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She also has some great exercises to keep you on your toes, such as trying to write in many different erotic genres. It's also strikingly clear just how well-versed in the erotic world Bright is, not just works deemed "erotica" today but their historical predecessors and the whole culture of adult literature.
I really liked that Bright showed how different authors can break convention and still succeed, and she delineates exactly what it is that makes an erotic story pass muster. She also touches on other aspects of the writing life, such as how writing will affect your sex life, reactions to those who are upfront about their writing, and the possible perils of publishing.
Overall, this book deftly combines writing exercises, a literary erotic history, as well as practical insights into specific writing problems or issues that may arise and how to deal with them, all drawing from Bright's experience as a writer and editor. Most of all, it's witty, funny and easy to read, so much so that I didn't feel like I was reading a typical writing book so much as something much lighter. And I finished it with many of my own ideas for future stories and ways of generating new ideas.
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I draw a line between writing, no matter how sexual or explicit, that tells a good story, that challenges my mind and emotions, that reveals character and gives me a new window on human nature (and thus myself); and writing that falls short of this standard. For me, most stories in this collection fall into the first category. Some had me turning pages, wondering what might happen next, others, like trying to catch on to a folk-tune, offered little challenge to the imagination.
The story settings ranged from "normal" twentieth century western culture to cyber-punk, swords-and-sorcery, and mythic. I found most characters interesting and compelling, even when involved in sexual activities that seemed to hold no appeal to me at all. But that, perhaps, is a misstatement--the erotic intensity of the stories, was always appealing, even when it lay significantly outside the bounds of what I think I would like to experience. One story actually turned my stomach a bit, but it was so compelling, I had to finish it. Once I did, I was glad to _HAVE_ read it.
This is the second book in the series I have read. Compared with THE BEST AMERICAN EROTICA OF 2001, this book is harder core, farther out, more cutting edge. The 2001 book is softer, gentler, more "normal." I loved both of them, but wonder if the nature of erotica has (d)evolved so much over four years, or if Susie Bright has shifted that much.
Highly recommended, especially for those who would like to expand their erotic horizons from the safety of their own homes. Daring. Stimulating. Powerful. Earns every one of five stars.
...
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It's hard to recall that once upon a time Bright was a sexual radical: Look, she's the lesbian co-founder of the in-your-face, pro-pornography sex magazine, "On Our Backs"! No, wait, she's bisexual! Say, isn't that her editing annual collections of erotica? Omigod, she's relating a sex fantasy about Dan Quayle! Today, with a steady male partner (in an open relationship) and a daughter about to enter her teens, Bright comes across almost matronly.
It takes an essay like the one in this book about a bomb threat called in before one of her lectures to remind her of what's at stake and inspire some thoughtful writing, and to remind us all that large portions of the country still find someone like Susie Bright a threat.
Unfortunately, with most of this book she's largely treading water. As other reviewers have noted, she seems to have said most of what she has to say. And at 163 pages, this volume comes in a little slim at the price. Newcomers to her may enjoy _Full Exposure_, but for harder, faster Susie, I'd go for _Susie Sexpert's Lesbian Sex World_ or _The Sexual State of the Union_.
And after that, head for the even spicier pastures of Pat Califia's _Public Sex_.