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Red Pine breathes new life into Cold Mountain. "I enjoy the simple life," Cold Mountain writes in poem 224, "between dark vines and mountain caves/ the wilderness has room to roam/ with white clouds for companions/ there's a road but not to town." It is easy to appreciate Cold Mountain's verse not only for its "spiritual honesty, poignancy, and humor" (p. 15), as Red Pine observes, but also for its rich, natural imagery. White clouds cling to dark rocks (poem 1), and old pines cling to crags (poem 256). Cicadas sing (poem 300). Yellow leaves fall (poem 300). "My mind is like the autumn moon/ clear and bright in a pool of jade" (poem 5).
In a recent interview, Red Pine compares Chinese hermits to "a mountain spring that brings fresh water down into town" (Tricycle, Winter 2000, p. 69). Cold Mountain is a good teacher, and his poems offer insightful lessons. He writes: "Trust your own true nature" (poem 2). "Rock sugar and clarified butter/ mean nothing when you're dead" (poem 8). "The moon is the hub of the mind" (poem 10). "Silence thoughts and the spirit becomes clear/ focus on emptiness and the world grows still" (poem 82). "Drop a ball of mud in water/ and behold the thoughtless mind" (poem 86). "Retiring to my hut I accept white hair" (poem 122). "The world is full of busy people/ well-versed in countless views/ blind to their true natures" (poem 132). "People who wander among clouds/ don't have to buy the hills" (poem 219).
Red Pine's collection will become an well-travelled path on your bookshelf to contemplative, Cold Mountain. (It is easy to understand why Jack Kerouac dedicated his DHARMA BUMS to Cold Mountain in 1958.) For those interested in meeting other Chinese hermits, I recommend Porter's ROAD TO HEAVEN: ENCOUNTERS WITH CHINESE HERMITS (1993). For some contemporary poetry reminiscent of Cold Mountain, I recommend David Budbill's recent MOMENT TO MOMENT (2000).
G. Merritt
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"City of Lingering Splendor" is an autobiographical travelogue, one of the best ever written. Dedicated to ' the hermits, scholars, youths and courtesans who inspired these pages ' it's a love letter to Peking and the breathtaking greatness of an ancient civilisation at its twilight, about to be extinguished.
While remote jungles still offer anthropologists the chance to chew the fat with stone age peoples, the romantics among us are simply out of luck. Until someone invents a working time machine, Ancient Egypt is gone forever along with Homer's Greece and Imperial Rome.
But in 1934 it was still possible to travel back in time. Back to Old China, to a culture that had remained virtually untouched for thousands of years---and chew Peking Duck with Taoist sages. . .
Wonderful reading.
The streets of Peking were full of Confucian scholars, aging palace eunuchs, adepts of Taoism and Buddhism, starving White Russian refugees, 14-year-old opium addicts, and gentle courtesans and flute girls. Blofeld threw himself headfirst into this world which was on the point of being snuffed out forever. Most memorable are the White Russian hermaphrodite Shura and the Rasputin-like Father Vassily; the decorous Buddhist scholar Dr Chang; Yang Taoshih, the Taoist sage, and his friend known only as the Peach Garden Hermit; the lovely courtesan Jade Flute; and the mysterious Pao, who elopes with a young girl intended for a Japanese colonel.
After Blofeld leaves for a trip to England, the Japanese finally invade. There are two bittersweet chapters at the end where Blofeld revisits the scenes of his youth after 1945. His fragile Peking of the 1930s is now poised between a growingly thuggish Kuomintang secret police and the great unknown of Mao Tse-tung's Eighth Route Army.
Blofeld's Dr Chang says it all: "Decay is inherent in all things, as Shakyamuni Buddha bade us always remember. Death swallows all that has been born; rebirth or re-creation follow in their turn, as spring follows winter. Things rise and wane in unceasing flux."
CITY OF LINGERING SPLENDOUR is recommended to all sentient beings who were ever young once and are now faced with a confused welter of possibilities, none of which seem particularly appetizing.
It records the author's love affair with the city before WW2 (and includes a return to Beijing after it). While meeting many of its remaining Daoist, Confucianist, Bhuddist and literary leaders and exploring its temples, nightlife and food, we get a last sympathetic, philosophical, tragic glimpse of the splendour decaying under the Republic. Before it vanished under the Maoists.
If you thought there was little more to pre-War China than footbinding, Dowager Empresses, opium and Shanghain greed and degeneracy, this book will even the score a little.
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Topics covered include: Kuan Yin meditations / visualizations, history of Kuan Yin, Buddhist ontology of Kuan Yin (plus Tara and Avalokiteshvara), and many well written stories of Kuan Yin, Tara and her followers. Also, contains several pages of b/w pictures of buddhist statues and icons of these bodhisattvas. The pictures are of average quality technically, but otherwise are excellent examples of Kuan Yin and Tara. Many of the pictures I have not seen elsewhere.
John Blofeld strikes the perfect balance between philosophy, reason, mysticism and devotion. His understanding of Chinese language and culture and his life long study of Buddhism makes for a very informative and sincere book.
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There are a few pages of b/w photos, of Kuan Yin, Tara and Avalokiteshvara, the pictures vary in quality. However, many of them I have never seen before and a few definitely inspire devotion.
The fact that John Blofeld lived and traveled in China, his joyous devotion to Kuan Yin, and his knowledge of the Chinese language and culture adds immensely to the book and puts it in a class by itself.
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