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The only part of the book I originally read was Purcell's Afterword. It is a delightful exposition on her romance with collectors and museums, revealing a thoughtful, philosophical professional with a strong creative sense. After that much reading I was satisfied, and the book took its place on my shelves with Purcell's other works, to be referred to when opportunities of my own appeared.
Having decided to review it, I discovered, to my embarrassment, that the book was actually about something. The text, far from being the filler that often appears in photographic volumes, turned out to be a series of gemlike studies of eight collectors of note, consisting of Peter the Great, Phillip Von Siebold, Willern Von Heurn, Eugen Dubois, Walter Rothschild, Agostino Scilla, Thomas Hawkins and Louis Agassiz . Some of these men are popularly famous and others are known only to other naturalists, but they are all interesting. Their collections, sometimes known only from fragments are breathtaking.
The author of these essays is Stephen Gould, paleontologist and occupant of the Alexander Agassiz Chair of Zoology and Curator at the Harvard Museum of Comparative Zoology. Despite these rather awe inspiring credentials his style is delightfully accessible as he reveals each collector's life and passion to the reader. If you like paleontology, or natural history, or glances into the strange mind of the collector you will find this a refreshingly pleasant volume, providing an equal share of education and delight.
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They also cover the little known carnival glass produced overseas during this era. The illustrations are outstanding. Through their identification of this glass, I am now keeping my eye out for this glassware, when in the past I would have just passed it over.
I cannot emphasize enough that this book is an ABSOLUTE MUST for all collectors of glass. It will take you back to the early 1900's and give you an unprecedented appreciation for your glassware. The title really sums up the book. It was a magic time in the glass era and they have unlocked many of the mysteries of the industry. I can now pick up a piece of carnival and feel all the influences that went into the piece from start to finish.
If you love carnival glass, this book will give you a whole new perspective on your hobby!
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The books illustrations go complement the translation. They are beautiful and inspiring. Sargent did a great job on the water colors. Just as Legge did on the translation.
This book is is very readable and its lessons about life are truelly fantastic. They are wriiten in a wounderful sage like style. I think that you will find that this book does one of the best jobs of tranlatting Lao Tzu's insights on the true working of the universe in a manner that is very clear to us in the west.
A must have book.
Enjoy!
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This book was very suspenseful and fast-paced, although it got overlongish in some spots, and when Johnny shakes the hand of Greg Stillson, it is not clear how Johnny comes to know about certain events, but overall The Dead Zone was an excellent book, and the characters are all likable enough: Sam Weizak, Sarah Hazlett, and Johnny's dad Herb. We of course hate the psychotic Stillson. Recommended
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Officer Shane Scully gets a frantic call from the wife of his ex-partner Ray 'Steeltooth' Molar. Molar is beating her. Again. ("You don't get the name 'Steeltooth' just because your last name's Molar") In self-defense, Scully is forced to kill the abusive husband. The killing of the popular, virtually legendary cop brings Scully more grief than he ever imagined. Put in charge of Scully's Internal Affairs prosecution is Alexa Hamilton, the department's "number one tin collector." When he is accused directly by the Chief of Police of taking files from Molar's house and threatened with facing a murder charge if the material is not returned, Scully is convinced he's being set up.
Scully begins his own investigation and soon uncovers evidence of corruption in high places. Hamilton is the only one he can turn to who just might believe him.
Some glib prime-time dialog does seep in. (When Scully's house is hit in a drive by shooting he says, "I got enough lead in the walls to go into strip mining.") Cannell keeps the tension and pace at high levels so a bit of cliché doesn't really detract. There is no mistaking Cannell's mastery of story telling. The same sense of character and dialog that have made his television shows hits, guides him here. The Tin Collectors is a sure winner.
Instead of the normal channels, a high up in the department forces Ray to go before a review board. Ray happens to have been the mayor's driver and bodyguard. "His Honor" wants Shane to go down preferably with a murder conviction. Shane learns that things are soon missing form Ray's home and if they discretely reappear all charges would be dropped. Shane knows corruption has been a way of life for LAPD, and he has to uncover it if he wants to clear his name.
Stephen Cannell starts this novel with a fast-action tale that continues to build up momentum until the story line exceeds the speed of light. Readers will empathize with Shane, an endearing hero struggling to regain his idyllic life lost in the corruption maelstrom. THE TIN COLLECTORS is an exciting story that leaves the audience wondering who will police the police when IA is corrupt?
Harriet Klausner
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Anyhow, Cujo the book is another gripping tale from the venomous quill of Steven King. In it, a friendly Saint Bernard is bitten by a rabid bat. Soon enough he's demonstrably losing his mind (foaming at the mouth, biting without provocation, stalking small children, even campaigning on behalf of the local Democratic Party in one particularly unsettling scene). The finale is a dramatic showdown between Cujo and some family members that he corners in a parked car. As Cujo starts bashing the car's windshield in with his head, one is forced to think of one's relationship with one's own dog. I once thought that our Cujo was the devil's own seed due to his penchant for pilfering food intended for me and as well as his occasional gassy episodes. But on the balance I suppose we're doing just fine with the old boy.
In this novel about a good, oafish, loveable dog named Cujo who has gone and gotten himself bitten by a rabid bat, we are introduced to a woman and her young son's journey through hell. How would you like to be trapped in a Pinto in the blazing heat with a 150 pound rabid dog after you?
As always, Mr. King manages to convey the full scope of the fear, horror and revulsion these two trapped individuals feel in their ordeal with the bloody Cujo (who is bloodied since he has already snacked on two other people and now see Tad-pole and Donna as dessert). This is definitely a fine example of Stephen King at his absolute best.
For a book that you can't put down, yet you are afraid to turn to the next page, pick up Cujo - you will never look at dogs in quite the same way again!
The book begins with a side story of a man who is going through many of life's problems. His wife is cheating on him, his company is going under, and his son is suffering from nightmares. Eventually, the family meets Cujo, a loveable dog owned by a auto repair guy and his family.
Then, Cujo is bitten by a rabid bat. He then goes on a rampage of death and terror, written in King's unique style, which somehow makes you able to picture the gruesome deaths and dismemberments in your head. Things really get serious when a mother and her little boy are trapped by Cujo in a hot car that will not start. It then becomes a mother's fight to save her child and herself.
One of the best horror's I've read yet. Don't dare see the movie before you read the book!
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What boggles my mind is how few books there are on pricing and grading first edition books, and the ones that do exist are not very good, including Aherns. Why can't someone come out with a decent one like they do for comic books (Overstreet, etc)?
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This book is a must have for anyone interested in Delftware or Makkum.