Print, Manuscript, And Performance: The Changing Relations Of The Media In Early Modern England is explores the complex interactions in early modern England between a technologically advanced culture of the printed book and a still powerful traditional culture of the spoken word, spectacle, and manuscript. The contributors include Leah S. Marcus (From Oral Delivery to Print in the Speeches of Elizabeth I); Douglas Bruster (The Structural Transformation of Print in Late Elizabethan England); Alexandra Halasz (Pamphlet Surplus: John Taylor and Subscription Publication); Joseph Lowenstein (Wither and Professional Work); Randall Anderson ("The Merit of a Manuscript Poem": The Case for Bodleian MS Rawlinson Poet. 85); Arthur F. Marotti (Manuscript Transmission and the Catholic Martyrdom Account in Early Modern England); Harold Love (The Rapes of Lucina); Margaret J.M. Ezell (Ann Halkett's Morning Devotions); Steven Mullaney (Reforming Resistance); F.J. Levy (Staging the News); and Michael D. Bristol (Shamelessness in Arden: Early Modern Theater and the Obsolescence of Popular Theatricality). Also available in paperback, Print, Manuscript, And Performance is highly recommended reading for students of English literature, society, history, performing arts, printing, and popular culture.