Too long out of print, this paperback is a beauty. A compulsively readable book. Addie Pray and Long Boy take the South by storm. It's fun and fast, but also weighty and moving. The amazing movie was based just on the first third.

This is an excellent book. Having long been a fan of the movie, what a joy to discover the book that started it all. Addie Pray is a hilarious and charming narrator and her adventures pulled me happily along. A real treat. For anyone who likes stories of sassy girls growing up.

First of all, I was befuddled with everyone talking about a book titled "Addie Pray." I saw the film "Paper Moon" and later read a book with the same title and picture on its paperback cover, never realizing that Addie Pray was the original title of the book by Joe David Brown: they changed the title to coincide with the film in re-published versions of the book after the film became popular.

I love both the novel and film. As usual, the novel makes more of a social statement. If you check IMDb for the tagline to the film - "As P.T. Barnum put it, 'There's a sucker born every minute.'" - you get a sense of the difference between the point of view of the book's author as opposed to the producers of the film. The film producers are after the carnival-like novelty of a crooked bible salesman and his too cute daughter, who's also a thief at heart and, by the way, a better one than her father, who is basically a loser. The reason for this is clear: films are basically hi-faluted carnival acts. Apparently, the audience member is just another sucker.

The novel, on the other hand, carries a great deal more compassion for the human condition, particularly human frailty. Not to say that the film wasn't at all sentimental in this way. Ryan O'Neill's character, the loser father, was treated sensitively by director Peter Bogdanovich. But he (Bogdanovich) is unique, a prime example of the kind of compassionate intelligence that flourished to some extent during the Let It Be trend of the early 1970s, a trend that could do the human race well if it was allowed to continue forever. The producers/distributors reveal, with their tagline, a more Hollywood-typical ruthlessness. Like "Ha ha, people. You're all jsut a bunch of suckers ripe for the taking."

True, the overt theme of the story & film is basically about how hilarious it might be to watch such father/daughter con artists, especially when these con artists are working in 1930s territory where stupid, faithful Christian farmers etc. (middle America) dwelled. But the most important part of the story happens toward the end, when the thieves are confronted with their toughest mark: a more experienced thief (Mr. Robinson?, can't remember).

This character is far more developed in the novel. He's great fun in the film. But in the book he's downright Marxist. Indeed, one of the greatest anti-capitalist epigrams ever written, in the tradition of Wilde and Twain, is spoken by this succesfully affluent crook, in what is otherwise merely a silly/fun little dark comedy of a story (paraphrasing): "Anybody can make money. It doesn't take any great talent to do so. No, people who make money are merely people who can't do anything else. But it takes real talent to be a fine musician, or an artist..." Something like that (I don't have the book with me now). But you get the point.

Clearly, Joe David Brown, like John Steinbeck, was an author with an important, righteous opinion on the weaknesses of our capitalist system. He died a few ears after the movie was made. Too bad it wasn't Reagan who died and Mr. Brown, instead, the "great communicator" of the 1980s.

Its quiet good book for novices. Using this book we can learn how to create plug-ins and other things like how to install plug-ins, uses etc.,.