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I first came to this book through the published endorsement (hence, not personal) of the great C.S. Lewis, who made his first reading of the Well in November of 1914. He read it many times thereafter.
In my ONE reading of the two volumes, I can attest to the fact that this is a beautiful story, a rich fantasy, a vibrant fairy-tale with no fairies. Among other things... a love story. Strictly speaking, as regards genre, it is a "romance". The chivalric, bardic story of Ralph of Upmeads, the least likely of the King's four sons, who devotes his life to the quest of the Well at The World's End... a fabled well which promises to reward its discoverer with perpetual youth.
If you are in love with Tolkien's The Lord of The Rings (and who isn't) you should definitely consider having an affair with The Well At The World's End. Let me defuse the daunting issue of Morris's use of archaic language. Be ye warned, in every sentence you will constantly encounter words such as forsooth, hitherward, quoth, whither, rideth, erstwhile, deem, draweth, betwixt, and I wot not else. At first I thought this would be really intolerable. But I quickly adapted to it, and even found it kind of "not vile".
Remember... Volume 2 is essential. It's NOT a sequel, it's a conclusion. Get both volumes, and escape the world of car horns and remote control for a bit.
I applaud this new re-issue of what is definitely a fantasy classic. Previously, one had to search a hundred used-book stores to find it. Now it's a click away.
And as regards it's place on the bestseller list? I am reminded of the wise words of the great Henrik Ibsen, who once suggested that "the solid majority is always wrong."
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Carter covers all the bases tracing the Hall's timeline: its creation, mission, musicians and the songs and lives they preserved. He recalls the Hall's strong-willed, soft-hearted entreprenuers, Larry Bornstein and Allen and Sandra Jaffe. He carefully charts musical and personal histories of band members and local legends like trombonist Jim Robinson, drummer Cie Frazier and irrepressible pianist 'Sweet' Emma Barrett (who judging from her spotlight among several breakout pieces, was often sour, bitter, or salty). You realize, as it stands amidst seedy strip clubs and franchises like Jimmy Buffett's Margaritaville, Preservation Hall exists for those loving the music for what it does for and to them, not the flash it throws at them.
Carter writes that 'enjoy' has the impact in New Orleans 'achieve' has in the rest of the country. But as 'Preservation Hall' winds down you see those words as synonyms describing the feisty comeraderie these heritage musicians brought their work. You come to love their quirks on and offstage, (Carter splits his postscript between hilarious band anecdotes and heartfelt celebrity tributes). You see and hear joy they brought audiences worldwide, including US presidents, Supreme Court Justices and icons like Woody Allen, Frank Sinatra, and Mick Jagger. The Hall and its music helped draw tourists back to New Orleans when the city rebuilt its vacation trade on its jazz and party history. You mourn as original band members, for whom the Hall and its tours provided their long-running work and steadiest income, pass from the scene followed by their manager/mentors, Bornstein and Jaffe.
The book justifiably praises Louis Armstrong, Sidney Bechet, Kid Ory, Buddy Bolden and other legendary New Orleans jazzmen, whose spirits pervade every block of Bourbon Street and whose legacy the Hall preserves, not exploits. But sadly, it also charts unkind potshots from modern band members like Dr. Michael White. His disparaging comments about 'a bearded, pot-bellied guy standing there blasting Louis Armstrong solos at 90 miles an hour" seem aimed at Al Hirt and Pete Fountain, men who also loved classic New Orleans jazz, took it mainstream and whetted American appetite for it during the early 1960s "folk music" boom. This is an example of what is at best provincialism or what Carter calls 'Crow Jimism,' a reverse descrimination (acknowledged and hinted at in some of Jaffe's printed interview remarks) where every older black musician is thought more authentic, and thus better, at his instrument than his white counterpart.
'Preservation Hall' will delight those wanting to understand more about New Orleans' rich jazz history, or wanting an historical recreation broken up by hilarious anecdotes and great music. If the book came with a complete musician's list and discography (or better yet, a sample CD!) it would have been perfect. But everyone reading 'Preservation Hall' will rest it hearing New Orleans jazz in their minds, or wanting to.
describing the origins and growth of Preservation Hall, the citadel of traditional New Orleans jazz at 726 St. Peter St.
He profiles many of the musicians who played at the Hall, and manages to do it in such a way that the reader keeps turning the pages. I usually run out of steam about the middle of books like this one, but that was not the case with this one.
If you enjoy traditional New Orleans jazz, and have ever been to or plan to go to Preseration Hall, you gotta read this book.
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Although others may focus on their discussion of Russia and NATO as the core of the book, what I found most helpful and worthwhile was the straight-forward and thoughtful discussion of the need for a new national strategy, a new paradigm, for dealing with potentially catastrophic terrorism. Their understanding of what defense resources can be applied, and of the impediments to success that exist today between state & local law enforcement, federal capabilities such as the Federal Bureau of Investigation (FBI) and the Federal Emergency Management Agency (FEMA) and defense as well as overseas diplomatic and intelligence capabilities, inspire them to propose several innovative approaches to this challenge. The legal and budgetary implications of their proposals are daunting but essential-their proposals for dealing with this one challenge would be helpful in restructuring the entire U.S. government to better integrate political-diplomatic-military-law enforcement operations with judicial and congressional oversight as well as truly all-source intelligence support.
Interesting side notes include 1) the early discovery in US-Russian military discussions that technology interoperability and future collaboration required the surmounting of many obstacles associated with decades of isolated (and often secret) development; 2) the absence of intelligence from the entire book-by this account, US defense leaders spend virtually all of their time in direct operational discussions with their most important counterparts, and there is very little day to day attention to strategic analysis, estimative intelligence, or coordination with diplomatic, economic, and law enforcement counterparts at home; 3) the difficulty of finding a carrier to send to Taiwan at a time when we had 12 carriers-only four appear to have been "real" for defense purposes; and 4) the notable absence of Australia from the discussion of security in Asia.
The concept of Preventive Defense is holistic (requiring the simultaneous uses of other aspects of national power including diplomacy and economic assistance) but places the Department of Defense in a central role as the provider of realigned resources, military-to-military contacts, and logistics support to actual implementation. Unfortunately the concept of Preventive Defense has been narrowly focused (its greatest success has been the dismantling of former Soviet nuclear weapons in the Commonwealth of Independent States), and neither the joint staff nor the services are willing to give up funds for weapons and manpower in order to make a strategy of Preventive Defense possible.
This resistance bodes ill for the other half of the 21st Century security challenge, what the author's call the "C List"-the Rwandas, Somalias, Haitis and Indonesias. They themselves are unwilling to acknowledge C List threats as being vital to U.S. security in the long-term (as AIDS is now recognized). I would, however, agree with them on one important point: the current budget for defense should be repurposed toward readiness, preparing for the future, and their concept of preventive defense, and it should not be frittered away on "C List" contingencies-new funds must be found to create and sustain America's Preventive Diplomacy and its Operations Other Than War (OOTW) capabilities. It will fall to someone else to integrate their concept of Preventive Defense with the emerging concepts of Preventive Diplomacy, International Tribunals, and a 21st Century Marshall Plan for the festering zones of conflict in Africa, Arabia, Asia, and the Americas--zone where ethnic fault lines, criminal gangs, border disputes, and shortages of water, food, energy, and medicine all come together to create a breeding ground for modern plagues that will surely come across our water's edge in the future. On balance, through, this book makes the top grade for serious bi-partisan dialogue, and they deserve a lot of credit for defining solutions for the first half of our security challenges in the 21st Century.
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However the stories within the book reflect the awful war as experienced by all bomber crews during this horrific campaign. I found the personal accounts to be sad, heroic and sometimes funny but the image that remained in my mind after finishing this book was the untold numbers of men who died and never had the chance to tell their stories. How many crews left their bases on a mission never to return and none of their comrades and families ever knew what happened to them?
They were swallowed up in the dark of night and became victims of German night-fighters or flak, their planes never seen again. After reading this book you'll get an understanding of what these men went through, some of the stories are just mind numbing. In particular is the story of Andrew C. Mynarski, 6 Group's sole Victoria Cross winner. This brave 27-year-old Canadian was a mid-upper gunner on a 419 Squadron Lancaster who lost his life during a mission in June 1944 (pages 276-278).
The narrative is fast paced, informative but never boring or dull. The story is well told and is a brilliant account of the harsh realities of an aerial bombing campaign as conducted by the RAF over Germany. The book starts with an introduction to the first bomber offensive in 1917 and finishes with an account of the 1990 reunion of the survivors. The authoritative text has numerous personal accounts of the aircrews woven into the story and overall the book reads well.
The only complaint I have with this book is the standard of the photographs. I would have liked more and of a better quality. Regardless of that this is still a great story and I think that anyone who has an interest in this period or who really wants to understand why these men did what they did and what happened to them then this is the book to read.
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For those people not practicing or learning architecture but admire the beauty, a display of SOME of the worlds most fabulous buildings open your eyes to look beyond the street you live in.
Although this is a fantastic book there are many other fabulous buildings left out, which you would expect. There arn't a lot of images of each building, but how thick can a book be? if you love the guggenheim in bilboa, 5 images certainly arnt going to show you the whole story, as is the same with the getty, or the creativity of calatrava BUY THEIR BOOKS there is so much more to an architect than just one building. How they can award a single prize to someone out of so many masters must be the hardest job in the world.