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I would say that if you are starting in real estate investing or you want to try a new disipline of the real estate market this book gives you a solid foundation to build this type of financing strategy.
This book is in its own category - practical, thorough AND full of new, creative ideas. This is definitely not a "pie in the sky" book on real estate (I read some other reviews here and I just don't understand how someone could even suggest that about this book).
The basic premise of the book is based on "quick-turning" properties for cash. I like this idea, since I have no aspirations of becoming a landlord. The book has a great chapter on rehabbing, but the focus is really on flipping junker properties to other investors who will do the rehab work.
The first few chapters cover the legal details of real estate transactions, which is something few books cover. I really like the practical comments the authors reveal based on their obvious experience in real estate. The forms in the back of the book are worth 5x the price of the book. My only complaint, however, is that I wish they were available on CD-ROM (I emailed one of the authors and he informed me that I would have to buy a more expensive course to get the forms on disk).
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Cash's research, which was carefully and meticulously done, is written out in a clear and readable style, and his collections of anecdotes and new stories (so much, after all, has already been written) makes the book a goldmine for a Greene scholar. Cash's interview(s) with Vivien Greene, in particular, are valuable in what they tell us about their marriage and about Greene as a person - Greene's faults are laid open for us all to see, and while some of what is revealed pains the reader, it is helpful, all the same, in putting Greene's work in perspective to his life.
An impressive piece of writing overall and a much-needed contribution to the vast field of Greene scholarship. However, the main shortcoming of the book is that it lacks an index, and should a second edition be in the works, it would much behoove Cash to compile one.
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His insights into these two megastars, each at the very beginning of their climb to fame, are interesting, to be sure, but there was so much more to be covered. In addition to the two icons, numerous other country acts began or expanded their stardom on the Hayride, and though Logan provides some interesting anecdotes about Johnny and Jack, Kitty Wells, Faron Young, Slim Whitman, Webb Pierce, Johnny Horton, Johnny Cash and George Jones, he never really delves into the Hayride itself.
His dishing on the Grand Ole Opry, while probably close to the bone, is a poor substitute for a deeper discussion of how the Hayride itself worked. There's some interesting analysis of why the Hayride kept giving up its stars to Nashville, but having been written so long after-the-fact, the of-the-moment accounts focus more on the stars than the show. One never really gets a feel for the Hayride's own arc of fame, nor the nuts-and-bolts of how the show (both stage and radio) operated.
That said, and even with the factual errors noted elsewhere, this is a worthwhile first-hand account of a seminal program that fostered one of the great transitional periods in country music's history.
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That's it...
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I have heard independent approval of this book as well. A local radio guy who has a mutual fund investment show has mentioned it several times.