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First of all, the fact that a poem depicts a certain attitude or feeling does not mean that the poet endorses that attitude or feeling. In this case, the sentiment is honest even if it is not morally admirable. Poetry does not always depict life or human nature as we would like them to be, but rather as they are.
Second, the last line of the poem says "these too are your children this too is your child." So the poem has corrected the speaker's own withdrawal from the scene. It ends, I think, with a rejection of racism...but it could be a good poem even if it did not.
"Sorrow Song": a global vision of human evil and suffering. "female": a poem that declares "there is an amazon in us." "shapeshifter poems": a powerful sequence. "here be dragons": a poem that begins "So many languages have fallen / off the edge of the world / into the dragon's mouth." I also loved the poems that celebrate (and sometimes mourn) the female body: "poem in praise of menstruation," "poem to my uterus," "to my last period," etc.
When she's at her strongest, Clifton attains a truly prophetic quality. I recommend this book both to those who've read and loved her for years as well as to newcomers to this important poetic voice. If you like Clifton, I also recommend the writings of June Jordan and Audre Lorde.
There is a sequence of poems about an encounter with a fox; for me this sequence brings to mind larger issues of human-animal relations. I found the most powerful sequence to be about breast cancer. In the first poem in that sequence, Clifton evokes "audre" (i.e. Audre Lorde, another poet who has written eloquently on breast cancer). Also very moving is "lumpectomy eve," which captures the tenderness of "one breast / comforting the other."
Some poems explore the connection between African-Americans and Africa (these specific poems are "hag riding," "shadows," and "memphis"). Some poems are more overtly political or sociological. "the son of medgar," for example, deals with the trial of the assassin of Medgar Evers. "lorena" is a surprisingly gentle poem which evokes the story of a real-life woman who sexually mutilated her husband.
The final sequence in the book, "From the Book of David," draws from the biblical narratives of King David. These poems explore the violence of David's life, and seem to be asking how we can reconcile David the warrior with David the poet.
Clifton writes with a quiet power in this collection. I recommend this book to all those interested in poetry, African-American studies, and/or women's studies.
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