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I especially enjoyed the idiom in Bishop's dialogue (when a girl calls a soldier "sojer," it's spelled that way) and the terrific baseball sequences, especially an extended account of a spellbinding matchup between the Hellbenders and a talented Negro League team. The casual racism by the white characters is painful to read, but unfortunately rings true.
I didn't want this moving story to end. Save it for summer and savor this true find.
Two final notes: I'm dismayed with all the spoilers that give away Jumbo's identity -- it really ought to be saved for the reader to think out. And for those who enjoyed BRITTLE INNINGS, look for a novel called IF I NEVER GET BACK by a guy named Daryl Brock. It's a time-travel novel set in the very early days of baseball, and has some of the same winsome qualities as BRITTLE.
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Los conocedores de Pathfinder a veces la llamamos "la editorial de los mártires" porque sus libros más populares dan voz a generaciones pasadas; ésta es un ejemplar glorioso. A Bishop era el primer ministro de la revolución, y le hicieron mártir en el momento que literalmente encabezó la resistencia a la contrarrevolución.
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myself struggling for a better word than "wistful", but alas,
no cross-referenced OED at my fingertips.
Therefore: I can promise you this, there's not a happy ending in the book, and I found myself at first very disappointed in this growing trend. At some point in the third short story, I realized that he would supply no easy answers, and the converse might prove true: nothing but hard questions from here on.
Stories wrapped up neatly, even with the bad guy winning, aren't a possibility for Shepard. Life is like that sometimes, and the choices that lead you to a place you wish you hadn't visited. But, since you're there, take in the scenery and try to pass on a warning to others...
This is my first formal introduction to Lucius Shepard; it won't be my last meeting with his work, for sure.
The collection divides into several different overlapping types: traveller's tales, New England horror, Latin American magic realism, those dealing with the ongoing shadow cast by Nazism, fantasy etc. It is really a matter of taste which you prefer: my own favourites are the title story, which tingles with atmosphere and magical possibility; the two treatments of the legacy of the Third Reich - the terrifying 'Mengele', and the bizarre, menacing 'A Spanish Lesson'; and the magnificent 'R&R'. I like the New England-set tales less, but even they far outdo Stephen King.
Shephard's writing has never been better than is these early stories (and also in the underrated novel 'Life During Wartime'); lush but never bloated and often ironic but always moral. I just wish he would find his form again and stop writing yet more vampire novels!
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