"How to begin again? How to be happy, to invent ourselves, shedding the inertia of the past? How to experience life & life alone, "that dark, driving, insatiable power that lusts after itself?" These were the questions that bothered the moderns. Happiness, and not merely a longing for it, meant forgetfulness & a new perception of time."

"The modern opposition between tradition & revolution is treacherous......"

So opens the second chapter of Svetlana Boym's "The Future Of Nostalgia" after she has traced the roots of the concept from being identified as a DISEASE of Swiss exiles into a recognition of the problem of all mankind at the start of the 21st century.

I hope I'm not wrong in saying that I think that this book may be an important new cornerstone in art, poli-sci & philosophy. I like this book THAT MUCH....

Ms. Boym's book fell into my hands quite serendipitously as I was researching material for my own novel; I was doing a search on "hypochondria" for a character I was trying to delineate with a certain kind of homesickness, and up popped the heading "Hypochondria Of The Heart" for an interview with Ms. Boym in a newspaper from Harvard University where she is a professor of Slavic Literature. The premise for her book deeply intrigued me since she elucidated some similar points that I had been trying to frame in my own work. I hurriedly ordered her book from our local library, anticipating something groundbreaking.

I wasn't disappointed. This book traces a link between poetry, philosophy & politics in the modern age which is rooted in nostalgia, the longing for home & the feeling of loss due to a disctinctly modern concept of time.

However, this is no futile deconstructionist tract, nor is it a conservative tome yammering on about the pervasive influences of the enemy in a "See? We told you so!" smug-but-ineffective posturing.

What Ms. Boym does is show both healthy & unhealthy effects of nostalgia on history & memory. The first part of the book lays out what the modern conception of time has done to modernity, popular culture, conspiracies & collective memory, et. al. This clarifies the reality of the problem of modern life not as meaningless, but a somatization of symptoms attributed to to fractured parts of humanity, cultural & individual.

She doesn't stop there, however. Boym is savvy enough to show examples of her position in parts two & three of the book.

Part two shows the impact of longing for return on Moscow, St. Petersburg, Berlin & Europe in general. This cements evidence for the concept of modern time on TRADITION, by showing
what particular post-Communist cities do to reinstill history after years of trying to synthesize it.

Part three cleverly goes to the other side for a balance by showing the longings of exiles like Nabakov,Brodsky & Kabakov.
In this mode, the idea of nostalgia affecting historical tradition is expanded to included the revolutionary INDIVIDUAL going against the grain & what they expected their hopes to gain them apart from their homelands.

All of this could be very boring however, except that Ms. Boym exhibits a clear & rich style, making this book a terrific read. I found myself wanting to read it again, not because of confusion, but because of the wealth of insights that flow forth from her.

This is the first book I've read to give any useful & pragmatic perspective on our seemingly fracturing globe these days, not because it points out what is going on, but because it takes the idea of "home is where the heart is" and shows what might have happened to the heart.

I feel that this book is universally useful to all political stripes and many different fields of the humanities. I'll wager that this may turn out to be one of the first most important books of the 21st century. Why? Because I feel a wiser & more articulate human being from reading it.

This amazing book has been efficiently described by its Editorial Reviews. It is ingenious, absorbing, and by turns difficult and thrilling. Do not be misled by the kitschy or simplistic associations you might have to the term "nostalgia." Exile, either voluntary or forced - no small thing either way - is its precondition.

Many, but far from all, of the examples and references are Russian and Eastern European. Each of the seventeen chapters is an essay of depth and precision. They are greatly satisfying: rich and dense with associations and references from art and literature, and the entire span of recorded human history.

Boym names Part One "Hypochondria of the Heart," and variously introduces her kaleidoscopic interests in nostalgia - as an "epidemic." Nostalgia, she asserts (and proves convincingly) is "the disease of an afflicted imagination." It afflicts those who would become assimilated to their new worlds - as well as those who (variously and often highly individualistically) resist. The second section, "Cities and Re-invented Traditions" contains five chapters that focus on Russian and European conceptions and realities. The final part, "Exiles and Imagined Homelands" is my favorite. Its chapters cover among other things the excess of souvenirs to be found in immigrants' apartments (knickknacks of identity and remembrance that would not ever be displayed back home); cyberspace, which "makes the bric-a-brac of nostalgia available in digital form"; the persistence of immigrant eccentricity; the preservation (and transformation) of attitudes, and various phenomena of adjustment. Some of the personages discussed (for there is never mere name-dropping in this book) are Adam and Eve ("the first exiles") Ovid, Telemachus, Oedipus, Odysseus, Walter Benjamin, Freud, Hanna Arendt, painter Ilya Kabakov, Joseph Brodsky, and Vladimir Nabokov - to name a few.

I loved this book. There isn't a slow page in it. Boym is passionately interested in art, history, psychology, signs and symbols, literature, urbanism, politics, and people. She's a deep thinker who is guided by her considerable ability to keep several balls in the air at once, to teach with clarity, and to really understand what makes people tick. There's a good index and over thirty pages of notes that enable a lot of further reading in this big and interesting subject.

A great book that deserves more than five Amazon stars.

As one involved with NASA in the heady days of years past, I had heard talk that Princeton Architectural Press planned to bring out a book of Adam Bartos' photographs of the Baikonur Cosmodrome, and I have been looking forward to Kosmos for some time.

Kosmos is a sad and poignant portrait--but, alas, an accurate one--of the decline of one of the great technological programs of human history. I don't believe that those who weren't alive at the time can appreciate the reaction of this nation to the launch of Sputnik and the other achievements of the Soviet space program nor can those outside of NASA appreciate the enthusiasm--and gravity--that characterized our efforts to catch the Soviets in the space race.

Frankly, the faded glory shines through in many of the photographs, and, in the eyes of those caught in the photographs, one still sees glimpses of the spirit, albeit wounded, that drove their space program to its glories. However, in the post-Cold War era, pathos will be the most common reaction of the reader.

The accompanying essay by Svetlana Boym of Harvard University, unlike those gratuitous essays in many photographic books, contributes to the Kosmos and brings some important insights to the reader unfamiliar with the Soviet program. It is beatifully written and is commended to the readers for their edification.

All in all, after much anticipation, Kosmos exceeded my expectations and stirred a wave of memories. Congratulations to PAP for their achievement!

Having been a Soviet/Russian space enthusiast since childhood, I was naturally excited to learn that Princeton Architectural Press was publishing a photonovel entitled "KOSMOS - A Portrait of the Russian Space Age". This is a finely bound collection of 100 photographs taken by renowned photographer, Adam Bartos between June 1995 and April 1999 at the Baikonur cosmodrome in Kazakhstan.

With great anticipation I opened the book, eager to see new images of Russian space hardware and launch sites. What I found between the covers was much, much more than I expected.

With his keen photographic skills, Adam Bartos is not only able to take us into areas of the cosmodrome rarely seen by western observers, but into the hearts and souls of some of the key personalities which helped to shape the current climate of what was once the worlds greatest space industry. Through the eyes of the photographer you see rooms well worn with age now silent and barren, and faces whose stares echo ghost of the former Soviet Union. Image after image paints a portrait of contrast between the glorious aspirations of the Soviet future past and the dismal realities of the present day russian space program.

Enhancing this somber collection of images is an essay written by Svetlana Boym, Professor of Slavic Languages at Harvard University, which poignantly illustrates the mood of the Russian people as radical political change made way to new realities.

I highly recommend this book, not only to all Russian space enthusiast but also to anyone who has even the slightest interest in the changing climate of the Russian people and how it has affected their once dear space program.