I just finished reading Camilla. I'm very sad it is over. I am not an avid reader, but Camilla has made me one. If I can read a 900 page book, I can read anything. But I don't know if anything will be as good. I am a big fan of the Austin movies. I finally read Pride and Prejudice when my friend wouldn't lend me the tapes. I was a little disappointed that it was slow moving. I found Camilla the opposite. I just ordered Evelina and Cecilia. I can't wait.

Why do I think it should have been called Eugenia? She is the character whom you will respect and adore the most at the end of this book. But before I elaborate on that further, let me say that this is the second book of Fanny Burney's that I have read and she is the author who has, by far, the best gift for pulling her readers into the very emotions of her characters. The characters in Camilla felt like very real people to me by the end of this book. This is not just due to the fact that it is almost a thousand pages long - I felt this way within the first few chapters. Ms. Burney was a great inspiration to many later authors, most notably, Jane Austen. In fact, scholars believe that Camilla was the direct influence for Austen's masterpiece, Sense and Sensibility. The flavor of Austen's books were clearly cooked up while she was reading Ms. Burney, and you'll find that the inspiration and enjoyment Ms. Austen received while reading Camilla, as well as other Burney books, is no mystery.

The story follows two sisters, Eugenia and Camilla, and their cousin, Indiana, in the months preceding their marriages. Not only are the lives of these three women explored, but we see several equally strong male characters and the supporting cast is as delightful, frustrating, and dramatic as good supporting characters should be. Although Camilla is darling and sympathetic, you may, as I did, find that much of what she goes through could have been easily avoided. Much of what occurs involves Camilla's suitor, Edgar, who decides, based on the advice of a friend, to look for her faults and be sure she loves him before declaring his love and asking her to marry him. On the other hand, Camilla, who is deeply in love with Edgar is given advice by her father to avoid him and hide her feelings for him as much as possible (to avoid complications in their already established friendship). This of course, places everything in a muddle as both are working against each other. On top of this, Camilla seems to have a knack for finding herself in situations, which Edgar always just happens to witness, that appear less than flattering to her character. The reader finds themselves frustrated with the continual thousand page cycle that ensues, but fear not, by the end you find that Ms. Burney planned and shares these frustrations. As you can imagine, the book deals greatly with the expectations placed on young women, trust, prejudice, and giving individuals, especially those we love, the benefit of the doubt.

Ms. Burney writes about her characters in such a vivid manner that you feel as if you can actually see what's going on. Facial expressions, emotions, settings, etc. are painted with subtle yet strong master strokes. Besides giving us Camilla's story in full, Ms. Burney gives us multiple strong sub plots. Eugenia's story is perhaps the most dramatic and in my opinion, more powerful and moving that the main story. I will not spoil the book by giving you the details other than to say that she overcomes insurmountable odds, and does so with a grace that will endear her to you.

Besides giving us wonderful human interest stories, Ms. Burney once again weaves intrigue, wisdom, tragedy, comedy, and a host of surprising plot twists in this book that will hold the reader glued to every page. It's length was never felt. In fact, the closer I came to the finish line, the slower I read because I didn't want the book to end. Despite it's being a thousand pages long, I finished the book rapidly and never felt a numb, boring moment. Camilla will capture you from her opening pages and hold you betwixt the beginning and end in utter turmoil, suspense, awe, and, most importantly, rapture.

This is a long novel, but well worth the effort. If you like Jane Austen then you should find this a rewarding book to read.

This edition of Burney's letters and journal really deserves wider distribution. The notes and editing are superb. But best of all is the glimpse of the writer to come in the writings of this teenager whose eye for character and motivation is quite astonishing, and whose wit has one laughing out loud.

She reports in detail many of the musical evenings at her father's home, some attended by famous people both artistic and absurd. The byplay is wonderful, the glimpses of body language and the turns of phrase give an almost cinematic glimpse of Fanny Burney's time.

See also her putative courtship (and how the family reacted) when a well-meaning young man falls head over heels in lust with her, and thinks it's love. See her unvarnished opnion of the Great Johnson, and ditto the glimpse of poor Georgianna, Duchess of Devonshire, walking like a sloven through the Park on the arm of her indifferent spouse, the Duke.

This is a must for anyone at all interested in 18th century life and letters.

An eminently readable, thoroughly researched recounting of Fanny Burney's years as Second Keeper of the Robes to Queen Charlotte, consort of George III of England. Davenport carefully explores Burney's relationships with others at the court, most particularly her dealings with Colonel Stephen Digby. Of interest to Burney scholars for its interesting minor insights and scraps of information and to general readers for its fascinating portrayal of daily life at the royal court.

I was drawn to read this book by falling in love with a portrait of the author. She had a serenely pleasant face that radiated calm and good sense, and suddenly I wanted to know more about her. When I discovered that her diaries and letters cut a broad swath from 1778 to 1838, I was hooked.

Here is a woman who was an intimate of Dr Johnson, James Boswell, Joshua Reynolds, the Thrales, Richard Brinsley Sheridan, the Bluestockings, George III and Queen Charlotte -- to name just a few. She was the first woman novelist who did not die in penury (like Aphra Behn and Charlotte Lennox): Her EVELINA, CECILIA, CAMILLA, and THE WANDERER are still readily available after more than 200 years. For five years, Miss Burney served as wardrobe maid for Queen Charlotte until illness forced her to resign. Her descriptions of the court of George III show the monarch at the beginnings of the madness that later debilitated him and contain some of her best prose.

By then, the French Revolution was in full swing, and scores of French nobility made their way to safety in England. When she met General d'Arblay, adjutant to the exiled Marquis de Lafayette, it was love at first sight for this 40-year-old woman who had never been married. Despite the opposition of her father, Fanny married d'Arblay and lived happily with him until his death more than 20 years later. Sadly, she also outlived her son from this marriage.

Fanny followed her husband to France during the Consulate and met the rising young Napoleon, Talleyrand, Louis XVIII (during Napoleon's exile at Elba), and other notables. She succeeded in raising a family near Paris despite the fact that, for a good part of that time, France was at war with England. At Waterloo, she helped by helping to create bandages for the wounded.

This is a book to read slowly and savor the feeling of another time. Fanny outlived the 18th Century "Age of Reason" and saw the birth of Romanticism and the beginning of the reign of Queen Victoria. I would like to have known her. Reading her diaries, I feel I do; and I feel even more drawn to her than before.

Oh what a treat! Don't be dismayed by the length, this is delightful! Unlike most authors of long fiction, Burney actually manages to stay on task and not wander into thoughts of war and whatever. This book is 941 pages because 941 pages of things happen. This is the story of Cecilia, a young heiress from the country. When her family dies she is left with three guardians: the proud Mr. Delvile, the miserly Mr. Briggs, and the husband of her childhood friend, Mr. Harrel. She moves in with the Harrels and is escorted into the London high life - parties, visiting, the opera, and scores of gentleman anxious to make the acquaintence of a beautiful heiress. Cecilia is not impressed. The commentary on 18th Century London life is scathing - and remarkably apropos to modern life as well.

One night at a masquerade ball she is saved from the devil, or a partier dressed as such, by a charming man in a domino, the first real person Cecilia has met. He knows who she is, where she comes from, and who her guardians are, but Cecilia cannot even discover his name. At the end of the evening he disappears, but the seeds of love are planted - if only Cecilia knew who he was! Thoughts of her new acquaintence are interrupted though, as she realizes that the Harrels are quickly going in to more debt than they will every be able to pay off, and their party train is not slowing down for the emminent crash to come.

The most amazing thing about this book is how modern it is. Though set in the late 18th century, the problems and scenarios transfer easily into our modern conscious. One of the central issues in the novel is that Cecilia will lose her inheritance if whoever she marries does not take her last name. Have we as a society yet gotten over this? Not by a long shot. The descriptions of the different characters are as funny as they are scathing - yet these gossips, fortune-hunters, scatter-brains, and denialists still fill our world today (I'm the scatter-brain). As the book progresses it moves more from satire and into soap opera (hence my final decision to give it 4 not 5 stars). It becomes less intelligent, but no less engaging as a roller coaster of twists and turns are thrown in the path of Cecilia and her desire for her one true love.

Why isn't Fanny Burney famous? That's exactly what I began to wonder after a friend convinced me that I should read Evelina. I thought I hated 18th century literature based on the class I took on it in college--if only we had read Fanny Burney then!
She writes with wit and style--it's easy to see why Jane Austen admired her so much! Even though this book is very lengthy, it is not possible to get bored reading it, and although times have changed a lot since Fanny Burney's time, the book still seems alive and relevant to modern readers as many of the unfortunate realities of society that Cecilia struggles with are still with us today in different forms. The characters in this novel are so real you will feel like you know them by the end of the book. Some of the chapters are so funny you will find yourself laughing out loud! I think Fanny Burney deserves to be much more famous. It would be wonderful if someone would make a film of this novel to help spread the word that Fanny Burney's books are great reading!

This was truely an enjoyable reading experience. Surprisingly for a book of this time period, it got off right away to a super start and just got better as the pages turned. Burney's ability with the English language was well beyond imressive, it was stunning. She quickly developed an inspired set of characters interacting with one another in delightful scenes. The masquerade ball was hilarious. I heartily recommend this outstanding piece of literature.

My wife waxed rhapsodic over the prose and poetry inherent in Fanny Burney's neglected classic The Wanderer. The narrativ tells an exciting story of the French Revolution era even though the action occurs mainly in England. The "Incognita" is a fascinating character who moves through English society as a subordinate to the rich and cruel society folk with whom she is forced by circumstances to live. "Miss Ellis endures the slings and arrows of outrageous fortunate to triumph over her enemies at last. Burney's prose is musical and her sentences flow with insight into the human condition. As a friend of Hesther Thrale
she was influenced by that excellent writer. Her father was the famed musician Dr. Charles Burney a close friend of Dr. Johnson. If you want to look at a classic of early feminism and encounter one female difficulty after another this is a good place to begin.
I liked the novel so well I am now engrossed in Burney's second novel "Cecilia" with her first work "Evelina" on my reading list.
Fanny Burney is an excellent new author to explore and be enriched by as you loose yourself in her voluminous pages!
Well recommended!

"The Wanderer" is a wonderful novel detailing the struggles faced by a single woman in England in the era of the French Revolution, who due to circumstances beyond her control must remain nameless and "family-less" and thus rely on the charity and goodwill of strangers. Readers familar with Jane Austen's writing will recognize a similar style, indeed Fanny Burney was an inspiration to Miss Austen, yet with an even more critical eye turned towards the upper-middle-class social structure.

I found it a little more plodding in parts than "Evelina," my favorite of Burney's novels, as Burney occasionally gets bogged down in minutiae of social interactions, but even those long descriptions give insight into what details would have been considered monstrously important to Burney's contemporary audience.

Regardless, the difficulties faced by the nameless heroine and the mystery of her circumstances are more than enough to engage any fan of 18th and early 19th century literature.

Fanny Burney's _The Wanderer_, her last published book, is the best of all her works. The heroine is easy to love, and only a callous reader could not feel pity for her friendless situation. The basic premise is this: a young, elegant woman of obvious good breeding is suddenly forced to flee France for mysterious reasons. But she has lost all of her possessions during her crossing of the Channel, and she finds herself in England, friendless, penniless, and completely dependant on the charity of those around her. The crux of the novel is how she is able to get by under these circumstances. Her fortitude is uplifting, and her plight shows us the problems women had two centuries ago in merely obtaining a subsistence upon which to live. The plot gets more and more complex as we find out about the life of the Wanderer herself. We don't discover her name for the first time until the middle of the book! _The Wanderer_ is a truly engaging novel, and once read, it becomes clear why Fanny Burney was one of Jane Austen's favorite authors.

Although not in the class of Jane Austen, the earlier writings of Fanny Burney contributed a great deal to the evolution of the novel. No mere romance, Fanny Burney's Evelina gives us a surprisingly modern heroine--modern both in her proto-feminist awareness of the world and in her "mixed" character. Evelina is not a paragon, and Burney's writings are neither mere pleasant fantasies of romance, nor cumbersome stories of impossible virtue. Like Richardson, Fanny Burnery was creating something very new in the 18th century: a psychological novel. Unlike Richardson (whose best-loved novel, Clarissa, has been described--by fans of his, mind you!--as "That long, still book.") Fanny Burney's books withstand the time travel down to our day. Evelina is--thus far, at least!--my favorite of her books.

Anyone who loves Jane Austen (and don't we all?) will certainly enjoy Fanny Burney's Evelina. Burney is really a precursor of Austen, but has unfortunately been completely overshadowed by the later novelist. In its time (1778) Evelina was a tremendous hit and shy Fanny Burney a celebrated author overnight. She was invited into the literary circle of Samuel Johnson, became a reluctant lady-in-waiting to Queen Charlotte because of her celebrity and at age 41 married a refugee from the French Revolution, thus becoming Madame D'Arblay (check out her interesting diaries). The subtitle of Evelina (The History of A Young Lady's Entrance into the World) says it all: Evelina is an innocent and naive young girl, who suddenly finds herself in unfamiliar London society, surrounded by suitable and not so suitable suitors and a host of other characters. Lots of misunderstandings and perilous situations block Evelina's road, but don't be surprised to find humour and suspense as well, for the continuing question is of course whether Evelina will survive Society unscathed. Even though the pace of a novel more than 2 centuries old may be a bit slow for some, this is something you get used to soon enough: the novel contains far too much life, fun and social commentary too be dull.

The mention of Ms. Burney in Jane Austen's Northanger Abbey is what originally drew me to this book and it has, without a doubt, become a personal favorite.

Evelina is our heroine, sent to town by her guardian to enter society. Her guardian, who raised her after her mother faced an unfortunate early demise, is a country parson. Evelina's father, of noble blood, is guilty of denying his legal marriage to her mother and essentially putting her out on the streets, and has refused to acknowledge or support Evelina through the years. She has now grown to a great beauty and has been raised with a very innocent and gentle disposition.

When thrown into the midst of a worldly London society, she faces one embarrassing circumstance after another. Surrounded by nothing less than idiots, she is faced with many situations which require wisdom and guts. Not unlike Bridget Jones's Diary, Evelina's story is told through letters, which may make this period novel easier to read for some, but may also at times be confusing if you forget who is writing to whom. This letter format can also seem unrealistic at moments but is forgiven as easily as we forgive some of the unrealistic format of "Bridget Jones". Another note, there are so many passes in this book that singletons could almost use it as a field guide to the world of men.

There are some twists throughout to keep your mind turning and your heart flying and sinking. At times, this lighthearted novel is incredibly moving (i.e. Evelina's reunion with her father)and of course, the ending is sweet and satisfying.

Overall, Jane Austen's inspiration is a marvelous, lovely, and surprisingly modern read.

I confess that Burney's never been my favorite novelist, but I do like biographies so I picked this one up. I found it extremely readable and engaging, and I grew more sympathetic toward Burney and her writing upon learning more about her life--her learning disability and subsequent insecurity, her father's interference with her career, her miserable years at court, her rushing to publish novels so that she could pay the bills, and, of course, her horrifying mastectomy (about which I read with my fingers across my eyes, as one might hide one's face during the scary part of a movie).

I wish there had been more room for "Harman's careful disentangling of fact from wishful thinking and manipulation," but I can see why this would be more appropriate for a book of criticism than a biography.

If you're at all interested in Burney or the times in which she lived--even (or especially?) if you don't like her writing--I believe you'll find this book worthwhile.

I was anxious to read this book because I've always enjoyed 18th and 19th century literature, and believed that the humor found in the works of Austen and Burney were overlooked and undermentioned. Author Bilger examines the works of Frances Burney, Maria Edgeworth and Jane Austen, and posits that the humor they used was subversive -- laughter at the expense of the overbearing patriarchal culture in which they lived.

While this isn't exactly what I'd hoped it would be, it was more accessible than many scholarly works, and after I got into the rhythm and jargon of the academic writing, I found myself entertained as well as informed -- such a lovely combination.

Laughter is a commodity too often ignored and a tool too often overlooked, but the author makes her case that these three authors consciously used satire, burlesque and parody to criticize their culture while maintaining the guise of docile co-conspirators. Bilger begins with interesting chapters on women & comedy and Mary Shelley's feminism before discussing the lives of her subjects, their beliefs and their use of comedic technique and characters to undermine the dominant paradigm, as it were. Naive observers, female tricksters, competitive women, nimcompoop suitors and ignorant patriarchs are described and then illustrated with short excerpts from the many works by these talented authors -- in particular Austen's Pride and Prejudice, and Northanger Abbey; Burney's Camilla and The Wanderer; and Edgeworth's Belinda and Helen.

I thought the most interesting chapter was on "goblin humor", dark humor that is still considered distasteful by many and seems shocking when found in these quiet comedies of manners. Here the author displayed a mastery of comic theory as well as the literature, and made her case admirably, without descent into the jargon-laden victimization theory that dominates feminist film theory, for example. Rather, Bilger posits that Austen, Burney and Edgeworth found an outlet for what they could have considered a hopeless situation, and that they consciously and actively did their best to undermine the system in which they lived, reflecting and building upon the work of earlier feminists, and sending out beacons of camaraderie to women living under cultural and personal subjugation.

The book concludes with a fine Notes section, a bibliography and a good index.