read one of the short pieces in this anthology. They are also incredibly uplifting too. A brilliant bedside companion for any dog lover.

Although each of the pieces in this book was inspired by the loss of a much beloved dog, this is really a book about vibrant, fully-alive dogs: family pets, fellow hunters, soul mates, and best friends. And while none of the dogs remembered so fondly here still lives, Old Dogs affirms the remarkably special place in the heart we reserve for our dogs. My own dog is sturdy in her middle-age, but reading the eulogies and odes in this moving anthology has made me appreciate more all the quirky habits I take for granted, like how she can't resist running off with one of my Reeboks when I'm shoeing up for our evening walk--the little prance she performs when I tell her, "Bring the shoe back!" Not a sad read but a celebratory one, required for every dog owner!

This is a remarkable anthology of stories and poems by outstanding authors of the past, as well as more recent times. Although these moving remembrances are only of beloved dogs, the lovers of any species of pet will find identical sentiments for their own losses. Whatever kind of companion animal you had, you will find your own bereavement and healing tears reflected here, as well.

Care was taken to avoid over-sentimentality, in this assortment of loving reflections of dogs, celebrated here. These accounts are full of love, and are sometimes even funny - and we are thrust into the realization that perhaps that is the most wonderful kind of living memorials we can have for a beloved pet. Too often, we lose this perspective, while trying to keep from drowning in our own bereavement and sorrows.

Rather than being a collection of sad literary memorials Old Dogs Remembered is a joyful celebration of life with pets. This inspires healthy new points of view and adjustments to moving on into our new lives, without them.

Here we are treated to many different outlooks on how they permanently enriched the lives of their owners. Reading these heartwarming pages will broaden the understanding of each reader, concerning his/her own personal bereavement. Here, we are offered the collective wisdom of others, who reminisce on their honored pets. There is much to be shared and learned here, as well as enjoyed.

With so many different authors, one must appreciate that references and styles have changed drastically, through the ages. As an example of this, some might find the essay by the dramatist John Galsworthy to be interesting, but a bit troublesome to read. And, as with any anthology, there may be some accounts not everyone would appreciate. But all pet lovers will readily identify with the overall shared remembrances, here. This is a heartwarming collection, which can be enjoyed comfortably, in several installments.

There will be many an uplifting tear shed in its reading, and we suggest it for your reading pleasure.

_Carver Country_ is a fascinating look at Raymond Carver's personal life. Warning: one feels like a snoop reading through this book. There are photos of Ray's desk, complete with ashtray and paperweights; his childhood home; various landmarks in and around Yakima, WA and Arcata, CA; and portraits of Ray's family and friends. These last are especially powerful. But aside from the photos, there are words - unpublished letters written by Ray, an excerpt from a 1983 interview for _Poetry_ magazine (which includes my favorite line - "That's the last Christmas you'll ever ruin for us!"), and a substantial introduction by Tess Gallagher. It is wonderful and strange to see the places that were turning points in Carver's life, and the accompanying text is haunting. Gallagher's introduction is especially fine, and worth reading many times. Get this book.

Carver was a wonderful, wonderful writer. It's great to see his house, his study, his wife and friends photographed so beautifully. It's great to read his stories, his poems, more than 10 years after his death and to find them as powerful as ever. This book is very moving.

This book is indispensible (see above) for anyone who appreciates Carver's work.

I cannot stess enough what a great poet (and short stories writer) Raymond Carver is. In his minimalist writing style and his hidden way of dealing with exsitential issues, he earned his way to be my favorite (and nearly only) male poet. His poetry will not intimmidate those who are not so keen on poetry, and at the same time will touch everybody deeply. The poetry in this book, isn't trying to be anything grand or anything it simply isn't, it's just the plain truth, with no masks.

Ultramarine by Raymond Carver, a collection of his poetry, is a gem. With each of my moves I find myself discarding all of my books except for this one. This is the one I hold and keep returning to.

While Carver is better known for his short stories, I think it's his poems that communicates his silent emotions. The sparse language of Raymond Carver that is so effective in his short stories is even more powerful in his poetry.

If there is anything I would ever recommend, this is it.

I'm very surprized that no one has reviewed this book! I thought that it was fabulous! I love the way that the plot was on the sea, and its mysteries! I was totally caught up in the book! I read this book straight through, whithout talking to anyone. I hope that there are more books like this out there, and I hope that you will be the next to buy, read, and review this book!

It's like little pebbles that make up the beach. The short storries conbine to give you a feel of his life. Great collection of storries. Some that reflect on me so much that they often remind me of things in my childhood.

These are raw stories of the human heart in conflict. They will change your life forever.

This audio collection of short stories - by three American Masters, Raymond Carver, John Cheever, and John Updike - is perfect for that next long drive, morning commute, or anytime you need something really good to listen to. I highly recommend.

I'll admit it is difficult to write a review of a book that has not even been published yet, but hey, it IS Raymond Carver, so you and I both know that here again is the opportunity to feel the magic of his genius. He can affect and move your interior landscapes as only a few other authors who have that gift can do. Read everything he wrote. It'll be good for you.

Arthur C. Clarke, Ray Bradbury, Jorges Luis Borges and Raymond Carver at their best. Four timeless tales from the abstract minds of four of our greatest sci-fi authors. A thrill a minute..!

Before discovering a dusty old hardcover copy of John Gardner's 'On Becoming A Novelist' in an infamous New York City bookstore (Gotham Book Mart), I was under the impression that every book related to the art of writing fit into one of three catagories. Either it focused on technique (Robert McKee's 'Story'), it offered encouragement (Anne Lamott's 'Bird By Bird'), or it took memoir form (Annie Dillard's 'The Writing Life'). I was wrong.

This book is a portrait of the writer as a young man (or woman). After years of teaching creative writing courses and wallowing around the publishing industry, Gardner acquired an opinion or two (major understatement). He correctly believed that writing novels is not a profession or a pasttime for the timid, and so he outlines the prototypical writer's 'character'. The purpose, of course, is to get the young writer to ask himself if he is really cut out for this. In the course of telling you what traits a talented writer must have (verbal accuity, a discerning eye, faith, etc.), Gardner offers up some brilliant insights into the craft. His discussion ranges from writer's block to writers' conferences, and while you may not always agree with him, his views are always thought provoking and perceptive.

In the end, this book may be mildly discouraging for the would-be writer who is currently on the fence. Gardner does not sugar coat his opinions, but I am glad for that. He has no qualms in informing his readers that worthwhile writing takes a great deal of talent, and not everyone has that talent. As he says, the worst that can happen after reading this book is that you will realize you don't have the right stuff, and you will move on to something else.

In reading this book, you get the impression that he was a brilliant writing teacher, as is evidenced by perhaps his greatest student, Raymond Carver. Carver wrote the brilliant introduction to this book, which familiarizes the reader with Gardner's personality and makes it easier to put the rest of the book in perspective. I, for one, would have loved to have Gardner as a teacher. As that is no longer possible (he died in a motorcycle accident years ago), this book is no small consolation.

Don't imagine that is book is out dated. It's actually better than most other books on writing out there today. Read it with your highlighter to capture some really helpful and inspiring advice. This is one you'll want to own.

There are lots of books out there on the mechanics of writing a novel. There are others that give you plot outlines, character sketches, or tell you how hard, hard, hard, or easy, easy, easy it is to build a career in writing.
Gardner, on the other hand, simply tells you how it is- at least from his point of view, and he makes it clear throughout that his advice to young writers is only one wall of the pigpen. The most refreshing aspect of this book is that it is geared to the "serious" novelist- i.e. someone who doesn't want to write books based on formulas or what sells, but just wants to write what they want to write. Gardner doesn't lie about the slim possibilities of making a living as a novelist, but he does give solid advice on how to make money without your job interfering with your work.
Though it was written more than twenty years ago, this book is still valuable today for the beginning writer- I'll keep it on my shelf for many years to come.

This is a beautiful book. Richard Nixon is an unlikely vehicle for beauty, but Maxwell does it somehow-- his gentle portrait of Raymond Carver no doubt has a lot to do with it. He has created a tragedy that does what tragedies should do-- simply, it makes you feel for another human being.
Also interesting in the same vein is Russell Lees' play "Nixon's Nixon"-- between the two of them these works do what history should do but can't.

buy the book, better than any "real" biography of either man...it leaves you hungry for more!.

I do not like to fish, play poker or clean the garage, but I loved Nixoncarver! Maxwell must have a vivid imagination because some of the images he created gave me a physical response--I will never look at a bluebird or my mother's arse the same way! After I finished the book, I regreted reading it so fast. Now I miss my new friends Nixon and Carver. Perhaps there is a part two in the works? Nixoncarver: Heaven or Hell? I hope so!