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Some time ago, Bradley got involved with the attempt to salvage a WPA mural in New Orleans. Now, he has combined that experience and some research into a novel that sheds light on the intricate skein of race relations in New Orleans. So, out of the bubbling roux of many colors that compose the Crescent City's population, and the deep, rich tradition of Big Easy art, Bradley fashioned the figure of Levette Asmore. In a way, Bradley has come up with mystery "lite" here: the only death is Asmore's untimely demise some sixty years ago, and the only danger is the potential death of someone living on that rich N'Awlins diet. However, the author entertains us with colorful characters and dialogue, and enlightens us with his research into art auctions, art restoration, and art history. Asmore's bohemian life and magical work serve as the touchstone which sets off a series of questions that compel Jack and Rhys: Who is that woman in the photo behind Levette? How is she related to Rhys? Will they get the mural out of the post office? Will they get away with the crime? Will that boor of an art collector come away with the canvas of his dreams? Where was Jack's crippled landlord the night Levette took that dive off the Huey P. Long Bridge? And, will Rhys ever accept Jack's bids for her affections? We don't get to know until they come to the end of their queue of questions. Nevertheless, you'll enjoy taking a tour through the streets and society of the city, past and present. By the way, anyone going to New Orleans, write down whatever restaurant Bradley mentions; he knows what he's talking about. Laizzer les bon temps rouler!
This is a captivating mystery. I couldn't put the book down. It's well written and has an intriguing plot, likable and colorful characters and a great setting, New Orleans. Successfully woven into the novel's lighthearted tone is a sensitive examination of a serious subject - race relations in the south - then and now
As a bonus, we learn something about the world of southern regional art and the people who collect it. A resident of New Orleans and an art collector, Mr. Bradley's expertise is apparent
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Also I visited Jaisalmer on May, but if you following the book you will never go there in such cray summer. In fact, the summer was high enough, but still interesting. No more tourist means you can enjoy alone, and only myself in the hotel you can get nearly 50% discountdown for low season. If you read you can find a lot of things from the book, but on the trip everything is changed, you never image the book can guide you everything. Try to ask person around you, and get the most reasonable price.
I will plan to go to india again, by the guide of Lonely Planet, but I think I need a new version.
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I was impressed with this book. I found its lodging and restaurant recommendations quite useful and reliable, though they are not as low-budget as, say, Let's Go. However, Turkey is so inexpensive that even the budget-conscious need not stay or eat at the cheapest places. I like the fact that lodging recommendations are located on clear maps with numbers keyed to the text--this simple thing is often absent in guides to Turkey, and what a pain when you're constantly in new places! Nightlife is covered, as is the nearest post office and local travel agency for that last-minute flight back to Istanbul that you were sure you wouldn't need because you would be driving back yourself.
Contemporary, historical, and archaelogical information is surprisingly detailed and plentiful. When the authors do not like something, they can be stinging. While some might find this approach annoying (it is very English), I buy a travel book for its opinions, so long as these opinions are based on real knowledge.
In sum, if you were to take only one travel book to Turkey, and if you wanted to cover major parts of the country, this Rough Guide would be ideal. Add a Blue Guide Turkey, a couple of really good atlases, and perhaps a book devoted to Istanbul, and you should be set.