What is essential about this book is that each poem comes with the bilingual translation in English and accompanied by the original works in Spanish. Two years of high school Spanish, as well as two years in college, has rendered me with a woefully inadequate ineptitude of all words and understanding of that language. But I don't think that the translation can ever capture the sound, the alliteration, the true tongue/la lingua and fluid language that Paz meant in his original Spanish. Even if I don't understand a lick of what's on the left side of the page in Spanish at least it can be read for it's beautiful sound. Listen to this, "Through the conduits of bone I night I water I forest that moves forward I tongue I body I sun-bone Through the conduits of night" and then on the even-numbered page, "Por el arcaduz de hueso yo noche yo agua yo bosque que avanza yo lengua yo cuerpo yo hueso de sol Por el arcaduz de noche."

What are you doing still sitting here reading my crappy writing when you could be reading Ocatavio Paz? Go get the book...you'll see.

Paz consistently suprises the reader with new ideas, form, language. Paz creates an atmosphere that is soothing, and enchanting. I would highly recommend this work.

It gave me some real insight on how I should be considering networking and upsizing. I answered more questions I had after spending 12 hours with the book, than I had spent searching the net or reading the other books for several months. I even read though the code and understood it, and contrary to the warnings the presentation still flowed well. I still know little VBA and am now going back to get a Wrox book on Beginnng Access 2000 VBA.

Concise, very detailed, stuffed full of info and reference. I'm a Wrox fan now.

One thing I do miss, is the usual Wrox opening statement where it is described whom the book is written for and if any previous programming skills are assumed. It's not until chapter 3 that you find out VB or VBA programming experience is assumed to make use of the chapter. Don't start on this book without any knowledge of VBA, since it is used in most of the coding examples. If you don't know VBA check out the following books: ISBN 0782123244, ISBN 1861001762 and ISBN 0735605920. An understanding of ADO would also improve on the usability of the book.

To make use of the books fullest potential, have a design plan of your database next to it and make notes or check for errors in your design when you go through the chapters. This helped me to improve on the design of my database.

Not essential, but it would have been nice if the sample code used in the book had been made available to the reader. At one place in the book the author even writes that the sample code is available from Wrox' website, but as of today it is not.

This book has given me the skills and confidence to start working on client/server solutions and integrating SQL server. It breaks down the entire complexity surrounding Access 2000 and database development to sizeable blocks and tools that I can piece together according to programming and design goals. A must have for any Access programmer on his way to become a true professional.

This is on my list of favorite books of all time; it is a great book not because it subtly describes the frivolties of life and not because it shows the persistence of human spirit, blah blah blah... It is a beautiful and great book because it makes you laugh - in its own great non funny way. It is not laughing out loud, of course, more like chuckling to yourself as you read it. You even get to identify with the characters of the book, with their weird perks and idiosyncracies. In our real world, the cronopios have a great cult following (at least online) - in the book, they are what people strive to be: worry-free animals in pursuit of happiness.

I read this book on a regular basis, mostly in short pieces. It is written in short chapters, so even when you are too tired to read anything else, this will cheer you up.

Recommended for all conoisseurs of inventive and experimental literature.

The book is divided into four main sections, each of which is further subdivided into several short pieces. The first section, "The Instruction Manual," contains such pieces as "Instructions on How to Cry" and "Instructions on How to Climb a Staircase." Cortazar invites us to look at everyday things and actions from a radically altered perspective; in the process, he seems to point towards an occult, or metaphysical, wisdom.

The second section, "Unusual Occupations," details the antics of a bizarre family (think TV's "Addams Family" as drawn by Dr. Seuss, with input from Franz Kafka). The third section, "Unstable Stuff," is the most varied and chaotic section of the book, and is rich in fantastic and absurd elements.

The final section of the book has the same title as the entire book: "Cronopios and Famas." In several short vignettes Cortazar draws a portrait of an alternate society populated by three different types (races? castes? species?) of beings: Cronopios, Famas, and Esperanzas. Cortazar describes the individuals of each group, and details many instances of social interactions between the groups. This final section of the book is reminiscent of Aldous Huxley's "Brave New World," but more cryptic. Along the way we witness the invention of the "wild-artichoke clock" and get a glimpse of "GENITAL, the Cigarette with Sex."

"Cronopios and Famas" is not for the lazy reader. I must admit that after my first reading of the book, I didn't really like it that much. But the second time I read it, I said to myself, "This is brilliant! What was wrong with me the first time I read it?" I wonder what my reactions will be on my third and fourth readings. This book, rich in irony and remarkable images, is truly a remarkable achievement by one of the most innovative masters of 20th century literature.

for a better account of WWII combat in the air over the pacific, read Saburo Sakai's "Samurai", or Samuel Hynes "Flights of Passage", or "Aces Against Japan" all much better books.

Overall, I was much more entertained, but still came away wanting more than was given. The book does not have the grand sweep of an Amrose book covering a whole theater, but still does a good job at retelling this piece of aviation history.