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The first two books in this series were tightly written with strong character development. In this outing, Browning could have used a good editor. By the middle of the book I was very tired of being told how hot June was. While the heat can and should be part of the book, reminding me at every turn that it was June and it was hot quickly became tedious. A good editor might have helped Browning tighten up her writing as well. By about page 283, I was wondering if the book would ever end. It did, but with Trade not taking the necessary precautions for her safety that I would have expected an intelligent woman investigating a murder would take knowing the murderer knows she's investigating and that it is only a matter of time before she puts two and two together and points her finger at him/her.
I really liked the first two books of this series. I am hoping that this is a transitional book - the second-book doldrums saved for the third book, and that Browning will be back on track with book four of the series. This was not a badly written or plotted book, it was, rather, just too long and tedious.
For animal lovers this entire series is a treat. Trade Ellis has her horses, dogs, and a pig ... and they are family. It is the mixtures of strong mystery, tough female protagonist, western rural flavor, and the relationship with her animals, that make this series fun.
Oddly enough, the dialog and character of Trade Ellis remind me of (a female version of) Spencer. Her thoughts seem so natural.
I look forward to more in the series.
That's just one example of the many sketches of Arizona desert and ranch living you'll find throughout Sinclair Browning's Trade Ellis series. Trade, like Browning, is a real cowgirl and a genuine desert rat. try this: "The brittlebrush and ocotillo had gone dormant, leaving their leaves on the desert floor in an effort to conserve what little water they could suck up. The prickly pear cactus was now as flat as thin battered pancakes and the giant saguaros looked like they'd been fasting". Abbey and Bowden, you got company.
But this isn't a nature treatise - it's a detective novel. And a damn good one. Like Browning's earlier "The Sporting Club" the primary story is based on a real incident. A bull-riding cowboy marries a wealthy heiress almost twice his age. They go camping in the desert, drink a lot, and even though she's a good swimmer, she's found drowned the next day.
That's the real story of Margaret Lesher and T.C. Thorenson and her 1997 death. It's mirrored by Browning's fictional Abigail Van Thiessen and J.B. Calendar. The real story ended in a ruling of accidental death. Browning's wonderful imagination does much more with the fictional version.
After Abbie's death, JB hires rancher and part time PI Trade to prove him innocent. Like any good detective (or lawyer or political consultant) she's never quite sure about her own client. And there's a great secondary story involving Mexican druglords and Trade's ranch foreman and his ex-wife that makes the acion even tenser.
As a whodunit she scores big, revealing as the story unwinds an increasingly plausible list of subjects. She admirably fulfills the basic requirement of a mystery by keeping you mystified to the end. It could just as well be the colonel in the library with the candlestick. If you liked Browning's earlier Trade Ellis yarns like The Last Song Dogs you will like this one even better. She's become a master of this form and is in the front rank of nust western mystery writers, but anybody else writng anywhere today.
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She's part Apache, comments on the culture clashes and takes part in native American ceremonies. Tony Hillerman? She's single, in her fourties, dates sometimes and tells her story with that sometimes world-weary edge of the outsider. Sue Grafton? Plus, when she's not investigating, she's running her family's 600-acre cattle ranch outside Tuscon, Arizona. Hmmm, Marnie Davis Kellog, only without the money?
No author would appreciate that kind of treatment, but Trade is composed of such disparate parts that it was hard to take her seriously at first. It even seemed a bit of a spoil to pair her with a conventional mystery involving the murder of a squad of high school cheerleaders 25 years after the last pom-pom was thrown. A Western noirish title like "The Last Song Dogs" deserved better.
Anyway, cheerleaders we got so we're stuck with them. Trade went to school with the members of the Song Dogs, so when three of them died within three months: one by salmonella poisoning, another shot and robbed, and the third brutally killed, the surviving women ask Trade to investigate. The resulting mystery runs along conventional lines. Trade tracks down the remaining Song Dogs, as well as the classmates who knew them. Some of the women have married well, some haven't, and one even spent time in jail for manslaughter. There's a creepy character with an unusual collection, and Trade gets followed and run off the road. Eventually, she cracks the case, but not before pulling a boneheaded stunt that had to be done to set up the standard final confrontation. Yet, while the story ran along conventional lines, Trade is an amiable detective to follow, and one hopes for a better story next time.
Two of the surviving individuals, Charlene Williamson and Buffy Patina, hire Trade to ferret out the killer. Trade quickly finds evidence that clearly links the murders. However, determining who is the culprit remains difficult. In high school and the subsequent years since, the Song Dogs, known as the high school's "golden girls" have made many enemies.
Sinclair Browning's debut novel is a rousing success. The mystery is cleverly formulated as the perpetrator once revealed by the author becomes obvious (in a Monday morning quarterbacking way). Trade is a likable individual, who seems real because she knows fear even though she intrepidly continues her task. THE LAST SONG DOGS hopefully is the first installment of what should be a delightful series.
Harriet Klausner
Trade lives northwest of Tucson in a small village that's clearly Catalina, where Browning has lived for the last 20 years. Trade drives a big Cummins diesel 3/4 ton Dodge pick-up, the kind of vehicle that makes macho guys drool. It also happens to be the vehicle of choice for Browning, who you may catch driving down the road in her own Dodge, the custom license plate " WRIDER" paying homage to her two greatest loves - horses and books.
Southern Arizona landmarks abound in her fiction, and the mountains and cafes in The Last Song Dogs ar no exception. "Song dog" dear gringo is another term for coyote. It also happens to be what Trade's old high school cheerleaders called themselves; and as their 25 year reunion is about to commence, somebody's knocking them off one by one. Another authentic biographical note: Browning was herself a member of her high-school cheerleading squad.
Browning also does a great job with her other characters. Anyone who has ever been to a later high school reunion will recognize many of them (and their behavior), as well as a few folks from those working Arizona ranches that have yet to be converted to tile roofs and golf courses. And the plot moves and twists fast enough to keep the pages turning.
Browning is known for two previous historical novels: Enju, concerning the Camp Grant massacre, and America's Best, based on the true experiences of her husband's family as prisoners of the Japanese in the Phillipines during World War Two. She's also the co-author of the very successful Lyons on Horses now in its 20th printing (including a German edition).
Dog's Western ranch material and native American lore will surely fascinate both westerners and urban dwelling yankees much in the way that Tony Hillerman's books have built a captive audience among those who think everything west of the Hudson is Indian COuntry.
Like Hillerman, Browning is the genuine article. Most of the New Yorkers who publish this stuff can't tell, as evidenced by a simple perusal of their non-fiction offerings. (See Earp, Wyatt, as an example). Browning is good enough that she could convince most of them that boiled jackrabbit ears are an Arizona ranch delicacy.
Fortunately, she hasn't. Instead, she writes gloriously about Southern Arizona and produces a first-rate suspense novel to boot. She shares with Hillerman one other valuable commodity. The lady can write! Publisher's Weekly says: " The action moves briskly and is boosted by the motley cast of characters and Browning's inspired descriptions of the Southwest landscape."
Theose who are already into the increasingly popular subgenre of mysteries based on contemporary western female cops and P.I.s - written by women like J.A. Jance, Nevada Barr and Sue Grafton - will enjoy adding the first of Sinclair Browning's Trade Ellis series to their reading. But even if you're not a devotee, this is a great read by one of Southern Arizona's most enjoyable writers.
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This is a collaboration of short stories written by many different woman who have had many different realtionships with their mothers. Some of the stories seemed far fetched to me, or I had questions of "what would give you even the slightest idea that that particular thing or occurance could have been a sign from your mother???" but more often or not, it was touching to know these woman, what ever they may have expierenced, gave them comfort that their moms were letting them know they were still loved and not forgotten. And then they were some stories that sent me reeling with tears and chills up my spine. Either way, it is a good read.