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Well, I most certainly did not. Janet Elaine Smith's novel takes a story from her husband's (Keith) family history, and peoples it with men and women about whom any reader can't help but care. Being able to guess how John Keith's apparently hopeless love for Ann Hastings would turn out, and knowing enough about the time and place depicted so that I also was sure where the plot must go, didn't keep me from turning the pages eagerly and thoroughly enjoying a well-spun tale.
Romance and intrigue, friendship and betrayal, against an accurately researched historical backdrop. No wonder "Dunnottar" has been an Amazon bestseller. I really ought to make my friend the museum curator buy her own copy.
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Three shady characters become the children's suspects: Mr. Tooner, the groundskeeper; Sandy Munson, Carrie's assistant; and Tom Brady, the antiques expert. As the Aldens bravely encounter seeing lights coming from uninhabited parts of the castle, hearing eerie music at night, and being locked in the cave, they succeed in figuring out who really has the valuable violin--and the true identity of one of the suspects comes as a surprise to all!
Being a second-grade teacher, I recommend this book to children who are entering the world of chapter books. The spooky setting and strange happenings will keep young readers highly interested. The clues and foreshadowing of the book will stimulate higher-level thinking skills, as well. Parents or teachers who read this book aloud to children will undoubtedly have insightful discussions as they try together to solve the mystery.
However, a descrition of Sir Thomas Robinson's incongrous alterations to the splendid mausoleum (1729 - 1745, though Summerson suggested 1742 as the date of completion) is not a sufficient account of his activities at the estate: the northern range of the house features several rooms completed under Robinson's supervision, but these are simply not mentioned.
The author combs out an icongraphical programme in Pelligrini's ceiling paintings in the domed hall (ie, the 'Fall of the Phaeton'), but a similar analysis with respect to the garden monuments draws different conclusions. Carlisle's changing position as a patron and politician accounts for this: the estate shifts, in Saumarez Smith's opinion, from being a an opulent panorama to an introverted retirement home for the earl, whom, in his dotage and increasingly unhappy free time, commenced autonomous study in matters of contemporary religious thought. This, therefore, effected his decision to build a grand mausoleum rather than allow his remains to fall into the hands of what his lengthy (and only) poem preserved at Castle Howard, described as corpulent and corrupt Anglican clergmen. As an explanation for the development of the garden buildings, this is not as simplistic as my description might phrase it: the book's account is entirely convincing. I do not imagine that 'The Building of Castle Howard' - an inexpensive but well-illustrated gem - will be in print much into the future. However, its interest is broader than simply an account of architectural patronage. Unlike other studies of 18th Century British art which read as prosaic 'case-studies' (especially in the case of portrait painting, all of which make the same point), Saumarez Smith's book is an autonomous and compelling analysis of specific buildings and their conception, not a dour treatise from which established generalities are laboriously combed out.
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Very few people realized that it was all a ruse and Eddy was banished to Glamis Castle, deep in the Scottish Highlands. He lived there for over a decade in a luxurious if isolated suite and was known as Lord Osborne to all of the servants. One night he disappears and his personal servant is found murdered, her throat slit open. Lord Charles Sheridan is ordered by the king to find out who murdered the servant and to discover where Eddy went. He is able to accomplish his mission with the help of his intelligent and nosy wife Kate.
After reading DEATH AT GLAMIS CASTLE, readers will be glad that they are not members of any fictionalized European Royal Family because they come across as utterly ruthless and willing to do whatever needs to be done to preserve their station in life. Robin Paige has written an excellent mystery that involves German spies, a dark conspiracy, and a servant who is loyal and devoted to a once crowned prince. This work is rich in atmosphere and gives the audience a feel for the period after Queen Victoria's death.
Harriet Klausner
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The author was a professor at Oxford University and the text & pictures are from a 1924-1925 trip thru southern England.
Thorough historical coverage. The book is more of a study of the history of the castles. The pictures are rather dull and small or old-looking.
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