Buy this book now!!!!
From routine to feel to rhythm to confidence, Rotella provides in this good read the mental expertise he has demonstrated in his work with golfing greats. Now, it's here for all golfers.
I find to listen to the tape on the way to the course helps prepare me for a great day of putting.
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You'll need a box of cuisenaire rods. You can use the c-rods to teach multiplication, division, subtraction, addition, area, perimeter, measurement, and even algebra so buying a box is well worth it.
Each step for learning fractions is broken down in manageable (and rememberable) segments. After each segment is a fun puzzle that the teacher can use to make sure the concept was understood (a test that doesn't look like a test.) The kids love the puzzles and love using the rods. Why use any other system?
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According to Morison, Young Jones was highly ambitious and went to sea at age 13 "as a road to distinction." During the next 15 years, he learned well his trade and he also became an American patriot. At the beginning of the Revolutionary War, Morison writes that the American navy was "only a haphazard collection of converted merchant ships," and the Royal Navy was probably the most powerful in history. But General George Washington, according to Morison, "had a keen appreciation of the value and capabilities of sea power," and, in October 1775, Congress appointed a Naval Committee of Seven to manage the colonies' maritime affairs. In December 1775, seven months before the American colonies declared their independence from Great Britain, Jones accepted a commission as a lieutenant in the continental navy.
Although Morison is primarily interested in Jones's activities during the Revolutionary War, he makes a number of more generally cogent observations. For instance, the United States government was in a state of nearly constant impecuniousness and was able to afford to build only one of the largest class of naval vessels, a ship of the line, during the conflict. In Morison's view, this was the status of the war at the time of the battle off Flamborough Head in September 1779, which secured Jones's fame: "The War of Independence had reached a strategic deadlock, a situation that recurred in both World Wars of the twentieth century. Each party, unable to reach a decision by fleet action or pitched land battles, resorts to raids and haphazard, desultory operations which have no military effect." That deadlock continued, according to Morison, until 1781. Morison also writes that Britain took the position "since the United States were not a recognized government but a group of rebellious provinces,...American armed ships were no better than pirates."
Morison appears to be deeply impressed by Jones's technical competence: "One of Paul Jones's praiseworthy traits was his constant desire to improve his professional knowledge." That passion for self-improvement reached fruition September 1779 off the Yorkshire coast of east-central England when a squadron which Jones commanded from the Bonhomme Richard defeated the H.M.S. Serapis in a three and one-half hour battle during which those ships were locked in what Morison describes as a "deadly embrace." (Bonhomme Richard sank during the aftermath of the fierce fighting.) It was during this battle that Jones defiantly refused to surrender with the immortal phrase: "I have not yet begun to fight." According to Morison, "[c]asualties were heavy for an eighteenth-century naval battle. Jones estimated his loss at 150 killed and wounded out of a total of 322." Morison writes that Jones was at his "pinnacle of fame" in late 1779, and, when he visited France, which was allied with the U.S. during the Revolutionary War, in April 1780: He became the lion of Paris, honored by everyone from the King down." When Jones returned to the United States in 1781, however, he was unable to obtain what Morison describes as a "suitable command," and he never fought again under the American flag. In 1788 and 1789, as "Kontradmiral Pavel Ivanovich Jones" he swerved in the navy of Catherine II, "the Great," Empress of Russia. When he died in 1792, he was buried in France, but, in 1905, his body was returned to the United States and now rests in the chapel of the Naval Academy in Annapolis, Maryland.
Jones's nasty temper is frequently on display. Morison remarks on various occasions that his crews were "disobedient," "sullen," and "surly." Which was cause and which was effect is difficult to ascertain. Jones clearly was an overbearing commander, which may explain, though does not excuse, his crews' bad attitudes. On one occasion Jones had one of his officers "placed under arrest for insubordination [giving the officer] a chance to clear it up, and Jones was unwilling to admit his error." It is not prudent to compare events during war in the late 18th century to the peace and prosperity of our own time, but no reader of this book will be impressed by Jones's interpersonal skills.
Morison makes numerous references to "prize money," the curious, but apparently then-universal, practice of rewarding captains and their crews in cash for capturing enemy ships. The fact that Jones pursued prize money with vigor may raise additional doubts about his character, but I would guess Morison believed that Jones simply followed a custom which probably motivated many successful naval captains of his time.
Morison held the rank of admiral in the U.S. Navy during World War II. Although the degree of detail in his narrative is fascinating, I found some passages too technical, and I suspect some other lay readers may be baffled as well. (The book's charts and diagrams were, however, very helpful.) But that is a small price to pay for a wonderful biography of one of the most intriguing figures of the American Revolution.
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FALL, 2000 Edited by Bradford Morrow
Table of contents
John Ashbery, Four Poems
Lyn Hejinian, Two Poems
Myung Mi Kim, Siege Document
Brenda Coultas, Three Poems
Arthur Sze, Quipu
Jorie Graham, Six Poems
Michael Palmer, Three Poems
Mark McMorris, Reef: Shadow of Green
Susan Wheeler, Each's Cot An Altar Then
Ann Lauterbach, Three Poems
Clark Coolidge, Arc of His Slow Demeanors
Gustaf Sobin, Two Poems
Alice Notley, Four Poems
Tessa Rumsey, The Expansion of the Self
Anne Waldman and Andrew Schelling, Two Landscapes
Forrest Gander, Voiced Stops
Tan Lin, Ambient Stylistics
Marjorie Welish, Delight Instruct
Laynie Browne, Roseate, Points of Gold
James Tate, Two Poems
Honor Moore, Four Poems
Leslie Scalapino, From The Tango
Bin Ramke, Gravity & Levity
Mei-mei Berssenbrugge, Two Poems
Charles Bernstein, Reading Red
Mei-mei Berssenbrugge and Charles Bernstein, A Dialogue
Rosmarie Waldrop, Five Poems
Martine Bellen, Two Poems
Peter Sacks, Five Poems
Reginald Shepherd, Two Poems
Barbara Guest, Two Poems
Donald Revell, Two Poems for the Seventeenth Century
Paul Hoover, Resemblance
Elaine Equi, Five Poems
Norma Cole, Conjunctions
Jena Osman, Boxing Captions
Ron Silliman, Fubar Clus
John Yau, Three Movie Poems
Melanie Neilson, Two Poems
Robert Kelly, Orion: Opening the Seals
Nathaniel Mackey, Two Poems
C.D. Wright, From One Big Self
Peter Gizzi, Fin Amor
Carol Moldaw, Festina Lente
Charles Norton, Five Poems
Robert Creeley, Supper
Brenda Shaughnessy, Three Poems
Malinda Markham, Four Poems
Rachel Blau DuPlessis, Draft 38: Georgics and Shadow
Nathaniel Tarn, Two Poems
Peter Cole, Proverbial Drawing
Fanny Howe, Splinter
Anne Tardos, Four Plus One K
Robert Tejada, Four Poems
Andrew Mossin, The Forest
Elizabeth Willis, Two Poems
David Shapiro, Two Poems
Camille Guthrie, At the Fountain
Susan Howe, From Preterient
Cole Swensen, Seven Hands
Susan Howe and Cole Swensen, A Dialogue
Keith Waldrop, A Vanity
Will Alexander, Fishing as Impenetrable Stray
Juliana Spahr, Blood Sonnets
Jerome Sala, Two Poems
Leonard Schwartz, Ecstatic Persistence
Catherine Imbriglio, Three Poems
Vincent Katz, Two Poems
Thalia Field, Land at Church City
John Taggart, Not Egypt
Renee Gladman, The Interrogation
Laura Moriarty, Seven Poems
Kevin Young, Film Noir
Jackson Mac Low, Five Stein Poems
Rae Armantrout, Four Poems
Anselm Hollo, Guests of Space
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If you have any interest in this subject, this is a good book. It could have used a few more maps (I read the 1973 hard back version), and three times it seemed the author was taking sides with the Knights on some minor old debate. His book "The Great Siege; Malta 1565" is an excellent book.
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I have two quarrels with the book, though. First of all, I would have enjoyed reading more about the daily life of the Knights. As it is, Bradford focuses overwhelmingly on military history. Of more significance, though, Bradford gets too close to his subject...This is a one-sided view...Otherwise, a good read. 4 stars.