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When one of their own is struck down in a hit and run motor cycle accident, the women of Heartbreak Hotel suddenly come under attack by the town government who wants to shut them down. The story is set mainly around these women holing up together and dealing with this 'attack'. These scenes are interesting as they present the women of Heartbreak Hotel working togehter, playing together, and fight together (and with each other).
The women themselves bring to mind Jungian archetypes. You get to meet an ex-nun (who may have left the monastery in body, but not necessarily in spirit), an ex-cop whose been thrown off the force and is very busy being pissed with everyone around her, a language genius who thinks in seven languages at a time, a woman so comfortable with her sexuality that she has little care for who hears her vibrator running, a wife/mother on the run from her family who is ate up with guilt for abandoning her husband and children, and a hunchback woman named Quasi (no kidding) who says not a word, but brings them all together.
This book is really great and often funny. There are many insights into the conflicting emotions that women have about themselves, other women, and the world around them. While the feminist movement may be beyond it's prime, from this book it is clear that there is much to be done, and that most of it needs to take place not within society, but within the hearts and minds of women.
Which brings me to the one point that I didn't like about this book. Like so much feminist literature, the author of Heartbreak Hotel seems to take the line that women should be accountable only to themselves. That what a woman wants, is what a woman should have, regardless of whether it is right or wrong, regardless of what her responsibilities are, be damned who gets hurt.
While I want women to be liberated from our patriarchal society, I just can't agree with that. Wrong will still be wrong. And as unpopular as it is to say in this day and age, people (women included) have responsibilities that need to be fulfilled whether they like it or not, whether it feels good or not. When this is recognized by the broader feminist culture is when feminism will move from it's current stage (rebellious teenager) to where it can be (glorious, mature womanhood).
"Rita stares at the glints, and all of a sudden telescopes: sees herself clear as day a pubescent girl waking early in the morning, sun pouring in. She lies on her side and looks at her arm where the sun strikes the golden hair, makes little glints and sparks, is there too much hair? She wonders, do I look like a gorilla? Rita stares at her arm trying to see it the way a boy will, will he find it attractive, is it too thin, bony, oddly shaped, soft enough?, she runs her fingers around her elbow, is my arm beautiful, what will he think? Rita studies the premiere lesson of pubescent girls: not How do I see? But How do I look?"