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In his later books, Bowden's bitter spleen often spills uncontrollably from his pen, but his tone here is much more restrained. In "Waters," his voice is almost scholarly scholarly and tinged with sad wisdom. This is a great book, and one that deserves far more readers.
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If you know a photographer or a traveller - this is the book for them! Enjoy the treat yourself as well.
Jeff Grimm
Bedford, TX
Jack Dykinga's photographic work is simply exceptional, and beyond the pale. Each color photograph appears as exquisitely crafted as a piece of fine crystal, beginning with very cover of the paperback edition. One can only envy his great patience and expertise in composing each work.
Much of the photography comes from the Paria Wilderness, an area of the Plateau not usually treated to any degree in most works, and the novelty is refreshing. A particularly enjoyable facet of the book is that use of a telephoto lens has been largely eschewed, leaving a series of scenes that the enterprising tourist can find and view with his or her own eyes, just as depicted by the book.
Charles Bowden's accompanying text is evocative and hearkens a wild diffusion of images and memories of the fascinating region.
It is an apt companion to Dykinga's superb work.
If you are limited to five or less books about the Colorado plateau, let this be one of them. I enjoy it more every time I read it.
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Once set, he kicks violently at the business end of that wedge with his feet to drive himself in further, going as far as a man can go without letting go: dirt, water, sex, and food, with a little booze and drugs thrown in to soften the edge of our brutal contemporary reality.
But now that he's found the courage to go to these places in our stead and make it back, he found it necessary to write about it and we find it necessary to read it. We know that we will likely never visit these places. We will only read vicariously and reflect nervously, remaining sadly and ultimately, fearful hypocrites to the end.
For too many of us, Bowden may be the best writer we've never read. His prose is powerful, prophetic, hallucinogenic, and poetic. Using mesquite as a metaphor to connect his essays, he encourages us to face the truth about American culture, and to question the people who try to give us easy answers. "I believe in dirt and bone and flowers and fresh pasta and salsa cruda and red wine," he writes. "I do not believe in white wine, I insist on color. I think death is a word and life is a fact, just as food is a fact and cactus is a fact" (p. 246). Although Bowden's "Mesquite Manifesto" is rooted in despair, in the end it encourages us to celebrate life: eat, lust, caress, fight, and swallow. "Now," Bowden tells us, "choke it down" (p. 277).
G. Merritt
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Jay Marvin
WLS Radio
Chicago, IL
This book is extremely well written. My hat is off to Mr. Bowden.
In his later books, Bowden's bitter spleen often spills uncontrollably from his pen, but his tone here is much more restrained. In "Waters," his voice is almost scholarly scholarly and tinged with sad wisdom. This is a great book, and one that deserves far more readers.