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The first English translation, brought out by Roy Publishing, was one of the joys of my childhood. I was lucky - a decade or so later I wrote to the librarian at the library where I had checked it out so often in childhood - I wanted the publishing information so I could look for it - and she sent me the book! It is one of my cherished possessions, and I bless that dear librarian always. I like to write, and Januzs Korczak is one of my primary influences, others being C.S. Lewis and Francis Hodgson Burnett (for stories about children who become kings or queens). If you can't read King Matt's story, I recommend those authors, and also E. Nesbit, Connie Willis, Arthur C. Clarke, Ray Bradbury, R.A. MacAvoy, James Blaylock... This list could go on forever, but I will always think it imperfect as long as Korczak cannot be at the top because his stories are unavailable in English.
Lourie's translation gives more of a European flavor to the story; the earlier translation is softer, and it appears that some detail was omitted. My guess is that the earlier translators wanted to present an impression of the story that did not show as much of the sad, or the tongue-in-cheek, quality of the original, because the Polish people were then under occupation by the Nazis. I rather wish Lourie would translate the sequel, and that both books would stay in print in English FOREVER.
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Bettelehim was and is a controversial figure whether he wrote about parenting, autism, the kibbutz or the potentially therapeutic effects of institutions. This book addresses his ideas and their contribution to our understanding of ourselves and others for whom we care.
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Everything the other reviewers said PLUS... the Oedipus Complex for example, is not an obscure every boy wants to delete his father thing. Read the book and see... it has more to do with the day a son supasses his father and what that does to the triad of Dad, Mom, son.
The American psychiatric community perverted Freud. I cannot believe the watered down, mistranslated, haha way I was taught "Freudian psychology".
Bettelheim reinterprets Freud through better translation AND correlation to his time and place in history. This book left me agahst. I have never encountered such a profound redirection of a tenent so basic to my understanding of anything.
Barbara
I was gratified to see that "cathexis" could actually be rendered "charge" or "investment": much more consistent with how Freud uses the term. Freud was certainly a reductionist, but mistranslations of his work make him seem absolutely bloodless.
This is one of the best books on Freud I've ever read.
The first thing one notices when reading it is how articulately it is written, and the ease of understanding by which Bettelheim's prose is understood. The clarity and simplicity is wonderful and adds further support for, and credibility to, his claims.
There is no question of his passion to express his explicit concerns regarding the mistranslation of Freud's corpus. However, further benefit are his explanations of the various myths Freud drew on, how Freud constructed his vocabulary, and how Freud was motivated by love and concern for others in an eternal sense.
This is wonderful book that anyone with even the slightest interest in Freud would do well in reading. I wish I had read it first. However, now it is a valuable resource as Bettelheim's understanding of Freud is so thorough, elegant, poignant, and full of respect for this great man and thinker.
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this author makes the explanation possible for all.
Eliot has shown remarkable courage and clarity of inner voice as he both recounts his life at the world's most unique psychoanalytically-oriented treatment facility for emotionally disturbed children. At all times, Eliot is in touch with both his developing consciousness as a child being treated for emotional maladies, as well as a very wise and inner developed adult who aqpparently has made deep, and at times painful, sense of himself.
Eliot's writing is elegant, clear, free of complex jargon, and can soar to tears-inducing stunning power. Memoirs and autobiographies of 'bad childhoods', demon parents, trying lifestyles, Rags to Riches progressions and escapes from trying and crusihing times, forces and conditions abound, but Eliot's is the first voice that takes us not simply into what was the world's most unique and acclaimed psychoanalytic institition, but he takes on the far harder journey to recount---and indeed make--which is of course within himself. Most memoirs focus on the external pain inflictions and conditions causing the basis of the memoirist's tale. In Eliot's work, he takes us 'Behind Closed Doors' to what was a rareified, purposefeully kept private world( Bettelheim recounted his own experiences as the Orthogenic School's Director and 'star' in his own treatment stories, but he purposefully kept the media and most of the world out of the School for realistic fear that it could become a three-ring media circus if opened up. We also know that Bettelheim's treatment and other practices were highly controversial, and would not be tolerated in today's world, had they come to light when they occured). Moreover, most First-Person accounts of psychotherapy dwell on the dialogues with the therapist, or of issues that emerge in the decidedly one-dimensional world of classical psychoanalysis. To date, the world has not had as deep and forthright a view of what treatment, life and challenges are inside of a psychodynamically-centered milieu therapy institution as they have gotten from NOT THE THING I WAS.. Eliot, though, is not entirely within himself. He has a strong sense of community, and his often humorous, telling and varied anecdotes are within the context of his developing sense of personhood, and how this person came to live amongst others.
The 'Warp and Woof',rather than the sanitized perfect re-creation of the Orthogenic School that has prevailed in print is ably and dynamically captured by Eliot.
Eliot's inner and outer struggle, which was his process of growth and reocnstruction, is painful and challenging. In Eliot's work, we do not merely witness this process; we are forced deeply within it, and in so doing, we are forced to confront mainy painful universal truths about our own upbringing, formative experiences, and significant life cycle events. Steven Eliot's book is destined to remain read and re-read the world over for many, many years to come both for its elegance, clarity and stunning beauty, but also for its important 'travelogue' into a powerful and important inner and outer world.
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HIS BIO DOES GIVE SOME GOOD HISTORY ABOUT BETTELHEIM, THE TYPE OF HISTORY WE ALL LIKE TO SEE ABOUT GREAT MEN, ALL THEIR DIRTY LAUNDRY. IN BETTELHEIM'S CASE A LOT OF THIS AIRING OF LAUNDRY IS WARRENTED. BUT BETTELHEIM WAS A TRUE FREUDIAN. AND I FOR ONE HAVE FOUND HIS WRITINGS EXTREMELY ENLIGHTENING. THAT HIS PERSONAL LIFE WAS A [FAKE] DOES NOT TAKE AWAY FROM HIS POSITIVE BELIEFS ABOUT HUMAN NATURE. POLLAK THINKS OTHERWISE.
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Temptation is a poignant counterpoint to the story of the fall. It points the way through the darkness of our everyday lives and to the one who is the Way, the Truth and the Life...Jesus Christ.