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Those who have only read The Flashman Papers (not a bad thing by any means) have only seen one facet of Mr. Fraser's talent. When he applied it in "The Steel Bonnets", one of the most confusing, convoluted and bloody periods in English history leapt into focus. Now in addressing the doomed career of Tom Molineaux, a former slave who freed himself by beating another slave to death, Fraser sheds some much needed light on that contradictory period which was Regency England.
Using Molineaux's brief career as the subject of an "industrious inquirer", Fraser brings in the views of such diverse observers as an eccentric upper class "pedestrian" who - between walks to Scotland and back - trains Tom Cribb for the second bout, a boxing journalist of the period whose florid hyperbole disguises the fact that he is rarely able to actually attend the matches and, of course, Flash Harry's "guv'ner", Buckley "Mad Buck" Flashman.
"Black Ajax" reveals more about the attitudes, prejudices and life styles of the Regency than it really does about poor Tom Molineaux. For those looking for a politically correct read, look elsewhere for, as Fraser is fond of saying, history cannot be bent to suit today's attitudes and still remain history. For those who revel in Fraser's adept use of dialect and period slang and his ability to bring an entire era to life, this is for you.
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I was not especially impressed by the writing skills of Gardner. There is far too much repetition, and not enough anecdote...especially about the African American servicemen who were being lynched as they returned from WWII. It was this inconceivable injustice that provided the moral imperative that struck Harry Truman so hard and caused him to take the steps he took. As a result, WWII became THE seminal event in 20th Century US History.
Since Tom's fate is revealed in the prologue, watching Tom's arc, which will bring him achingly close to the top only to fall, is painful. But what makes this book is watching the attitude of those arond him, and the Napoleonic-era society which is delighted to embrace him as a novelty--and to turn against him the instant he becomes a threat or a failure. For all the wine, women and song he is given, the turning point in this book is when the misunderstood Tom realizes he will never be accepted, as a non-white, non-English contender, society and the mob will turn against him the instant he is seen as likely to become the champion.
Fraser, as he showed for the later 19th century in the Flashman books, and as he did for the Edwardian era in Mr. American, shows an intimate knowledge and understanding of Regency England, which is brought to life for our enjoyment.