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The book does a good job of not romanticizing the dolphins (If I see one more New Age painting of noble dolphins swimming among a sea of stars, I'll get nauseous) but still conveys an appreciation of these impressive creatures.
Cahill also does a good job of profiling a team of cetologists studying the dolphins.
This isn't hard biology, but there are some interesting sections authored by dolphin investigators, and references for more technical readings in the notes.
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There are a lot of books out there about Yellowstone, but nothing captures more the magic of silence and solitude than this one.
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Tim is his usual exuberant, one-of-guys, self-deprecating self. There is no one who can recount an anecdote with quite his flair. While speeding across Honduras, a flock of birds crossed the windshield while Cahill was driving. "Garry had snapped bolt upright from his slouching position in the passenger seat. He was holding his belly as if he had been shot. 'Wah' he said in his strange, sleep clogged voice-----there seemed to be a dead bird in his lap. 'I reached down there,' Garry said, 'I felt something warm and wet. I was sure I had been shot. I thought I was feeling my own intestines. Then I started wondering why my intestines would have feathers and bird feet on them." Stories like this made me laugh aloud.
The book was nonetheless claustrophobic. By the time, Tim and Garry had reached Central America; my only thought was "let me out of this truck!" All but about 20 pages are devoted to South and Central America. The last 5,000 miles of the US, Canada and Alaska are barely mentioned. I suppose this is because the last third of the trip was without incident or terrors. But it did give the book an unbalanced feel. The section regarding how you get yourself considered for setting a Guinness Record was very interesting. Hint: If you plan on setting or beating a record, check with Guinness before (not after) you do it. There were about 35 pages devoted to how one went about getting sponsored, i.e., raising money (in this case about $350,000) that I found tedious.
The book was enjoyable for the most part, but I did get the impression Tim Cahill was as glad the trip was over as I was.
Because, frankly, it's not a question of how fast you can drive; rather, the BIG ISSUE is how much time it takes you to cross the border from Country X to Country Y. And then again from Country Y to Country Z. This ain't the European Community where you can whiz past the Germany - Netherlands border without realizing it. These are real border crossings - guards, official stamps, commissars, corruption, danger, you name it.
Garry Sowerby and Tim Cahill spent up to a year preparing for that aspect of the trip. Yes, GM sponsorship helped in places. Yes, the Canadian government helped in places. But what carries them through at the end of the day is the intense focus and planning these two guys put into the journey before the trip even gets started.
There's a lesson in there for everyone.
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I've never read "Killer Clown," so I can't speak to the charges of plagiarism. But I must take exception to the comment that the book doesn't tell us what Gacy is thinking. In fact, it basically tells the story from Gacy's point of view, exposing him -- using his own words -- as a liar, a manipulator and a malingerer without equal. I always imagined Cahill writing this book with a nod and a wink to the reader, as if to say "Can you believe this guy?" Far from being a Gacy dupe or apologist, Cahill simply doles out the rope, and Gacy dutifully wraps it around his neck and ties the noose.
It's a fascinating, and sometimes macabre, journey into a sick and twisted mind, and I haven't found anything since that comes close to matching the style or insight offered by this book.
Cahill, the author did a wonderful job making his life story seem so real feeling as I read.
I will say the first chapter was so gross, what with the describing the little red worms in the soil in the crawl space. (Shivering) highly recommended
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Tim Cahill is an unabashed delight. If I had to go all or any of these places, he's my pick of a companion. Funny, quirky, compassionate and I suspect a lot more competent than he lets on. An added bonus is his lyrical writing; his descriptions are magic. His analysis of bringing stone age people into the age of technology is thoughtful, insightful and all empathy.
In the essay, "On the River of Cold Fire" I have never read a better description of a totally cold, wet miserable journey. All the times, we have said "If I ever get out of here---" are summed up in this article.
I've decided I will forgive him for accusing Emily Dickinson of over-editing and even his titles. It is so difficult to tell your loved ones you want "A Jaguar Ripped My Flesh" or "A Wolverine is Eating My Leg" for your birthday. But be firm. Insist these are what you really want.
As with most of his other books, Tim has gone out and done a lot of interesting traveling. He's always willing to write about embarrassing himself if need be, and I doubt he embellishes much if at all. _Butterworms_ is a collection of stories of these sorts of travels, and is well worth your time and money.
A special note: Cahill books make superb gifts in my experience--anyone interested in new things and places tends to like them.
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JL
Tim Cahill is one of the modern day explorers who is documenting the amazing diversity of cultures in this world and for that, this book is worth reading.
Cahill's adventures take him to the four corners of the world: Africa, South America, Mexico, the mountains near his home in Montana. The essays cover a lot of ground. In addition, Cahill couples a keen storytelling ability with a helpful dash of research. This provides interesting background material for the landscapes and the cultures that he visits.
In the introduction, Cahill claims that he's not trying to be funny when he writes. Yeah, right. He's definitely trying to be funny (unless he's become so good at it that he doesn't have to try anymore). The results are there to enjoy. But the best stories combine humor with more serious issues. These are the essays that demonstrate Cahill's versatility--and maturity--as a writer. And they also make "Hold the Enlightenment" a pleasant surprise for those hoping for more than another book of crazy derring-do.
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This distinction mentioned; Pecked to Death by Ducks is a very worthwhile read. Cahill has traveled to some of the most amazing places in the world, with some of the most interesting companions, and these adventures are marvelously rendered in this book. In addition, since each chapter stands alone, it's quite easy to stop and start again. Definately recommended for anyone with an interest in adventure or eco-travel!
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Everything from proper approaches to mountain gorillas to the eruption of Mt. St. Helens is here, and the stories are usually quick reads. Perfect reading for those who grab their moments of reading enjoyment in blocks of 5-10 minutes in between other activities.
Can't see how it could fail to appeal.
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Ever wonder why people chase all over the earth to view a solar eclipse? Find out on a rollicking trip to find the absolute best place to get an unclouded view. Discover what all the shouting is about.
I am used to Tim somehow bringing me back alive, laughing all the way from the wildest, strangest parts of the world. I have always credited him with fine introspection and lyrical prose that sneaked into whatever he wrote. The guy is just incapable of bad writing.
The essays include a fine thought piece on the late Dian Fossey, the "Gorillas in the Mist" author who was murdered apparently by poachers. The essay on "reprogramming" of children who were enmeshed in cults is harrowing. Cahill has no use for the cults, but the rationale and methods of reprogramming are chilling. He infiltrated a California cult and lived there while developing his story. The living conditions (except for the leader who lived in a mansion on the hill) were unbelievably bad, yet the morale was high among the young converts. Tim presents a balanced, sometimes humorous, article that shows empathy for all except the leader.
The premier essay, which should be required reading, was his on-the-spot reporting of the Jamestown Massacre that took place in Guyana twenty years ago. The immediacy and power of his word pictures, the horror of 900 dead supposedly suicides, the incredible remoteness of the site crush with a pervasive sadness and dismay.
What makes it so good is, for one thing, that he's never so detached as to reek of smug pseudo-sophistication, but never so involved as to let his emotions and opinions interfere with the story. The balance between the two extremes is perfect. For another, Tim simply does and sees things hardly anyone else ever sees and does, let alone writes about. For yet another, he is often very funny in a dry, Montana sort of way. If you are new to Tim Cahill, you're in for quite a few hours of great reading.