In an age when we have not much time to read one short book from cover to cover, few long books will ever be good enough to read twice; David Copperfield is one of them. It has, perhaps, the most unforgettable cast of characters ever assembled in a work of fiction: Mr. Micawber, Uriah Heep, Aunt Betsey Trotwood, the Murdstones, Mr. Dick, Peggotty, and, of course, David Copperfield himself.

The story is simple enough to start. David's mother marries a man, Murdstone, who makes life hell for her and young David. David has the courage to rebel against the tyrant and is sent off to boarding school and later to a blacking factory. For readers who want to compare childhood rebellion to authority in the movies, Alexander's defiance of the Bishop in Ingmar Bergman's great movie, Fanny and Alexander, is equally dramatic and sad.

David runs away and finds his Aunt Betsey Trotwood, who takes him in and supports him, with a little help from her wise/fool companion Mr. Dick. This is story enough for many novelists, but it is only the beginning for Dickens. David has yet to meet one of the great villains in literature, that "Heap of infamy" Uriah Heep. Uriah's villainy is terrible because it is hidden under a false pretense of humilty and service to others. The final confrontation between Heap and Micawber is one of the great scenes in literature.

None of what I have said answers the question, Why read this book more than once? The most important answer to this question for the nonacademic reader is "for the fun of it." From cover to cover this novel gives so much pleasure that it begs to be read again. We want to revisit David's childhood and his confrontation with the terrible Mr. Murdstone. Mr. Micawber is one of Dickens's great creations and anytime he is part of the action we can expect to be entertained. When we pair Micawber with Heap we have the explosive combination which results in the confrontation mentioned earlier in this review.

These brief examples only scratch the surface of the early 19th century English world Dickens recreates for the reader. Some other of Dickens' novels like Bleak House may be concerned with more serious subjects, but none lay claim to our interest more than Dickens' personal favorite "of all his children," that is, David Copperfield. Turn off the television, pick a comfortable chair, and be prepared to travel along with David Copperfield as he tells us the story of his life.

Oh, I loved it! I finished David Copperfield, finally, of but an hour ago. Oh, that is such a wonderful book! I hold Charles Dickens in a sort of reverence. He has the fascinating ability to spin a web of the most spendidly horrible (here, I refer to, the remarkably AWFUL Uriah HEEP) and the most splendidly excellent (here, I refer to, the exquisite and good-natured Agnes) characters, and then he completes his tale by adding the most unforgettable of ALL people, a main hero, such as David Copperfield. Never have I been so attached to a work of fiction, and I have read a lot. Oh, the things David so heroicly endured, turning him into a most superior man! I love the story! It's most powerful. It moved me to tears and sent me into fits of laughter so many times I can't count them on my hands. And I felt such rapturous joy when Agnes and David professed their love for each other that I could hardly contain myself, and here started to laugh and cry at the same time; and I felt such overwhelming sorrow over the death of Steerforth, for I rather liked the man, even thought he took Emily away; and I love Peggotty's character to death! She was such a glorious figure of devotion and heartfelt love for David; I felt he would not have survived Murdstone and other things were it not for her steadfastness and friendship (I dearly loved her button-poppings! I found them hilarious!). And the grand Agnes, how I worshipped her! She was so real, I can see her cordial eyes looking upon David with the love of a sister, the passion of a wife. It was the most admirable work, I am sure. Dickens made Uriah Heep come alive so vividly, I see him writhing about, with contortions like a caught fish. I see Traddle's hair sticking up on end like a porcupine's, I see Miss Mowcher waddling about, I see Steerforth, tall, dark, and handsome. Oh, how David did admire Steerforth in the beginning! How he did charm! For all the critics: yes, the book was sometimes boring, and at times it was dull. But can't you see the art in it? That all Dickens wanted you to do was enjoy it and fall in love with the characters? Yes, sometimes he got a little carried away but that's hardly the point. It was worth it, because I know I'll never forget a one of them. What more can I say? I want to read the book over and over again, never ending.

For those who don't have time to read for pleasure, or perhaps spend too much time reading as part of their daily job, audio books are a godsend. You can play them while travelling to work, and you're suddenly transported to another world, if they're any good.

Fortunately this Naxos abridgement read by Anton Lesser is superb. I haven't yet found an actor better at handling both the male and female voices, old and young, rich and poor. It's so easy to forget that that is not a large-cast dramatisation -- it's just a a one-man reading, brilliantly executed.

As a story, 'David Copperfield' means a lot to me because it means a lot to my Dad. Now 73 years old, he had a troubled childhood in and around London, and a difficult relationship with his stepfather. While Dickens needed to create some out-and-out baddies such as Uriah Heep and the Murdstones, many of his characters are basically decent folk, rigidly sticking to Victorian values, and I think this is how my father still sees the world.

Much of the detail in this story is specific to England, but the basic human themes are universal. As a first pass at getting into 'David Copperfield', I would very strongly recommend this 4CD audiobook.

This is a sound history of U.S. Navy night operations from the beginning to the present. Along the way, the reader picks up a lot of carrier lore that applies equally to day operations. What distinguishes this book from the usual Naval Institute Press study is that Mr. Brown was one of the aviators that he's writing about. Where he can, he gives first-person recollections, and throughout the book he relies heavily on interviews with fellow aviators.