Related Subjects: Author Index Reviews Page 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
Book reviews for "Black,_David" sorted by average review score:

Black and White
Published in School & Library Binding by Houghton Mifflin Co (Juv) (April, 1990)
Author: David Macaulay
Amazon base price: $11.90
List price: $17.00 (that's 30% off!)
Used price: $4.77
Collectible price: $9.95
Buy one from zShops for: $8.98
Average review score:

A Brilliant Example of Why a Picture Is Worth 1000 Words
This book clearly deserves more than five stars for its brilliant plot, fascinating design, terrific illustrations, and thought-provoking premise. This book will stretch the imagination and thinking of anyone who sees it, no matter of what age or intellect. And the process of doing the thinking will be enormous good fun.

The book starts with a warning. "This book appears to contain a number of stories that do not necessarily occur at the same time." Then you get hints. It might contain more than one story, or it might be four stories, or then again, four parts of one story. "Careful inspection of both words and pictures is recommended." You will be a story detective, not unlike someone trying to solve a crime after the fact.

Each page is divided into four stories, each of which generally takes up one-fourth of the page. They are located in the same position relative to one another so you can keep the story thread you are following straight. Each has a title.

"Seeing Things" is about a boy taking his first train trip alone. After a long, mysterious delay, he arrives at a large station to be greeted by his parents. His mother sympathizes with his difficult journey.

"Problem Parents" relates how perfectly normal, hard-working parents return from commuting to work one night wearing costumes made out of newspapers. Soon, they have their children costumed this way too.

"A Waiting Game" shows a crowd of adults waiting for the commuter train on an outdoor platform. Pretty soon they get bored, and the fun begins.

"Udder Chaos" starts with a cow licking a man in a convict suit, and shows how cattle provide camouflage for themselves and everything around them.

An occasional element from one of the stories crosses over, and shows up in another story. From these tiny steps, you can begin to unravel the tangled plot.

The book earned the Caldecott Medal for the best illustrated children's book in 1991. I think this is outstandingly illustrated, even for a Caldecott winner. The images carry the story much more than the occasional words do. Without the fascinating visual display of the book's concept, there would be no story here that you could unravel.

Upon rereading, you and your child will grasp additional meaning in the images and words. This will give you a lot to talk and think about. As such, you will welcome this over all of the books where you read the same story in the same way, over ... and ... over ... and ... over ... again.

One of the most difficult things for a child to learn is how subjective perception is. I think this book is terrific for making that point, and helping to create an appreciation for clear communication. I suggest that every family with children purchase and regularly read this book.

After you have enjoyed this book many times, I suggest that you think about where else a partial story is presented. For example, you and your child might go to a train station or airport and watch the people. You could make up stories about what you see. Then, I suggest that you go up and interview the people to hear what they think their story is.

Find the harmony, under the muddied surface of subjective, unfocused perception!

One of the most fascinating books I have read
I got this book because of the Caldecott award, however, when I read it, I was amazed. I loved the four different stories, and how they were intertwined. It makes you realize; one small incident can impact so much.

Oustanding Book For All Ages
I found this book to be good for all ages. I bought the book for my two young children and found out that my oldest at 13 also enjoyed reading the book. He found it interesting trying to figure out of the story all tied together. My youngest also enjoyed putting words of her own into the story because she is not yet able to read. It is a great book for all ages.


Alex Haley's Queen: The Story of an American Family
Published in Hardcover by William Morrow (May, 1993)
Authors: Alex Haley and David Stevens
Amazon base price: $32.00
Used price: $0.65
Collectible price: $1.95
Buy one from zShops for: $4.44
Average review score:

PHENOMENAL BOOK! Well worth finding it!
I absolutely loved this book and have read it many times. It starts with Ireland and goes through the slavery struggle and family life inbetween. The characters are amazing portrayed and presented. Not only does it inspire thought emotion and passion, it makes you wish you could express life so creatively on paper. BRAVO Mr. Haley! I can't wait to read Roots!

Alex Hailey: The Legend
Alex Hailey is one of the greatest writers known to man. He truely displayed his writing ability in his book Queen. By reading Roots, I was able to follow along as if I was there. The book was truely heartfelt and encourages me to read all the rest of his books.

Come Up With Serene Responses to Today's Suttle Racism
I just finished reading this book, this morning. And, I read "Roots," 2 weeks ago. In both of these books, I was able to vicariously be there, and emotionally travel with each person in these stories.

And it gave me a sense of peace that I had not had before about being African-American. It helped me to come up with the most empowering responses to not only suttle racism from Euro-Americans, but also suttle responses to African-Americans who seem to be bound by expecting to just get by (who also believe that empowered African-Americans somehow owe them endless worthiness).

To me, even though this book is titled "Queen," it has many stories: politics; narcissism; racism; boys growing into manhood; belonging; the price of not having someone to verbalize your pains to; and, how whites turned their outrage over their motherland into what drove them to do the same to blacks, in this country.

During the entire time that I was reading these 2 books, as I conducted my day to day responsibilities, I felt like I had a secret weapon against being held back. And I saw things that I might not have seen before in what I could do to turn suttle racism into my opportunity to expect mutual respect between myself and my interlocutor.

I recommend this book, and "Roots" to any who is looking for a means to grow beyond your wildest expectations. You will cry with these stories, laugh, and feel every possible emotion, knowing that you are breathing new life into your life. vjudo@rmi.net. www.femcourage.com


Black Evening
Published in Hardcover by Cemetery Dance Pubns (January, 1900)
Author: David Morrell
Amazon base price: $40.00
Used price: $45.77
Collectible price: $158.82
Buy one from zShops for: $17.47
Average review score:

Beyond Excellent!
I am new to David Morrell's works, but that will soon be remedied, after I listened to the unabridged version of his short stories.

Not only are the stories EXCELLENT, but I imensely enjoyed the author's commentary before and after each one.

And he makes his points, plots and story lines, with little vulgarity, which is becoming much too common in the latest Stephen King works.

Kudos and I will be hearing more.

Finally in one volume
There have been several times that I have bought an anthology like "Prime Evil" so that I could read an otherwise unreleased Stephen King or Clive Barker story, and ended up being blown away by the stories of David Morrell. Finally, K-Tel-like, everyone can enjoy these powerful, imaginative stories without having to buy a dozen other books.

While this collection does not contain all of Morrell's short fiction, it does contain all that I had read in other anthologies, most notably the powerhouse novella "Orance is for Anguish, Blue for Insanity," one of my all-time pieces of fiction, short or otherwise. I am a fan of author notes in collections, and Morrell doesn't disappoint. While he doesn't expound the way that, say, Harlan Ellison does, there are short notes before each store in addition to a Foreword and Afterword, and these add a texture to the book that I think makes your first read more enjoyable and increases the re-readability. Plus if you've already read a couple of these in anthologies it is nice to see the author's perspective instead of the anthology editor's perspective before the stories.

I read this during a particularly hot summer week and found it to be perfect for this setting...the stories are engrossing enough that I forgot about the heat, and a few times I caught a genuine bit of a chill! Anyone who enjoys dark stories or speculative fiction should give this great book a read.

Horror Fiction Lifted to the Level of Fine Art
Ordinarily I am not a huge fan of horror stories, but I can honestly say that Black Evening is frightfully fantastic. This spine-tingling collection of sixteen tales explores the dark side of greed, power, and madness. Morrell is able to pack a lot of punches and twists into his short (but not so sweet) stories. Moreover, his writing expresses his compassion and intelligence like that of an accomplished literary great.

An added bonus to this book is the foreward at the beginning of each story. Morrell discusses his development as a writer and shares with the reader his personal tales of triumph and tragedy: from his meeting with his idol, writer Stirling Silliphant, to the death of his teenage son to bone cancer. Each story seems to be weaved around an event that touched Morrell's life. This authenticity makes for a more eerie read. For example, "But at My Back I always Hear," is about a professor who is stalked by a female student infatuated with him. Morrell himself faced this dilemma while teaching at the University of Iowa. Other scary topics covered include an art historian who follows his subjects' break with reality and ultimate demise; an amateur writer who becomes a best-selling novelist with the help of a ghostly typewriter; and a high school football team that is victorious because the coach is dabbling in witchcraft and produces an evil good luck mascot.

Two of the stories in Black Evening won Best Novella, Horror Writers of America Award. One story was a nominee for this same award and one other story was a finalist for the World Fantasy Award. Morrell stated that the first piece of advice he received as a young writer was to write about what he feared most. Obviously he took that advice to heart and left us with some chilling entertainment.


The Children
Published in Hardcover by Random House (March, 1998)
Author: David Halberstam
Amazon base price: $29.95
Used price: $1.00
Collectible price: $2.29
Buy one from zShops for: $2.99
Average review score:

David Halberstam is at the height of his writing power.
It is impossible to say anything about David Halberstam's books without first saying how influential his journalism has been to an entire generation of journalists in the United States and overseas. When I was a young news clerk at The New York Times a long time ago, I read Halberstam's masterly "The Best and The Brightest," and I wrote him a note applauding his detailed research, the flow of his narrative, and the sheer sweep of his story. To my surprise, he responded promptly; it is a note that I still treasure -- just as I treasure every book he has written since. "The Children" shows Halberstam at the peak of his writing ability. He recreates the human environment of the frenetic years of the civil rights struggles, telling the extraordinary stories of some of heralded and unheralded players in a manner that is both gripping and provocative. The reader shouldn't be daunted by the length of this book (800 pages) because there isn't a single section that flags. "The Children" is certain to become a landmark book. It deepens our understanding of a traumatic period in American history, and illustrates vividly that ultimately all social forces and causes are shaped by individual men and women -- in this case people who battled racism and the ever-present antagonism of foes determined not to yield ground. "The Children" dramatizes the triumph of goodness; it is definitely a triumph of a genre that might be called histojournalism. It is a superb book by a towering writer of great sensitivity and skill.

Can One Person Make a Difference? You Bet!
David Halbestam's monumental book, the children, is a hymn of praise to a remarkable group of young people who did much, perhaps most, of the heavy lifting of the civil rights movement. But it is also the story of how one man, James Lawson, influenced a movement and changed a nation. There are many heroes portrayed in Halberstam's book, but perhaps the one indispensable person in the success of the civil rights movement was not Martin Luther King, Jr., but James Lawson. This is not to diminish or belittle the contributions of King, for what more can a man give than his life. But even Halberstam doesn't seem to recognize that the Civil Rights Act of 1964 and the Voting Rights Act of 1965 might never have come about had it not been for the remarkable acheivement of James Lawson in attracting and training the first group of young, tremendously dedicated non-violent protesters in Nashville in 1959 and 1960. This is one of the most inspirational books I have ever read, and while, as several of the reviewers have already noted, the book could have done with some paring of redundancies, if you want a story filled with heroes and heroines, with light overcoming darkness and the good guys winning, this is your book. It should be required reading for every young person in America. James Lawson, jailbird, "draft dodger" and the ultimate "outside agitator," has lived a life of consequence and significance that most of us can only dream about. The remarkable thing is that he found other young people who wished to live lives equally challenging. Human beings, if they are lucky, are given only a few rare opprotunities in their lives to make a real and great impact on their world. Lawson, Nash, LaFayette, Bevel, Powell, Brown, Johnson and the wonderous John Lewis among many others, seized their opportunity, and made life better for not only millions of Black folk held hostage to racism and ignorance, but for millions of their white oppressors as well. The great tragedy is that as the Movement entered its period of greatest success, it was, like the Russian Revolution, seized by some of the most radical elements in what had been the fringes of the movement. And we lost Martin Luther King, Jr., the most effective voice of the nation's conscience.

Incredibly thorough account of formerly annonyomous heroes
David Halberstam, as always, tells the whole story of events in history of which too little is known. He brilliantly details the lives and experiences of the front-line soldiers in the civil rights movement--the men and women (actually boys and girls...hence the name of the book) who had the courage to risk their lives to attain well-deserved and historically denied rights. Prior to this work, historians focused on King and his associates. I prefer the perspective and approach of Halberstam.

The reader becomes engrossed in the lives of the people. Halberstam lets us in on their organization, their disagreements, affairs, loves, families, fears, hopes, failures and successes. Most amazingly, he contrasts the children's reaction to racism with that of their parents. The younger generation's frontal assault on the segregationist strongholds is truly amazing. The stories of the freedom riders is engrossing.

Not Halberstam's best book (that would be the Fifties) but pretty darn close.


Magic Flute (The Black Dog Opera Library)
Published in Hardcover by Black Dog & Leventhal Pub (January, 1997)
Authors: Wolfgang Amadeus Mozart and David Foil
Amazon base price: $19.98
Used price: $5.00
Buy one from zShops for: $13.90
Average review score:

Rare, Legendary Recording... but throw away the book.
The re-release of the legendary 1972 recording of Die Zauberflöte, conducted by Wolfgang Sawallisch, is a great blessing to all who know and love this great work. Edda Moser's interpretation of the Queen of the Night is justly celebrated, achieving not only transcendently perfect delivery, but also a chilling portrait of pure evil. All of the other cast members are excellent. The spoken role of Papageno is particularly striking, sounding sufficiently pungent to remind us that the role was originally played by Emanuel Schickaneder himself. The tempi are, for the most part remarkably well-chosen. In addition, the Masonic gravity of the subject matter is constantly respected. The chorus of the armed men is properly alarming, the cantus firmus stridently insistent above the counterpoint of the strings. Even more uncommon is the treatment of the secondary scenes of Act II, especially the chorus Welche Wonne, in which the evocation of the candidate's future "new life" is infused with the trepidation inevitably attendant upon any trial of life and death. All too often, this work, which is gravely serious in its intent, is presented as a fairy tale. This recording successfully conveys the philosophical context, and does justice to Mozart's attachment to Masonry. [The only flaw which I could detect is the inclusion of a very questionable musical fragment, inserted into Act II, Scene 11 ("Pamina, wo bist du?"). I could locate no reference to this anywhere in my extensive library on the subject, and can only speculate that it might be some unacknowledged retention from one of the infamous "reworkings" of the opera which occurred after Mozart's death....At any rate, it requires an explanation....]

In view of this, it is sad to see this beautiful recording issued in association with a perfectly vile and disrespectful book about the opera. The author has the temerity to liken this work to "a Broadway musical", "a rollicking entertainment for the common man" simply because it was composed as a Singspiel, or German opera with spoken dialogue. This is equivalent to likening one of Shakespeare's comedies to a street farce. The book also suggests that Zauberflöte was composed for purposes of pure entertainment, unless it is, perchance, a "work of profound insight" dressed up in the trappings of a "cartoon". Obviously, the writer is ignorant of the significance of the Egyptian setting in the time of Mozart, when it was a clear symbol for rational ideas and liberal politics. The details of the setting delineate the struggle which was then taking place in Europe, over the true nature of Masonry, philosophy and music, and which soon came to a terrible end, for that time at least, with the banning of Freemasonry in Austria, and the loss of much of the learning about ancient philosophy which had been so laboriously gathered in circles such as that frequented by Mozart. It is largely on account of Zauberflöte, which alludes with precision to much of that learning, that it was not entirely annihilated in the chaos of the revolutionary and Napoleonic periods. Rather than misrepresenting this vitally important work, those who have the privilege of coming into contact with it should do all in their power to contribute to the very difficult, vital, and continuing attempt to understand it. While the availability of this recording is of great value, it is scandalous to see it associated with a contribution to the generally prevailing ignorance about this extremely important, and very difficult, work.

An irate Mozartian

Excellent recording (out of print), but idiotic book.
The re-release of the legendary 1972 recording of Die Zauberflote, conducted by Wolfgang Sawallisch, is a great blessing to all who know and love this great work. Edda Moser's interpretation of the Queen of the Night is justly celebrated, achieving not only transcendently perfect delivery, but also a chilling portrait of pure evil. All of the other cast members are excellent. The spoken role of Papageno is particularly striking, sounding sufficiently pungent to remind us that the role was originally played by Emanuel Schickaneder himself. The tempi are, for the most part remarkably well-chosen. In addition, the Masonic gravity of the subject matter is constantly respected. The chorus of the armed men is properly alarming, the cantus firmus stridently insistent above the counterpoint of the strings. Even more uncommon is the treatment of the secondary scenes of Act II, especially the chorus Welche Wonne, in which the evocation of the candidate's future "new life" is infused with the trepidation inevitably attendant upon any trial of life and death. All too often, this work, which is gravely serious in its intent, is presented as a fairy tale. This recording successfully conveys the philosophical context, and does justice to Mozart's attachment to Masonry. [The only flaw which I could detect is the inclusion of a very questionable musical fragment, inserted into Act II, Scene 11 {"Pamina, wo bist du?"). I could locate no reference to this anywhere in my extensive library on the subject, and can only speculate that it might be some unacknowledged retention from one of the infamous "reworkings" of the opera which occurred after Mozart's death....At any rate, it requires an explanation....]

In view of this, it is sad to see this beautiful recording issued in association with a perfectly vile and disrespectful book about the opera. The author has the temerity to liken this work to "a Broadway musical", "a rollicking entertainment for the common man" simply because it was composed as a Singspiel, or German opera with spoken dialogue. This is equivalent to likening one of Shakespeare's comedies to a street farce. The book also suggests that Zauberflöte was composed for purposes of pure entertainment, unless it is, perchance, a "work of profound insight" dressed up in the trappings of a "cartoon". Obviously, the writer is ignorant of the significance of the Egyptian setting in the time of Mozart, when it was a clear symbol for rational ideas and liberal politics. The details of the setting delineate the struggle which was then taking place in Europe, over the true nature of Masonry, philosophy and music, and which soon came to a terrible end, for that time at least, with the banning of Freemasonry in Austria, and the loss of much of the learning about ancient philosophy which had been so laboriously gathered in circles such as that frequented by Mozart. It is largely on account of Zauberflöte, which alludes with precision to much of that learning, that it was not entirely annihilated in the chaos of the revolutionary and Napoleonic periods. Rather than misrepresenting this vitally important work, those who have the privilege of coming into contact with it should do all in their power to contribute to the very difficult, vital, and continuing attempt to understand it. While the availability of this recording is of great value, it is scandalous to see it associated with a contribution to the generally prevailing ignorance about this extremely important, and very difficult, work.

An irate Mozartian

A Good Introduction To Opera, Outstanding Recording
The Black Dog Opera Library Series had outdone themselves once again. In this 1972 recording of Mozart's last opera, we are treated to a fine performance by fine singers, a fully illustrated book with liner notes and commentary, as well as information useful in biographies on the composer and his time. Mozart was close to his death bed at the time he composed The Magid Flute. He made an opera that could be enjoyed at many levels. At one level, it is a comic, brilliant fairy tale for children, at another level, it is deeply symbolic and layed with Masonic ideals of universal brotherhood and love. Mozart and his librettist were both Freemasons, a religous "sect" that was under hot water in 18th century Vienna for its pagan origins and its advocation of ideas of the Enlightenment. The story is about Tamino, a prince who is lost in a strange land (originally, a mystic Egypt), who is rescued from a serpent by three mysterious women and promised the hand of the daughter of the Queen of the Night if he saves her from the wizard Sarastro. Together with the help of the comic bird-catcher, Papageno, he sets out on his adventure. But halfway through the opera, he discovers that he has been deceived. The Queen of the Night is the true villain and Sarastro is really a holy man. After many trials, the forces of evil are defeated and the opera ends blissfully with a victory.

Musically and dramatically, it is Mozart's greatest opera. From the striking Overture to the use of dark strings, trumpet and soaring flute passages, the individual arias which express intense emotions to the neverending theme that good triumphs over evil, the Magic Flute stands out as a great opera to begin with for newcomers and a favorite for old time opera fans.

In this recording, conductor Wolfgang Sawallisch leads the Bavarian State Orchestra in a highly effective, thoroughly dramatic and sentimental, full interpretation of Mozart's score. Tenor Peter Schreir as Tamino is exceptional, passionate in his aria "Dies Bildnis" (This portrait), and again as he plays his flute in "Wie Stark ist Nicht dein Zauberton" (How powerful is your music, magic flute), his individual lines in the ensembles and his duet with Pamina as they undergo the final trial of fire. Annelise Rothenberger, a sublime German lyric soprano, is moving in her portrayal of Pamina. She has her moments in this recording. Note how her high, melodic voice seems to come from nowhere as she confronts Sarastro and Tamino for the first time "Herr! Ich bin zwar Verbrecherin ! (Sir! I am the transgressor). Her aria "Ach Ich Fuhls" (O, I feel that happy days have passed) is the finest interpretation, full of pathos and a kind of melancholic madness, as well as her lines in her suicide attempt, finally, she is sublime as a strong woman ready to face trials with Tamino, especially striking when she sings the line "Tamino!".

Kurt Moll's Sarastro is without question the best. His voice is suited for God. So divine and sonorous and full of grace, his voice is especially noticeable in the aria "O Isis and Osiris " and "In deisen Heilen Hallen"( In these holy halls). Finally, and not to be missed, is Edda Moser's incredible interpretation of the Queen of the Night. You have not heard the true Queen of the Night, until you've heard Edda Moser. She has a Wagnerian intensity and neurosis in her lines, apt and effective for the role of a Queen bent on deception and the murder of her rival, Sarastro. Her aria "O Zittre Nicht, Mein Lieber Son" (O tremble not, beloved son" is full of lyric dramatic passages and coloratura at the end. The vengeance aria "Der Holle Rache Kocht Meine Herzen "(Hell's Anger Burns Within My Heart) is full of fire. The way she attacks the dramatic, powerful lines is out of this world and the high F's she escalates are unsurpassed.


Jernigan
Published in Hardcover by Knopf (June, 1991)
Authors: David Gates and Gary Fisketjon
Amazon base price: $21.00
Used price: $1.80
Collectible price: $4.20
Buy one from zShops for: $6.90
Average review score:

When Life gets Rough, read this book
This book is the darkest painting of suburbia I've read in awhile. If your life stinks, replace it with Jernigan's. Here's what you get----alcoholism, self-abuse, teenage son on drugs, shacking with mother of teenage son's girlfriend, death of wife, death of rabbits for food, loss of job, plus did I mention drinking large quanities of gin. Now why does this character continue to shot himself in the foot (or in his case hand)? Seems like he just doesn't give two hoots. What makes the book work though, is Jernigan's wisecracking nature, basically condescending everything, as his life drops away by his own powers. This is brought on by the tight, descriptive naratives by David Gates, Jernigan's creator.

Not that Jernigan is alone in his life of horror. There's a cast of characters that are barely functioning. Of course, Jernigan cannot stand them. He's going to do things his way and it's a way so unimaginable yet possible, it leaves you riveted.

No kidding; this book changed my life.
This book is a true killer. Like a suburban "Heart of Darkness," it suggests what evil lurks in the modern American male... and he continues to get away with it all...Peter Jernigan is a bizarre and somehow totally believable mix of charismatic intellectual and emotional bully. It's probably impossible to read Peter's story and then NOT make attempts to change your own evil ways. In the tradition of "Hunger" by Knut Hamsun, and the better works of John Fante, "Jernigan" has got to be one of the most brutally-honest and lovingly-crafted books one can read. Jernigan is a desperate character, who, sadly, all too many of us can relate to. Gates has a new book out, "Preston Falls," which, while remarkably similar to "Jernigan," is written with the same kind of astonishing clarity. In my opinion, it doesn't get any better than this book.

At the Top of my All Time Best Novels
I can't believe this secret american masterpiece is out-of-print or something like that. "Jerningan" reads like a novel written a deux by John Cheever and J.P. Donleavy but, in the end, sounds a hundred per cent David Gates. I can't believe all I had to wait for "Preston Falls" (it was worth it: a novel that reads like "Jernigan Redux & Revisited", an apocalyptic end of milenium "Tender is the Night"); I read one of the best interviews to Bob Dylan ever (signed by Gates in Newsweek) and I hear that a short stories collection is coming out. Open the Gates, I'm first in line.


Carmen (The Black Dog Opera Library)
Published in Hardcover by Black Dog & Leventhal Pub (December, 1996)
Authors: Georges Bizet and David Foil
Amazon base price: $13.99
List price: $19.98 (that's 30% off!)
Used price: $12.71
Collectible price: $11.95
Buy one from zShops for: $11.95
Average review score:

Rational Emotion
Bizet's CARMEN OVERTURE is well known and frequently used in the occasion that a champion comes out.In my opinion,Carmen is a champion,a champion of love,a champion of freedom.Mérimée,the author of CARMEM,describes Carmen as a sparkish and abandoned woman,searching for true love and sticking to freedom.In this book, Mérimée narrates how he ran across Don Jose' and the whole story between Don Jose' and Carmen.Don Jose',a soldier,falls in love with Carmen,a prisoner who kills a woman worker,when he is on his way to send her to prison.He gives her reins in spite of being punished.He becomes a bandit and killer so as to stay with her and please her.He kills her eventually for preventing her from loving someone else.It is a tragic ending.And I am deeply shocked.But if not for the death of Carmen,her spirit of chasing freedom can't be that striking.
There are two plots that make me consider a lot:
1.FOR OBTAINING CARMEN,DON JOSE' KILLS A SUBALTERN.
He was injured,and Carmen took good care of him until he recovered.I am moved for it.Someone may say Carmen has many lovers,and her love to Don Jose' is not true love.But I can't agree with it.From this part,we can see clearly that her love is of ligeance.Why she risked her life to save Don Jose',just for exploiting him sometime?Absolutely not.Don't forget Carmen can let any man do anything.Don Jose' is puny,but her love is significant.It can be confirmed in the latter part.When they were attacked by the army,Don Jose' was unfortunately shot,and Carmen looked after him patiently and attentively,without sleeping.She did love him with every beat of her heart.It must be noticed that only one time Carmen's crying was mentioned and this was the first time Don Jose' had seen her weep.Carmen stole Mérimée's watch but failed to get his ring for the prevention of Don Jose'.And then they quarrelled.Don Jose' beat her.A woman who is beat will cry,but a woman who cries is not certainly beat.Personaly I think Carmen cried for love,not for the beat.
2.FOR OCCUPYING CARMEN,DON JOSE' KILLS HER.
Here,the story comes to climax.Even when Don Jose' took out a knife to threaten her,Carmen did not quail a bit.she took off the ring he had given to her and threw it into the jungle.Finally,he thrust into her heart...She died for her freedom,and her freedom survived.I don't think one should give up freedom in order to love someone.Carmen is a classic example.She prefers being killed to staying with Don Jose'.Her love is for freedom,and her freedom is for love.She will love whom gives her freedom.Free love is unselfish.Don Jose' can't give her free love,and longs to occupy her on his own,so he is doomed to fail.
So,do remember that Real Love is a rational emotion!

An Introduction To Opera, A Monumental Recording
I have said it before and I will say it again. The Black Dog Opera Library series contains quality opera recordings, top-notch singers and orchestras, and as a bonus, liner notes and commentary on the opera, providing background information on the composer and the time period. In this remarkable book, we are treated to the greatest recording of Bizet's opera, Carmen. It was recorded 1969-70, and stars Jon Vickers, Grace Bumbry and Kostas Paskalis. The opera is timeless and has retained its popularity for more than a century. MTV has produced its own version, calling it a hip-hop-opera, there is talk of doing a musical-style rendition, and in the 50's, Carmen Jones with an all black cast did an incredible job of translating the songs into English with the help of Rogers and Hammestein. Carmen is based on the French writer Prosper Merimme's dark novella. It tells the story of a Spanish Gypsy woman who works undercover as a cigarette maker in Seville. In reality, she works for contraband smugglers who are constantly on the road. Don Jose is the soldier whose regiment is stationed by the factory. After arresting Carmen for a catfight, she seduces him and he falls madly in love with her, a love that later becomes consumed with obscession. Carmen convinces Don Jose to join her fellow smugglers and they travel across Spain. For love of her, Don Jose has abandoned his regiment and his fiancee, Micaela, the polar opposite of Carmen- she is a Christian-bred, homely woman. When Carmen tires of Don Jose, she abandons him for the more attractive champion bullfighter Escamillo. During a bullfight, Carmen confronts Don Jose and makes it clear she no longer loves him. In a jealous crime of passion, Don Jose stabs Carmen to death.

Rafael Burgos conducts a supremely effective orchestra who truly brings out the originality, drama, melody and intensity of Bizet's score. From the Overture, which concludes with its fatalistic theme, to each of the Spanish-style dances, among them Habanera, Seguidilla and Gypsy Song (all arias for Carmen), the soft melody of the Prelude to the final act and the concluding final scene, are all magnificent interpretation. The singers, individually, are fine actor/singers. Tenor Jon Vickers, who has a vast repertoire, including Wagner, brings a more realistic approach to Don Jose. He is passionate, he is obscessed and determined to have Carmen come what may. His Wagnerian intensity are self-evident in his arguments with Carmen and in the final scene of her murder, especially striking in his "Ainsi, le salut de mon ame" "And so I am to lose my heart". His Flower Song "La Fleur" is a fresh new rendition, not ending with a high, strong note as typical tenors do, but a soft high, B-flat, effectively producing the effect that he is genuinely in love, but obscessed and haunted by, Carmen.

Grace Bumbry's Carmen is her best role. She is assertive, she is seductive, flirtatious and dangerous. She is the original femme fatale. But it's clear that Bizet intended for Carmen to bring about her own fate. Her signature aria, "Habanera" compares her to a rebellious bird of freedom, a lawless Gypsy child and boasts that her love belongs to no one man. Her Gypsy Song is full of fire and mischief. But aside from these playful arias, Carmen has serious moments in the opera. Among them is the scene in which she reads the death card. "Toujours, Le Morte" (Always death) is the refrain and the lush lyricism and seriousness of her aria equals to any soprano aria that was in vogue even during Bizet's time. Her final scene, in which she is stabbed by the angry Don Jose, is her best moment. She confronts him with dignity and strength. If she is to die, she will die because she has willed it, in fact, she states it so expressively in the lines "Je sais bien que tu me tueras, mas que je vive ou que je muere, non, non, je ne tu cedarai pas ! (I know that you are going to kill me, but whether I live or I die, no, no, I will never give in to you!) Note her dramatic high register on the words "non, non,". She again asserts her free will when she says to Don Jose "Jamais Carmen ne cedera! Libre elle est nee et libre elle mourra ! ( Never will Carmen yield! She was born free and she will die free!). Kostas Paskalis, a Greek baritone, was overlooked as a fine singer during his time, for he was shadowed by baritones such as Sherril Milnes; but Paskalis is a fine interpretor of Escamillo, full of bravado and masculine energy. His crowning moment is not in "Toreador" but in the duel with Don Jose in the last act. This opera has it all. And I recommend this particular product to those interested in opera for the first time. For opera buffs this is also a treat.

The Greatet Carmen Of Them All
Carmen is undoubtedly one of the most recognizable operas in the world. There have been many fine recordings in the 20th century and even in the 19th century. Maria Callas (considered by many to be the greatest soprano ever sang the role), Teresa Berganza has sang the role, Tatiana Troyanos, Jessie Norman and various other sopranos who are drawn to the terrific role. Georges Bizet is remembered for this masterpiece, which he intended to be an opera-comique. It was not meant to be a comedy, for the intensity of the fatal tragedy of Prosper Merimee's short novel is superbly captured. Rather, it was meant to be taken as a form of drama, with spoken dialogue, song and dance, and no recitatives. Today, the leading opera houses accomodate this original intended version but many still keep the recitatives that later revisers added, making Carmen more in lines with Italian grand opera. Nevertheless, this fine recording is the best and the original Carmen. Grace Bumbry (mezzo-soprano), whose debut as Venus in the Salzburg Festival presentation of Wagner's Tannhauser made headlines, is the ultimate Carmen. Her voice is rich, dark, powerful, lyric and intense. She is Carmen, and I can think of no other singer who can better fit the role. John Vickers sings Don Jose with passion, elegance and intense emotions, although many will argue that Placido Domingo sings the role better. Vickers still pulls a superb performance. Kostas Paskalis, a Greek baritone, is a terrific bullfighter Escamillo. The conductor Raphael Burgos is wondrous in his orchestration of the score, intense in the fatalism of the fate theme, the dynamic overture, the tender moments between Don Jose and Micaela (Mirella Freni who does a passable performance). the choruses, and the Gypsy/Spanish folk melodies, among them Habanera and Seguidilla. This is a must have for avid Carmen lovers. The story will stay with us always. A seductive Gypsy in 19th century Spain seduces a gentleman soldier Don Jose, engaged to marry the good-hearted Micaela, but he abandons her, his regiment, and follows Carmen and her merry band of smugglers. Soon, Carmen tires of Don Jose and sets her eyes on the dashing bullfighter champion, Escamillo. At the bullfight, Carmen and Don Jose confront for a final scene, in which, against the background of the bullfight and a swirling score, Carmen declares her independence and tells Don Jose she wants nothing with him. The obscessed and mad Don Jose stabs her, appropriately enough when the bull in the arena is slaughtered. The opera comes to an end and we the audience are left with the first verisimo and realistic opera of intense tragedy, loving the music and worshipping the grandeur of the whole thing. Five Stars For this Black Dog Opera Library Recording. Also to be recommended in the series are La Boheme, Aida, The Flying Dutchman, The Magic Flute and La Traviata.


The Collected Poems of Langston Hughes
Published in Hardcover by Knopf (November, 1994)
Authors: Langston Hughes, Arnold Rampersad, and David Roessel
Amazon base price: $27.97
List price: $39.95 (that's 30% off!)
Used price: $15.00
Collectible price: $100.00
Buy one from zShops for: $18.00
Average review score:

All the Hughes you'll ever need
If you want Langston Hughes poems for a class or for personal use/reference, look no further. 860 poems puts you firmly in the completist category of Hughes's poetic output, so go ahead and fill out your library with this edition. A necessary buy for poets, teachers of literature of any stripe, and history buffs of the 20s through the 60s.

Essential
This is one of America's poets. Like Robert Frost or Billy Collins all should own and read Langston Hughes.

An American as Well as an African-American Classic
It is easy to take for granted how much of American culture has its roots in African-American culture, especially literature and music. If you are looking for an example of this notion, you have come to the right place. Langston Hughes's poetry is steeped in Jazz rhythms and social consciousness; it is, at the same time, an assertion of black civil rights and an astute observation of black (and, by extension, American) cultural awareness. In short, it is "must reading" for anyone with an interest in any of these areas.

It's a big book, certainly not something one can devour in a single sitting. Then, again, one wouldn't want to; this is a collection of poems to savor and reflect upon.


Gladiator: The Making of the Ridley Scott Epic (Newmarket Pictorial Moviebooks)
Published in Paperback by Newmarket Press (November, 2000)
Authors: Ridley Scott, Walter Parkes, Diana Landau, Sharon Black, David Franzoni, and John Logan
Amazon base price: $16.07
List price: $22.95 (that's 30% off!)
Used price: $14.00
Collectible price: $28.59
Buy one from zShops for: $15.07
Average review score:

An epic book from an epic film
Presuming that prospective buyers of this book probably saw the movie, this book will not disappoint you. The movie was epic in scope, and although some historical inaccuracies existed, they did not detract at all from the movie, nor the performances of Russell Crowe, Connie Nielsen, Joachim Phoenix, and Richard Harris.

If you like to know the 'nuts and bolts' behind the making of a movie such as this, this is your book. If you are curious how they managed to 'reconstruct' the Coliseum complete with gladiator 'fans', this is your book.

A great gift for Gladiator and Russell Crowe fans alike.

Commodus was in fact Marcus Aurelius' son and the downfall of Rome, while already in progress, hastened when Commodus was made Caesar.

Enjoy! And watch the movie again.

Great Book ... But Where's Hans Zimmer & Lisa Gerrard?
This book is a good complement to one of the greatest movies ever made; although I agree with one reviewer that it's too Russell-oriented (but I don't mind... : ) ). I have one disappointment, though: Hans Zimmer and Lisa Gerrard, the score composers, were not mentioned except in the credit. How could they overlook this? Music is a vital element in movies. And I believe anyone who have seen "Gladiator" would not disagree with me that Hans Zimmer and Lisa Gerrard played very significant roles in this masterpiece. Their music is unbelievably beautiful!

Back to the book, buy it! You won't regret it. Reading this book make you realize the zealous effort they put into making "Gladiator", maybe not unlike how the Romans were 2000 years ago. Like the movie, you would want to see it again, and again, and again! Roma Victa!

Great companion piece to the film and a good value!
Okay, I admit it, I really like the film Gladiator. However, that does not mean I just buy anything related to the film. This book made the list, though.

First of all, the photos are great and plentiful, and the overall production quality is very good. The real treat, though, is in the concept drawings, storyboards, and reference material (the overleaf, 2-page spread, of Pollice Verso, or "Thumbs Down", by Jean-Leon Gerome has always been one of my favorites). I really enjoyed seeing these film-making treasures.

Secondly, the amount of supporting text is awesome. Insightful, informative, and entertaining, the content really lives up to its title: The Making of the Ridley Scott Epic. I was interested in not only learning how some of the visual tricks were done, but also appreciated the information on each of the primary actors, and loved the inclusion of excerpts from the screenplay (although it would have been a huge bonus to have the whole thing included).

Finally, I appreciated the overall value of the book. True, the DVD provides similar insight into many of the "making of" aspects, but there is a lot of information in this book, and the decision to release it in paperback format makes it a pretty good value. Besides, it "travels" better than the DVD, and provides things the DVD doesn't.

Overall, I'm happy with my decision to buy this book! You get a real inside view of the planning and execution of this great film.


Shoot the Piano Player (Vintage Crime/Black Lizard)
Published in Paperback by Vintage Books (October, 1990)
Author: David Goodis
Amazon base price: $8.80
List price: $11.00 (that's 20% off!)
Used price: $5.25
Collectible price: $4.75
Buy one from zShops for: $7.33
Average review score:

Read the book - Much better than the movie!
Maybe one shouldn't compare the movie and book versions of a story. But sometimes that's inevetibable. And sometimes the movie actually improves on the book, ie. "In a Lonely Place." However, in the case of "Shoot the Piano Player," based on the book "Down There," by David Goodis, I can't say this is so. The look of the movie has that gritty noir feel, but all the time one feels as if they're watching the characters in a goldfish bowl ? from a great remove. You don't really get to know the characters or their motivations. In the book, this is much more clear and makes for a much more involving experience. Also, the addition of the character Fido (the piano player's younger brother) adds little to the story. In novel and movie we don't really get a great feel for why the waitress does what she does, but in the novel we get more of a feel for it and that does make a difference. It also makes a difference that we know more of the piano player's background, that he served with Merrill's Marauders in World War II, that, after losing his first wife, he went on a binge of anger and hate and fighting that finally led him to be the "docile" person he is when we meet him. This is little explained in the movie. Some of it's there, but much of it isn't and without it the character just seems a cypher. Read the book, watch the movie and decide for yourself.

Goodis does good...
Shoot the Piano Player is certainly a depressing yet fascinating read. The story is about, not surprisingly, a piano player. This poor fellow has a most bizarre background, and an equally bizarre family. Nothing works for him, his prospects are bleak. Then in walks (or rather, crawls) his long absent brother who is escaping from some nasty criminals ... and our piano player's world is turned on its head. No happy ending (, or beginning or middle). The story oozes despair and loneliness. Yet this is its strength.

David Goodis does an superb job in capturing the emotional turmoil of our piano player. His prose is very good, and the characterizations in general are well-drawn. The story itself, while original enough, is not outstanding. However upon reading the book I felt as if I brought into 1950s Philadelphia, living with our piano player and his low-life "friends" and family.

Bottom line: definitely not a dose of sunshine. But wonderful nonetheless.

Existentialism, Noir and the Anti-Hero
A classic in the Black Lizard library. Goodis is as good a writer on angst and mystery as you will ever read. Unfortunately relegated to dimestore paperback status, this work rises above the average mystery tale.

Goodis paints a world of loneliness, despair and grimmy realism unmatched in it's starkness. Not to be missed.


Related Subjects: Author Index Reviews Page 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

Reviews are from readers at Amazon.com. To add a review, follow the Amazon buy link above.