for your own notes as well.

I find it useful and worth buying. Small enough for bookbag or clinical bag.

Criticism: Although numerous Kodak cameras are illustrated in the book, camera collectors will need to look elsewhere for a really complete and ordered guide to Kodak's many offerings through the years. This work was not intended to simply catalog Kodak's products.

The authors do discuss the very real problems with Celebration's schools and construction; this part of the book could have benefited from a comparison with traditional suburbs, to show readers that Celebration's problems exist in typical suburban sprawl as well -- as anyone who saw what Hurricane Andrew did to Miami's sprawl houses knows!

I opened the book expecting a hatchet job (these two are reporters, after all) but discovered a balanced and feeling account of what it's like to take part in a turbulent experiment in creating a "real" EPCOT (Experimental Prototype Community of Tomorrow).

Best of all, Frantz and Collins place Celebration in the context of the rich and fascinating history of planned communities in America.

My guess is this book will prove an eye-opener for Disney devotees and detractors alike.