I'm an old English major, one of those Victorian novel freaks who's always complaining that they never write any good novels anymore, no real heartrending grabbers. Well, this was sure an exception. I read it about 20 years ago, reread it, and then gave it to friends. The year it came out, I bought 15 copies for friends for Xmas gifts. I haven't seen a copy in about 12 years and would love to read it again. Please republish it. Hollywood, I cannot BELIEVE you haven't made a movie out of this. I would think you "boys" would be dying to get your hands on it and bring the fabulous story to the world by way of cinema. And, ooooooo, what fun the casting would be! I am desperate (ok, ok, I'm not really desperate)to find a copy and read it again. Anyone have one for sale? If you haven't read this book, do yourself a favor and find it. Another goody that should have done much better than it did was "A Prayer for Owen Meany." Anyone agree with me? Thanks for listening. Nice sharing with you!

I first read the book in high school and it has been one of my favorite books since then. Its message of looking within yourself for power will always be pertinent and powerful. I was another of the readers who passed it to a friend who did not return it. I searched and searched for another copy and finally found a beat up paperback version of it at a used bookstore in Hawaii. If this is ever reprinted, I will buy a couple for myself and many additional copies for friends (so I don't have to lend my copy). One question: Did Charles Sailor write any other books?

I first read this book as a graduate library student in 1980. I was taking a course for library materials for young adults, so I called to ask my brother, still in high school, what everyone was reading. This was it.

Like so many others, once I started this book, I couldn't stop. This book is very well written, in terms of action and suspense, while still being a product of its times. As an amateur scholar of religious beliefs, I also truly appreciated his view of the second Son and the reaction of various religious orders.

I'm not sure what happened to my first copy (I think it was borrowed and "well" read), but I did get a second copy that joined my "keep forever" collection :). Like most of the others here, I often wondered what happened to the movie that was promised but agree that a movie could never do the book justice. (I think the movie that the one reviewer from California was referring to was "Saving Grace" with Tom Conti. I loved that movie, too.)

For another view of the Second Messiah, readers of this book might enjoy "The Last Day" by Glenn Kleier.

I sincerely believe that The Mad Scientists' Club was the reason I started reading voraciously as a kid and that the trend has continued into my adulthood. A series of stories first published in the popular 60's magazine Boys' Life, the words practically leap off the page with thier exuberance and brilliant ingenuity.

The club is comprised of six 'junior geniuses', with our narrator as one. Each is given a distinct personality, and by the end we know (and in the case of former club-member and now sworn arch-enemy Harmon Muldoon, despise) each one of them like they were old friends. I still have my copy, completely tattered though it is, because I've read and re-read it at least 100 times. Even now as I write this review, I have to be careful not to start reading for fear of being swept up in the fun.

And each tangled situation our boys find themselves in (or in fact, help to create), is more outrageously inventive than the last. The real kicker is how authour Bernard Brinley keeps the prose totally accessible to youth but throws in enough engaging characters, thrilling action sequences and hilarious dialogue to entertain even adults sick of reading thier kids sugary-sweet Disneyized junk. He even sneakily gave me an education in basic mechanics by expertly describing the various machinery the boys build to wreak their harmless havoc on the citizens of little Mammoth Falls.

And I see here on Amazon.com that Brinley has continued the series with other books. If he brings even 10 percent of the sheer brilliance he displays in the first one, no adult should have a problem inducting thier children into this club.

I sincerely believe that The Mad Scientists' Club was the reason I started reading voraciously as a kid and that the trend has continued into my adulthood. A series of stories first published in the popular 60's magazine Boys' Life, the words practically leap off the page with thier exuberance and brilliant ingenuity. The club is comprised of six 'junior geniuses', with our narrator as one. Each is given a distinct personality, and by the end we know (and in the case of former club-member and now sworn arch-enemy Harmon Muldoon, despise) each one of them like they were old friends. I still have my copy, completely tattered though it is, because I've re-read it at least 100 times. Even now as I write this review, I have to be careful not to start reading for fear of being swept up in the fun.

And each tangled situation our boys find themselves in (or in fact, help to create) is more outrageously inventive than the last. The real kicker is how authour Bernard Brinley keeps the prose totally accessible to youth but throws in enough engaging characters, thrilling action sequences and hilarious dialogue to entertain even adults sick of reading thier kids sugary-sweet Disneyized junk. He even sneakily gave me an education in basic mechanics by expertly describing the various machinery the boys build to wreak their harmless havoc on the citizens of little Mammoth Falls.

And I see here on Amazon.com that Brinley has continued the series with other books. If he brings even 10 percent of the sheer brilliance he displays in the first one, no adult should have a problem inducting thier children into this club.

I first read the Mad Scientists Club book about 25 years ago and I was completely fasinated by the story. I by chance happened upon this book among a group of several and was drawn to it by the title and the intresting illustrations. The book was and is a delight to read. I believe this book is one of the rare finds in literture as it combines adventure, easy of reading, and a spirt of comraderie among teens. A creative work, full of intriguing situations, unquestionably this book should be provided to the new generation of readers for enjoyment. Well written, with a fine mix of characters, satire, and simple fun, this book created a wonderous and enjoyable reading enviornment. Periodically over the years I have recalled with joy my reading of this book, one I long since lost, but never forgot. The story still stands the test of time, albeit the technological changes, but the interaction of the characters remain, the compelling nature of the situations encountered make me now wonder if the author influenced such contemporary authors as Tom Clancy and Clive Cussler as young adults. This bok is simply fantastic, and truly is more valuable to a person than any jewel or precious metal!

One of my great joys in life is reading short stories. I love science fiction and fantasy. My special joy, however, is the fairy tale. In "The Mole and the Owl" I have found the pure essence of fairy tales. The true and pure love of the mole and his selfless heroism, the sacrifice of the owl and the actions of the wolf are magical. This story tells about all things noble and makes me believe I can be just that noble. A great story is a great story but there is something that can be added to the telling. The lyrical use of prose in this story is almost unbelievable. It sings to me like a favorite song. Ray Bradbury is the only writer I have read with an idea of prose that even comes close to comparison. I am rarely moved the way I was moved by this story. I cried. I never cry when I read. It's just a story. But still I cried.

I found this little book by accident, visiting somewhere, and read it only because I had nothing else to do at that moment. I don't normally even read much fiction anymore and am not given to sappy love stories.

Yet this book reached in and grabbed my heart like nothing I've ever read. It's the kind of soul-level writing that once in a great while an author is a conduit for... I'm not sure writing at this level is really a brain thing of the person, more an internal thing of the spirit. I can't talk about the plot or the information or things I would normally review in a book. It is just a story; it is a story for a person of any age; it is a better story for those who have ever known love, or known longing, or found themselves the outcast, or found inside themselves the powerful dharma of being what one is as "I AM"... in this case, he was in love.

Not only did the book hold me in a poet/dreamer thrall throughout, and make me cry in sadness and joy, and laugh out loud at many small insights or comments, but hours and even days later, my whole interpretation of my world had more... poetry to it. More color, more eloquence; as if for a time, that love and energy gave ME more poetry; a new way of looking at all things with love. (I know. This is embarrassing. But read in the right state of mind, it's a very cool book.)

I'm buying the book now so I'll have my own copy. I want to suggest to people that I love that they read it. It's like a gift I want to give. I recommend the book very much.

This book must be in every house, in every hotel, restaurant, kitchen, bathroom, on the street, school, bus... all over the world. It's a book that goes so near to the heart that I'm smiling and crying together.

As a girl, I had a crush on Napoleon (I know, it is a strange confession). As a teenager, I nurtured those tender feelings by watching Armand Assante play the Emperor in Napoleon and Josephine. And, as a woman, I devoured books about Napoleon's life. How is it then, that I did not hear about DESIREE until I was well into my thirties?

Knowing I sometimes enjoy historical romance novels, my mother recommended Desiree to me. Now that I have read Annemarie Selinko's masterpiece, I would categorize it more as a sweeping historical novel than a romance. True, there are some tender scenes between Napoleon and Desiree (I melted when he sent her the sable to keep her warm), but it is hardly a romance.

The first person narration was a bit annoying at times - and the writer clearly shifted POV several times per chapter, but still, it is well written and amazingly well researched (only a few errors that I could spot, one of which being the mention of inbreeding being the cause of medical problems. This was something that wasn't fully realized or appreciated until the reign of Queen Victoria with her hemophilia passing genes).
Read this book if you enjoy sweeping historicals, especially those set in the Napoleonic time period.

I must confess though, I much preferred Sandra Gulland's novels about Josephine B. They give the reader a good taste of Napoleon, with a far more accurate take on the players of the time. (Selinko, for instance, paints a picture of Napoleon's mother as being hard-working and ever-so-loving, even though that is in contradiction to recent note-worthy biographies about the Bounapartes).

In the end, this book was a great read. I really had a hard time putting it down, despite my few misgivings.

I'm 42 years old. I'm originally from Caracas, Venezuela. I read this book when I was 14 years. It is a Spanish version that belonged to my grandmother. It was printed in Buenos Aires, Argentina in 1954. I have read it maybe 20 more times. It's my favorite book, and Desiree has been my favorite character ever. Recently I went to Paris and thought that maybe there it would be easier to find a copy, but nobody seemed to know what I was talking about. That's is why I'm hoping that Amazon can get a copy for me, I want to give it to my sister. It can be in Spanish, English or French. I have read all the reviews and I think everybody feels the same about this wonderful book.The copy I have is one of my most beloved treasures.

This is a fictionalized account of part of the life of Desiree Clary who was the fiancée of Napoleon and married General Jean-Baptiste Bernadotte who later became Queen of Sweden. History has never before been as human as it is here, told through the pages of Desiree's (fictitious) diary. It has a bittersweet quality since Desiree supports her ambitious and clever husband but wants nothing more than to be a simple housewife and mother of his children. She is repeatedly torn between her deep love for her husband and her nostalgic attachment to her first love, two of the most powerful men of her day. Ms. Selinko's book has obviously been very extensively researched since it contains a good deal of gossipy knowledge of the court of Napoleon, which brings vividly to life the various historical figures who feature in it. The author herself has acknowledged that she has in some places departed from recorded history but the personal touch is effective in making her characters feel human. History is life in this fascinating novel that transports the reader effortlessly into a world where people from dusty history books live and breathe. In spite of its more than 600 pages the novel seems too short and leaves the reader wishing that it went further into the life of Desiree. History teachers will love this book that unfailingly creates an immense curiosity about the Napoleonic era in its readers, but even the casual reader will be enthralled by this epic tale told on a personal level. Once read, this book can never be forgotten and, in fact, will be savored again and again. I love this book, I can't say how much.Thats why after that very correct and literary review ,I had to end with this...I love this book.

Written in the early twentieth century, this indigenous Japanese novel recounts the life & times of old Japan's greatest swordsman, Miyamoto Musashi -- a man who began life as an over-eager and rather brutish young lout but who, through the discipline of Japan's "way of the sword," turned himself into a master of his chosen weapon. But this tale is not only one of a life spent in training to perfect the art of killing with a sharpened piece of steel. In the venerable Japanese tradition, it is also about a man's search to conquer himself, to become a better man. The Buddhist view cultivated by the Japanese warrior class allowed for a spiritual dimension to their very bloody (in western eyes) enterprise of warfare and killing. And it is this aspect of his training that consumes Musashi, to the detriment of the people he encounters and who seek to attach themselves to him. Unable to settle down in the ordinary way, or to simply join a particular clan as a retainer to some noble lord, Musashi embarks on the life of a ronin (masterless samurai) as he wends his way through the feudal world of medieval Japan in his seemingly endless search for perfection. In the process he finds a young woman who loves him and many enemies who seek his destruction, at least in part in repayment for the damage he does them while on his quest. He also crosses swords with many other experts in Japan's martial arts, but it is his encounter with a Buddhist priest that ultimately puts him on the right path. In the end Musashi finds his grail in a duel to the death with his greatest opponent, the sword master famous for his "swallow cut" -- a stroke so fast and deadly that it can slice a swooping, looping bird out of the air in mid-flight. This alone is a challenge worthy of the master which Musashi has become -- and a match which even he may not be up to, for this opponent is surely the finest technician in his art in all Japan. But there is more to swordsmanship than technical skill, as Musashi has learned, and there is more to living one's life than mere technical proficiency. Musashi attains a sort of peace in preparation for his climactic bout, for he is willing to risk all and even die in order to win against the master of the swallow cut, while applying all the strategy he has learned throughout his tumultuous career to unsettle the man who will oppose him. In the end Musashi lived to a fairly ripe old age and, unlike many of his contemporaries, died in his bed after composing the famous Book of Five Rings -- his own contribution to the art of strategy. (And, by the way, The Art of War, another famous book of military strategy was written by the Chinese general Sun T'zu -- not "Lao T'zu.") -- Stuart W. Mirsky (mirsky@ix.netcom.com

Written in the early twentieth century, this indigenous Japanese novel recounts the life and times of old Japan's greatest swordsman, Miyamoto Musashi -- a man who began life as an over-eager and rather brutish young lout but who, through the discipline of Japan's "way of the sword," turned himself into a master of his chosen weapon. But this tale is not only about a life spent in training to perfect the art of killing with a sharpened piece of steel. In the venerable Japanese tradition, it is also about a man's search to conquer himself, to become a better person. The Buddhist view cultivated by the Japanese warrior class allowed for a spiritual dimension to their very bloody enterprise of warfare and killing. And it is this aspect of his training that consumes Musashi, to the detriment of the people he encounters and who seek to attach themselves to him. Unable to settle down in the ordinary way, or to simply join a particular clan as a retainer to some noble lord, Musashi embarks on the life of a ronin (masterless samurai) as he wends his way through the feudal world of medieval Japan in his seemingly endless search for perfection. In the process he finds a young woman who loves him and many enemies who seek his destruction, at least in part in repayment for the damage he does them while on his quest. He also crosses swords with many other experts in Japan's martial arts, but it is his early encounter with a Buddhist priest that puts him on the path which will forever after guide his life. Musashi ultimately finds his grail in a duel to the death with a man called Kojiro, who will become his greatest opponent, a sword master famous for his "swallow cut" -- a stroke so fast and deadly that it can slice a swooping, looping bird out of the air in mid-flight. This alone is a challenge worthy of the master which Musashi has become -- and a match which even he may not be up to, for this opponent is surely the finest technician in his art in all Japan. But there is more to swordsmanship than technical skill, as Musashi has learned, and there is more to living one's life than merely preserving it. Musashi attains a sort of peace in preparation for his climactic bout, for he is willing to risk all and even die in order to win against the master of the swallow cut, while applying all the strategy he has learned throughout his tumultuous career to unsettle the man who will oppose him. In the end Musashi became a legend to his countrymen, composing the famous Book of Five Rings -- his contribution to the art of strategy. But what he and Kojiro must do when they finally face each other is a tale in itself -- and a denoument towards which everything else in this book ultimately leads.

Books numbering to nearly 1000 pages daunt me-- as you can tell, I don't read very much, even though I should. Of course, knowing vaguely of the legend of Musashi prompted me to pick up this book-- and I haven't regretted it. I am only 60% done with it, but just for that first 60% I'd still give it a five-star rating. Not only was it true to Japanese culture, it was entertaining. (Shogun, the film, was true to form but not very entertaining for me.) What is very fun about the book is the way that Yoshikawa uses characters who existed at that time, and events that took place at that time (mostly the duels), and swirled them into a semi-fiction novel. The character personalities are simply intriguing. For vernacular purposes, "cool" describes many of the ronin portrayed in the book. I enjoy the mixture of arrogance, honor and skill that characterize the samurai-- especially Sasaki Kojiro Ganryu's references to his thirsty Drying Pole.

As a last note, the translation was exemplary. Not only was it technically correct, but Terry managed to transfer Yoshikawa's humor into English so that it was understood, and generally captured Yoshikawa's intentions throughout the book-- it seemed that things which are easy to describe in Japanese, yet having no literal translation in English, were recognized by Terry and converted into understandable English.

After I finish the book, chances are that Amazon.com had better establish a 6 star rating.

This book gives you a spirutal, personal and intimate understanding of death and dying. More than that, it compels you to stop and take a deep and serious look at your own life and your own death. The Tibetan Book of Living and Dying helps to alievate your own fear of dying and helps you take the responsibility to prepare for your death. At the same time, it gently helps you prepare yourself for the death and dying of a loved one. The teachings and personal experiences of Sogyal are simple to understand and intrepret and incorporate into your personal life. I wholeheartedly recommend this book for every introspective person as well as for those facing the death of a loved one.

My bookshelves are filled with books on many topics, including death and dying and spirituality -- this book might be the only book I really need.

For years I have thought I must read the Tibetan Book of the Dead -- but whenever I tried, it was much too complicated for me to understand.

Sogyal Rinpoche has written this book so that it is easily understood by anyone, even us Westerners, without compromising any of the Buddhist teachings it offers.

In essence, we begin to die the moment we are born. We spend this life preparing to die well. Nothing is permanent, but we spend much of our lives filling our time with activities and pursuits that help us elude ourselves into thinking that what we see and touch is all that matters.

Sogyal Rinpoche says, "To follow the path of wisdom has never been more urgent or more difficult. Our society is dedicated almost entirely to the celebration of ego, with all its sad fantasies about success and power, and it celebrates those very forces of greed and ignorance that are destroying the planet. It has never been more difficult to hear the unflattering voice of the truth, and never more difficult, once having heard it, to follow it: because there is nothing in the world around us that supports our choice, and the entire society in which we live seems to negate every idea of sacredness or eternal meaning. So at the time of our most acute danger, when our very future is in doubt, we as human beings find ourselves at our most bewildered, and trapped in a nightmare of our own creation."

He writes about the importance of realizing the interconnectedness of all living beings (including nature), of meditation (and gives instructions and advice), of finding and being devoted to a good master (something very difficult for Westerners to accept -- he acknowledges that there are fraudulent ones about), of learning to live and learning to die, of letting go of egos and becoming egolessness. Throughout the book, he tells of female masters as well as males, something female readers may greatly appreciate.

Sogyal Rinpoche is from Tibet, and speaks of the cruelty of the Chinese to the Tibetan Buddhists (very similar to the persecution of the early christians, and later the Jews by the Nazis -- when will we ever learn, but then that's the point of this book!)

In the last section of the book, he speaks of "The Universal Process" which is about spirituality, living and dying of all humans, regardless of race, spiritual beliefs, gender or national origin. There are in the back two mantras with explanations and he shares photographs of his beloved masters. Throughout the book are inspiring poems from such poets as Rumi and St. Francis of Assisi, as well as Buddhists. In the very back he gives suggested readings, and offers phone numbers and addresses of Rigpa National Office, where those who are interested can find referrals to cources and study groups in the US, Canada and around the world.

This book is a very good place for the seeker to begin. For those curious about Buddhism, or seriously interested in becoming a Buddha or a Buddhist, or just looking for more thoughts and information on death and dying, this book is excellent, easy to understand, thought-provoking.

After reading other reviews, I feel it might help to say this:

Yes, there is quite a substantial amount of Tibetan ritual encased in this book. But that shouldn't be a surprise, or a hindrance - it IS the "TIBETAN Book of Living and Dying", and not the "Generically Believable For Everyone, Book of Living And Dying".

With that in mind, I loved reading this book. From the first page, I was drawn into a world where compassion and mindfulness reign, and it's these tools that will help us face the inevitable truth that we *are* all going to die, at some point.

Rinpoche skillfully shares his own wisdom, that of many other masters, and anecdotal evidence of what may happen when we physically die, and the stages we may go through during the process.
Topics discussed include the Bardo states, reincarnation, the concept of karma, and fear of the unknown. The book is very readable, and covers the material therein with sensitivity and warmth. At times, it may be difficult to the average Western mind to grasp the concepts of such things are reincarnation - but as Buddha himself did advise, the goal is to read, absorb and take what YOU find important from the lesson...not to read blindly and accept everything blindly.

To anyone even vaguely interested in Buddhism, death and dying or simply becoming more aware of their own self, this book is an invaluable addition to your library.

Truly a classic.

Most fans of the late, great Charles Bukowski, myself included, list Ham On Rye as their favorite Bukowski novel - and rightfully so. This novel is actually a thinly-veiled autobiography of the man we knew and loved as "The Bard of Booze and Broads." We see through the eyes of young Henry Chinaski as he comes of age in Depression-era America, the product of a dysfunctional and physically abusive household. From his early childhood as a desperately lonely, yet antisocial little boy to his adolescence (where he struggles with crippling acne and develops a love of literature), we see the genesis of a great writer. Bukowski pulls no punches (no pun intended) in his descriptions of abuse suffered at the hands of his father, a coldhearted, arrogant, sadistic SOB. The reader is drawn in to Bukowski's passionate determination to be the exact opposite of what proper society tries to mold its youth into. A powerful and heartbreaking read. Great work, Buk! R.I.P - you will be missed!

This was the first Bukowski book I've ever read, and I don't plan for it to be my last. I picked up this title because I'd read that, at Christmas, Bukowski's books are among the most stolen from NY bookstores. I love to read books that end up banned or those that end up stolen, usually because they're astounding pieces of work, and this book was no exception. Henry utterly hates life (especially his father), and it's easy to see why. Through Henry's eyes, the reader sees and feels some terrible things -- Henry's beatings, the treatments for his skin, the repulsive traits of fellow characters. The book will leave you drained and angry because the images Bukowksi gives you are very vivid, some bordering on disgusting. It wasn't until after I read the book that I learned it's a thinly disguised bio. No wonder Bukowski's tone is bitter and fierce; if you read this, you'll see why. I couldn't help altering my feelings for Henry at almost every chapter. You get one side of Henry in one chapter, and in the next, you'd swear it was a whole new character. Henry isn't a very complex character, but his observations are. One of the saddest parts of the book comes when Henry's skin treatments end; the nurse who performs his therapy seems to be the only person in the entire book that cares about him, albeit in a medical capacity. Bukowski shows us a seamy side of life with rich descriptions and chracters that no fiction writer could create. Can't wait to try more of his books!

I guess it all stands to this with Bukowski, can you find humor associated with drinking? And do you mind something funny mixed with something tragic? If you can, then this author will please you.
He never battled with drinking, he loved it. He wrote some beautiful poetry and entertaining autobiographical novels. The novels based on his life go from birth to end as follows, HAM ON RYE, FACTOTUM, POST OFFICE, WOMEN, HOLLYWOOD. This book is from his birth until the age around 21.
I would not recommend this book to my mother, because she finds alcoholism a disease and very tragic. I also do sometimes find it tragic, but at times find it funny to follow the exploites of a gifted drunken bum. I have read most of his books many times.

In reading a book, it is important to differentiate between the three levels: entertainment, information and understanding. Gathering facts is not the same as gaining insight. Learning is not the same as discovery. There are four types of reading, each building on the previous: elementary, inspectional, analytical and syntopical. Elementary reading is reading as a child. Inspectional reading includes: title page, preface, table of contents, index, publisher's notes and pivotal chapters. Dip in here and there and read the last few pages. This process should take no more than one hour. This is most important for expository works. Even a difficult book should be read through without stopping. Remember speed-reading is actually variable speeds of reading as appropriate to the book in hand. The four basic questions are, 1: what is the book about as a whole? 2: what is being said in detail and how? 3:Is the book true in whole or part? 4: what of it-significance? The first four rules of analytical reading are: 1:classify the book, 2: find the unity, a single short statement that captures it's essence. 3: analyze the parts of the book. 4:determine the problems the author is trying to solve. The next four rules are: 5: come to terms with the author through key words and phrases. Important words help to increase understanding enormously. The approach is both top down and bottom up. 6: find the most important sentences and discover their propositions. 7: locate the basic argument of the book from the key sentences. Restate this in your own words to confirm your understanding. 8; find the authors solutions. If a book is over your head it is an opportunity to increase your knowledge. The last 4 rules concern criticism. 9: you must be able to understand before you can criticize. 10: when you disagree do so reasonably. 11: respect the difference between knowledge and opinion. Read other criticisms only after you have read the book, this can be very pleasurable. 12; show where the author is uninformed, misinformed, illogical or incomplete. The three sets of rules of analytical reading are therefore: structural, interpretive and critical. Degree of difficulty x size of audience=constant appears to be a rule. Great comment on Plato: wherever I go in my mind I meet Plato coming back. Syntopical reading involves creating a tentative bibliography, reading all the books inspectionally. Short-list the relevant books. Bring the authors to common terms. Establish a set of neutral propositions. Define the issues and analysis to throw maximum light on the subject. Ask questions as a child would and try to answer them. There is no limit to the amount of growth and development that the mind can sustain. Bibliography could do with bringing up to date from 1970 when to revision was written.

This book picks up where your reading instruction in school most likely left off. In school you probably learned only the first, elementary, level of reading. In How To Read A Book Mortimer Adler and Charles Van Doren explain that there are actually three levels of reading beyond the elementary level (inspectional, analytical, and syntopical) and they demonstrate how to develop each of these levels of reading within yourself. In so doing they instill in the reader critical thinking skills that can be applied not only to the written word but to the spoken word as well. And after reading this book you will discover that you are not only a better reader you will find that you are a better communicator. In short, this book will provide you with the tools necessary to live a more fulfilling life.

The information contained within How to Read a Book justifies its price, yet it is apparent that Mortimer Adler may need to read a book entitled How to Write a Book. His prose isn't terrible but it makes the book noticably longer. As one other reader pointed out, he tries to evince the flaws in the education system, but he fails to acknowledge that it isn't an advertisement and the reader recognizes that reading education is faulty, otherwise he wouldn't buy the book. This is flaw this excellent book has. The content is superlative, yet it took me several reads to get through his desultory style of writing. But I feel the time invested has raked in 200% returns, and I am definately indebted to How to Read a Book for giving me more enjoyment out of the books I read. The reason I give it 5 stars is because the content surpasses the 5 star limit and the writing falls in the 3-4 * range. The content is just so important... This book is essential. Stocks are down so invest in How to Read a Book and reap in the returns :)

I purchased my first Thompson Chain Reference Bible as a new believer back in the 70's. It was and continues to be the best study Bible for those who desire to search out the Word for themselves and compare scripture with scripture. And, the extensive Bible study helps in the back of the Bible do add a rich dimension in addition to the topical chain references.

I was a little concerned about the "new" TCR's as several reviewers mentioned degradations in quality and I certainly didn't like the thin glossy paper I saw in the hardbacks in the bookstore. I was delighted today when I received my large print deluxe leather edition Bible.

The Bible I received has excellent flat, opaque Bible paper perfect for note-taking. And, the binding appears to have stitching in addition to the glue, so I'd say the quality of the binding is fine and should serve one well for years.

One caveat in regard to the large print edition--It is LARGE! Not the print (it's 9 point instead of the regular 8), but the Bible itself. It's not so unwieldy that I would think twice about using it, but if size is an issue for you, check the dimensions and choose accordingly.

I can't say enough good things about this Bible. It has my highest recommendation; you won't be sorry in choosing this Bible.

I have owned one version or another of the Chain Reference Bible since I was a teenager in the seventies. My 'standard' Bible has been the large print KJV for many, many years and it remains the first Bible I pick up. I purchased the NIV Chain Reference, but just didn't like the translation, it just didn't 'read' right for me. I've enjoyed the NAS translation, but it is awfully dry reading when the heart desires poetry. So, I ended up purchasing the NKJV. It has been a real pleasure to read, combining the elegance of the KJV with a modern and accurate adaptation.

As for the chain reference system used by Thompson, it's such a part of my Bible reading and study that I'd have a really hard time switching to another system. Some of the illustrations and charts have been revised from my older KJV, but not to an extreme. The Thompson system remains, for me, the quickest and easiest way to study a topic through the Bible, or just through either the New or Old Testament. The Bible also includes an excellent concordance; for someone new to chain reference study they can start with the traditional concordance and work their way into the Thompson system. Also included are excellent maps, revised from the earlier versions, and a historical dictionary with photos of significant Biblical locations, with explanations.

I agree with another reviewer that Nelson Bibles are, in general, not made for people with serious intentions on daily Bible use. They are constructed down to a price, which isn't necessarily a bad thing, as these can provide a very inexpensive introduction to the Bible. However, when one is ready to use a Bible in a serious, daily way, a better Bible will easily pay for its higher price.

Though this Bible is well-made, it is NOT as well made as my older, large print KJV. My older Bible has whipstitching clearly seen in front and back, with pages secured as well today as when I bought it. This newer Bible appears to have pages that are glued in like cheaper ones. Additionally, the paper is comletely different than my older edition, and thinner. The older paper had almost an eggshell texture, whereas the newer paper is much slicker and thinner. In first use it's really quite difficult to get the pages apart. However, it's still a very well-made Bible, just not up to the standard of the older ones. That should in no way deter someone from buying it, though.

As a one-volume Biblical library, I haven't seen anything to beat the Thompson's. As another reviewer noted, it's also refreshingly free of editorial bias, which certainly can't be said of all its competitors. Most of all, each of us needs to find a Bible they can live with daily, and any Bible available is better than none at all! Thompson Bibles aren't inexpensive but they will last twice as long as cheaper Bibles, particularly if kept in a cover. Also, the supplemental atlases and historical additions might well save purchase of other books to accompany Biblical study. Highly recommended!

I love the New King James Version, put out by Thomas Nelson, but I loath Thomas Nelson Bibles. This is how I happened upon the Thompson a few years ago as I was relieved to find a NKJV not made by T.N. I first bought an NKJV in bonded leather. After 2 years of very heavy use, I bought an NKJV in genuine leather, and later a handy size KJV in genuine. All three of these Bibles are wonderful in every way.

The Thompson Study system is very helpful and they've graciously spared us from a myriad of religious cliche and personal opinion. The page layout is smart. The Bible text actually fills the page and all study helps and references are relegated to the side margins. There are so many ways to use the studies and references, I am unable to number them here. The concordance is as extensive as any I've seen. The 14 maps are colorful and very well done. Simply put, it's a complete, Jesus-exalting study Bible designed with excellence.

The construction of these Bibles is equally impressive. The paper is just right--not too thick, not too thin. The print is dark and sharp. Their font is subtil and very appropriate for the Bible, if you ask me. The red words of Jesus are RED. They're not muddy brown; they're not pink; they're bright, deep, beautiful red. They are printed consistantly page to page, not some pages lighter or misprinted, as the Thomas Nelson folks are plagued by.

Now that I own three Thompsons, I feel about them the way a good ol' boy down in the South feels about shotguns. "I have more than I need, but not as many as I want!"

Toquevilles' Democracy in America, written over a century and a half ago, is almost as relevant today as when it first appeared in print. Outside of the Federalist Papers, no book is as essential to a American student of political philosophy as this. This book is neither a manifesto of the right or left - both sides can draw powerful arguments (and lessons) from this work. Paramount to the book are the conflicts between equality and liberty, which today remains the core difference between the major political parties. Toqueville also predicted the rise of America and Russia, as well as the growth of the central government - a hundred years before it became reality. His praise of the American system of decentralized, voluntary associations is also dead on. A wonderful book.

The specific edition I am reviewing is the Heffner addition which is a 300 page abridgement. I also own an unabridged edition but I have only read Heffner cover to cover. What is amazing about de Toqueville is how uncanny many of his observations are over a century and a half later. He accurately predicted in 1844 that the world's two great powers would be the United States and Russia. He aptly pointed out that Americans are a people who join associations and he is so right 156 years later. Although there are both religious extremists on both ends, ie fundamentalists and atheists, he was dead on that, as a whole, we are a religious society but that our religious views are moderate. De Toqueville shows how American characteristics evolved from democracy as opposed to the highly class structered societies of Europe. From de Tocqueville, it could have been predicted that pop culture, such as rock music etc, would develop in America because the lack of an aristocracy causes a less cultured taste in the arts. In a thousand and one different ways, I found myself marveling at how dead on de Toqueville was. Most controversially, those who argue that we have lost our liberties to a welfare state might well find support in de Toqueville. Here, 100 years before the New Deal, he forsaw that a strong central government would take away our liberties but in a manner much more benign than in a totalitarian government. There are certain liberties that Americans would willingly sacrifice for the common good. Critics of 20th century liberalism in the US might well point to this as an uncanny observation. By reading "Democracy in America," the reader understands what makes Americans tick. De Toquville was an astute observer of who we are as a people and should be read by all educated Americans.

I want to note that there are several editions of this great work and in deciding which to buy, be aware that each has a different translator. I feel Heffner's translation is slightly stilted but, he did such a wonderful job in editing this abridgement that it, nontheless, deserves 5 stars.

Democracy in America by Alexis De Tocqueville is by far an in depth view of America as seen by the traveling Frenchman. It is written so well that even today almost one hundred and fifty years later it is still apropos.

The translation flows very easily and is not distracting. De Tocqueville has a wonderful writing style that could pass today even though it was written long ago... so well readable and quotable that you get the picture of American life, morals, and an astute view of politics all rolled into one.

You get a view and meaning of American civilization, for America herself, and also for Europe. You can tell from reading. that this view is ever-present in De Tocqueville's mind as if he is a comparative sociologist. Yet reading this book you get the impression that De Tocqueville had generations of readers in mind.

As De Tocqueville noted, "It is not force alone, but rather good laws, which make a new govenment secure. After the battle comes the lawgiver. The one destroys; the other builds up. Each has its function." So true even for todays war. After you defeat your enemy you have to build up the infratructure just as Marshall and Truman both realized.

Reading this book you see the skillful eye of the author noticing and recording what he sees and he is impressed. I found this book to be of great import for the observations of America and hope that our educators use this book for teaching our children about the great country we live in.