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Publishers Weekly: An elevated version of the code-switching half-Spanish, half English that is the daily language of many US born latinos, Braschi's novel is a literary liberation. The interlocutors yo-yo between languages and from subject to subject: writers, films, sex childhood, family and ultimately Puerto Rican artistic expression in New York City. Allusions come helter-skelter, as Fellini, Pee-Wee Herman, Nabokov and even Columbia University Latin Americanist Jean Franco are invoked, celebrated and derided...Braschi's melange of prose and poetry, English and Spanish is admirable for its energy, its experimental format and it insistence on Spanglish as a literary language...Of interest to literary minded bilingualists.