Captain Marryat's "THE CHILDREN OF THE NEW FOREST" is a wonderful tale in narrative, historically rich and quite fascinating. This story of adventure, treachery, and love takes place during the English Civil War, when fellow countrymen are found enemies, and are set against each other, Roundhead and Cavalier, Parliament and the King. Many hoped for the same thing: justice. But, for a long time, neither could find it. In the midst of all were the Beverlies, the family of a faithful Cavalier, who died in service of the king. His four children were left orphaned when their mother died of grief. Then, word came to them that the Roundheads were going to burn down their estate, Arnwood. Fate sent them into the hands of an old forester, Jacob Armitage, and they escaped to his cottage. From there, the story unfolds. It is a classic worthy of shelving in libraries, in private or in public collections, recommended by many educators, and by me, with all due praise.

The Children of the new forest is a brilliant insight into what england was like in the 15th century. It tells how four wealthy children are without warning suddenly plunged into poverty, when the roundheads fire their house looking for the king. It tells how the heir of the burnt house and his brother and sisters strive to become what they should have been without the roundheads. I would recommend this book to anyone who wants to get hooked on something, but is not too hard. It is an excellent book to learn from and look at carefully, and is gripping to the very end.

This is a unique book with a quality and style that is timeless. True classic that every child would greatly benefit from reading.

I really enjoy Ms. Nesbit's written works. It is quite a shame that she can't write anymore. Although I liked this one a lot, I was a little disappointed by it because it lacked the charming fairy tale sort of feel that many of her children's books have. However, the story was quite wonderful, and I particularly loved the realistic scene of the children that the reader is given. I highly recommend this book to Edith Nesbit's fans, as well as people that enjoy a touch of mystery, mixed with a child's view of life.

I like the Railway Children a lot,especially how the author told the story. I liked Bobbie because there is something different about her,she was helpful and sweet at the same time. I am wondering where the dog James went? Other than that, the story was great!

The Railway Children is a wonderful book. When the book begins, the three children, Roberta (Bobbie), Peter and Phyllis are living a lovely, secure life at Edgecomb Villa. Their father returns home after being away on business, two unknown men come to visit him in the evening after supper, and he simply disappears. Neither the reader nor the children know what has happened to him until Bobbie makes a chance discovery and learns the horrible truth.

In the intervening time, their mother, a capable and charming woman, takes her children to live in the country near a railway station, because they must "play at being poor for a while." The children handle their new situation with grace and wit, spending hours hanging about the railway station and generally keeping themselves busy, and in the process becoming fast friends with the porter, Perks, and the station master. They also become acquainted with their own old gentleman who lends a hand to help them time and again.

Bobbie is the oldest and sweetest of the children, with a longing to be truly good. Peter is the boy, who is madly in love with trains, stubbornly refuses to pushed around, and exhibits an extraordinary courage in the rescue of a baby and a young man in a train tunnel. Phyllis is the youngest, a funny, clumsy child with good intentions that often seem to go awry.

I read this book to my four year daughter. She loved it. As the adult, I enjoyed reading it. And, you'll be happy to know, it all comes out right in the end.

Within the pages of this novel is a tale of legend, treasure, adventure, friendship and warfare. H. Ridder Haggard twines all these components together in an intriguing fashion. Making it so close to reality that it seems likely to have happend long ago. The character, Alan Quatermain retells the journey taken in deep Africa with his comrades, reflecting on the irony of their many precarious situations. What I liked most was his observations of life and the matter-of-fact truth in it. How the characters were drawn to contemplate the value of life and what makes it worth living. Their quest does turn gruesome at points. But the author provides some very clever solutions to their perils, which sometimes are quite humorous.

The last five chapters are the highlight of the book. These climaxes are expertly written and will keep you reading till the very end. The first few pages might seem confusing, but it makes perfect sense when reading it thru the second time. King Solomon's Mines is a novel with riveting, good vs. evil character development and it is a worthwhile read. I recommend it to anyone who likes a first-rate adventure.

Out of all the different publications to choose from, I say consider a copy from Regnery Publishing, Inc. ... 1999. For it has an easy to read layout and print. It also has numerous typos and makes me wonder if that isn't directly from the 1885 original. Other than that, the book has a nice introduction to the author and his works. Giving some Hollywood film history of King Solomon's Mines along with other interesting notes. This really opens up the story to the reader, and makes it a memorable one.

I was required to read King Solomon's Mines at school (about three thousand years ago), and was delighted to see that there's a new edition in the Oxford World's Classics series. And indeed this is a true classic adventure, somewhere between Treasure Island and Around The World in Eighty Days. Though some of the language may now seem a little stereotyped and cliched, it was certainly not that way when it was written over 100 years ago, and the real cliches are resident with modern imitations, like Indiana Jones. However, since imitation is the most sincere form of flattery, I guess we shouldn't complain.

Sir Henry Rider Haggard (1856-1925) is best known for his African adventure novels, notably King Solomon's Mines and She (1886). Their strengths are that they are not only undeniably amongst the most exciting and thrilling adventures ever written, but that they capture the very essence of the colonial empires - an attitude that is stubbornly maintained today by American imperialism - of treating the natives fondly, but with a certain superiority and disdain.

The essence of the story is the adventure of an elephant hunter as his safari heads into the interior of South Africa in search of a fabled diamond mine, and to rescue the missing brother of an English gentleman who accompanies him. They are aided by an enigmatic native guide who is more than he seems. As they stumble into Zulu territory, they are drawn into the local politics and discover that their European methods are less effective here, and that they need to learn new tricks. Quickly, they find themselves in deadly peril from a merciless king and a malevolence sorceress who conspires against them.

In the end, King Solomon's Mines is more than just the sum of all its parts because Haggard's intelligent and observant characterizations give him the opportunity to put together a revealing social commentary about race and class, while still telling a captivating story. Against the conventional wisdom of the time, Haggard treats his black characters sympathetically, and even dares to suggest that English society might be less than perfect (an audacious heresy in Victoria's reign). So, like Gulliver's Travels, King Solomon's Mines not only tells a great adventure story, it leaves the reader with something more robust to think about.

Reading "King Solomon's Mines" reminded me of the joke about the guy who sees his first Shakespere play, and when asked what he thought of it, said, "real good, but so many cliches". So it is with this classic adventure story: so much of the action and plot devices were similar to what I remembered from other adventure stories (and comic books and movies), yet Rider Haggard came decades earlier. Here is one of the prototypes (along with Robert Louis Stevenson's "Treasure Island", written just a few years earlier) of the modern adventure-action story. There is lots to admire in this well crafted story: great action, excitement, characters, and exotic locations. If there's a kid you know that only wants to watch television or play video games, read this book with him or her. It shows what words on a page can do in the imagination of the reader.

It is also interesting to see the book in its historical perspective. "King Solomon's Mines", 1885, records European ignorance of and fascination with Africa, which was still partly (as Joseph Conrad later called it in "Heart of Darkness") a blank area on the map: The source of the Nile had been discovered only two decades earlier; Henry Stanley and Richard Burton were still living, the memories of David Livingstone and John Speke were still fresh; and the Berlin Africa Conference was taking place just as the novel was going into print. If that's not of interest to you, skip it. Want to curl up with a good book? Here's one for you and your kids.

Once upon a time, a little girl found a book on a library shelf with an interesting title. She took it home and discovered a world where gardens are locked, a boy can talk to animals, and mysteries abound in every corner of Misselthwaite Manor. And friendship is forever. Okay, you guessed it. The little girl was me. The story of Mary quite Contrary, a little girl with no one to love and no one who loved her, Colin the invalid who has spent his entire life inside the manor, and Dickon the simple boy from the moors well deserves the title "classic". There is simply no other story like it. Frances Hodgson Burnett has written a wonderful story about love and friendship between three very different children, and the secret garden that brings them together.

I read The Secret Garden when I was in the fifth grade. The book was a combination of realistic fiction and mystery. I was always looking for clues to explain the next chapter .I was so engrossed in the book that I read 30 pages every half an hour!
The whole plot of The Secret Garden was about a girl named Mary Lennox, an orphaned, disagreeable looking, girl, who needed some action in her life. And she reached her goal. She was ten when she moved to her Uncle's house on a moor in Yorkshire. One of the housemaids, Martha, showed her around, and told Mary stories about her family that Mary enjoyed. On of Martha's brothers, Dickon, was an animal charmer and a nice, perfect boy who Mary fancyed that Mary finally met. He helped her uncover and bring to life a huge secret.This secret can not be shared with you, you'll have to find out yourself.Mean while, when Mary was sleeping at night, a childs cry woke her up. On day she investigated the noise. She found another secret on her way, a secret corrider. Will Mary find out who is screaming? If so, what should she do about it? Will Dickon and Mary succeed in bringing the secret alive?
I recommend this book to anyone who enjoys reading exciting adventures. My opinion on The Secret Garden is that out of five stars I would give it 5 stars, because it was so fun to read, and I didn't want to stop! And those are the results of the good book The Secret Garden!

No movie version nor the Broadway musical effectively capture this book. On screen or on stage, it doesn't translate well because it doesn't show the wonderful transformations of the characters.

The Secret Garden is a fabulous story and wonderfully well-written. Orphaned Mary Lennox comes to live with her uncle. She is sickly (both physically and emotionally). She is spoiled, inactive, lazy and pale. When she discovers the secret garden, she decides to keep it for herself. But she can't remain alone, and she can't keep the garden to herself; Mary must learn to share, both the garden and her life. As the garden transforms from a lifeless, ugly place, Mary transforms, too. This slow, beautiful process (of the garden and Mary) coming to life is what makes the book so wonderful (and the movies not so good). The greatness of this book lies not in its plot (which almost everyone knows) but in the way the plot unfolds and the characters blossom.

Martha, Dickon, Colin and Archibald play their parts in Mary's transformation, and they, too, are changed by the wondrous things that happen.

I remember seeing this show when I was very young and was very disappointed to find it unavailable. If one every became available, I would purchase it immediately.

I have also seen this version of the movie and it is the best version I have seen. We enjoyed it with our children years ago and were hoping to purchase it for them as a Christmas Present. If it becomes available or someone knows where it can be purchased let us know.

A fine story is good enough to read several times, like good music or art. That is true of Little Lord Fauntleroy.

This is by far, in my opinion, the best version. While some license has been taken to compress this great story into the time available, many of the lines are word-for-word from the book.

Stories like this become classics because of the author's great style and skill in the art of storytelling. Directors would do well to accurately portray to original and not try to innovate too much.

This version actually lends to ones imagination when the book is read, even though there are some differences. Our family has watched this video several times and will, I'm sure, watch it again.

In the introduction of this book, Sir Henry Rider Haggard illustrates the differences, or rather the similarities, of the well-to-do "civilised" lady and the "savage" African. It is the recurring theme throughout the book and one which grates with today's reader. This novel is more like an early "equality of man" essay rather than the ripping yarn of "King Solomon's Mines".

I do not know if the author was being radical at the time, or whether he was on some form of race agenda, but it sits ill with the modern mind and it sits ill in this story. There are glaring inconsistencies such as the treatment of the "savage" Masai after the battle and the fact the that the race he finds in the middle of Africa is "white" and "civilised". If he is trying to make the issue of the African also being able to be civilised, why are the civilised Africans not black?

The story, however, is a reasonable read, and although occassionally plodding, the plot can be exciting. Of particular note, the tunnel scene and the final battle at Milosis are thrilling. Of rather less interest are the love lives of Curtis and Good, but these do not irritate as much as the race issue.

I may be expecting too much from a text over 100 years old, but the issue of race was largely ignored in "King Solomon's Mine", and the book is much better for it. "Allan Quartermain" ceases to be a harmless story of adventure, and instead becomes a rather contrived statement of the author's ideals.

..."Allan Quatermain" is another adventure story of the character of the same name. After the King Solomon's mines, Quatermain is back in England, where his son dies, and he's eager for new adventures. With his two best friends, Good and Curtis, they depart again to the heart of Africa, where they expect to discover a nation of white people undiscovered until now.

This story, while a classic Haggard tale, has not all the good elements "King Solomon's mines" had. There is fighting, there's thrilling, but this book is somewhat slower. This might be because Allan Quatermain, telling the story in his point of view, is older, close to sixty-five years. In fact, there are some really anoying parts, where Quatermain is extra-shy and puritan, almost to the point of being ridiculous. And, as another reviewer wrote, there's no point in writing about a white race, civilized, organized and secret, in the heart of Africa, instead of a more plausible black one. This can only be excused in historical contexts. Back in the late XIX century, Africa was such a type of novelty and unknown that people thought almost everything could happen in there. But, today, if the reader doesn't have an open mind and doesn't know his History, this can be interpreted as pure racism, which is not. Haggard wrote this book in a time where the biggest thing about Africa was Livingstone trying to find where the Nile came from.

So this is how this book should be taken. A classic adventure.

Grade 7.6/10

Hi, I bought this book as I had not come across the title before in any Haggard listing. On receipt I found that it is really "Allan Quatermain" and the "new" title is presumably based on the film which starred Richard Chamberlain (which I have not seen).

The decription on the back cover of the book states "Allan must postpone his wedding to rescue his brother, who has been tracking a lost white tribe. Allan's travels take him through dangerous jungles and to a mythical city where the streets are paved with gold". I believe some liberties have been taken with this book but as a curio I suppose it might be worth the price.

regards

Paul Webb