So you don't know the differences between giants, trolls, and ogres? How about oafs, churls, and louts? Did your liberal arts education not cover which part of a castle wall is properly called a merlon or a crenel? Or perhaps your science background failed to equip you with the knowledge needed to distinguish fat from tallow or parchment from vellum? Are you unsure if a particular wizard is trustworthy?

Then you clearly need a copy of the splendid reference by called the Book of Weird, a venerable stockpile of arcane knowledge. The author, Barbara Ninde Byfield, has termed her work, with both modesty and accuracy, as "Being a most Desirable Lexicon of the Fantastical. . ."

The often tongue-in-cheek entries are truly both informative and often hilarious. For instance, we learn not only that are churls "ill bred, and very likely low born" but also are provided with the insight that "If they serve beer, they slop it: if they drink beer, they belch."

Byfield even provides an appendix of sorts of "Useful Information" wherein you can learn about weights and measures (of course, you may already know that a firkin = 56 pounds and that an ell spans 4 feet), a list of legal holidays (including various Sabbats), and some medicinal advice that may not be for the squeamish.

This is the sort of book that will improve one's spirits. It's clever, smart, and fun. My only regret is that my large format copy of the 1973 edition finally fell apart because of continued use. Still, this smaller format version is worth finding and hanging onto. Also, you might find an even earlier edition published under the somewhat confusing and less descriptive title The Glass Harmonica.

Gotta go perform some rites. . .

After reading a brief description of THE GLASS HARMONICA (as this book was originally known) back in the 1970s, I searched for it off and on for 20 years. When I finally found it in the 1990s, you might expect the wait to have created an expectation the book could never meet. But it did. THE BOOK OF WEIRD is an absolute delight for anyone who enjoys fantasy, history and myths and legends, spiced with a playful sense of humour. It is also surprisingly useful, particularly if you are a writer of fantasy. One of my absolute favourites.

Written with sly with and an incisive understanding of the legendary, this book explains everything (almost everything) you could want to know about living in the world of faerie tales. Each entry is a gem, and the appendix has more outre information than you could shake a rat at. Fits well with Brian Froud's Faeries.

This is the tale of 11-year-old Andrew, an alchemist's apprentice, and King Oliver, the Prime Minister Bogardus, Mrs. Strawspinner and the mysterious Frederick. And yes, a basilisk as well. A good book for children who love fantasy and extravagant language, particularly those who love Harry Potter. Evocative black and white illustrations by Deanne Hollinger.

You don't have to be from San Fran to love this little story, although I am sure that it helps. The plot follows Charlie the cable car as he and a favorite passenger (the narrator, who is Caen himself, of course) leave the cable car routes and decide to explore their hometown of San Francisco, coming into contact with Chu, a Chinese New Year's dragon. Caen's legendary wit is surprisingly well-suited to this kind of writing; I loved his personification of the young cable car (he compares Charlie's voice to "a piece of wood being rubbed across steel"). Byfield's watercolors help tell the story (making the book a good mixture of visuals and text) but are also pleasures in and of themselves.

The story does not have a very specific and blunt point for children to take away (which is fine with me). That said, it does imply that thinking out of the box (or off the trolley routes) is good and that making friends with people from other cultures is beneficial. Kind of appropriate for San Francisco when you think about it.