This is the single most important study of the formation of "America"--its culture, history and literature. Professor Bercovitch's brilliant analysis of these Puritan texts should be essential reading to anyone even remotely interested in undertanding the often bizarre nature of American society. Working with original Puritan chronicles, diaries and other texts, Bercovitch shows that so much of what we take for granted in this culture has a distinctly Puritan origin. Read this book, and you will never view any aspect of this country the same way again.

This is probably the most important book ever written on the foundations of American Literature. It is a crucial book for any student or teacher of American Literature or American Culture.

Sacvan Bercovitch has written a thrilling book not only about early American history (e. g., the Puritain errand in the wilderness) but also about tendencies of American civil discourse. The analysis of history is rhetorical and there is little beyond the dating of the documents that suggests there is more to the writing of history than textual analysis. For some this emphasis will be a strength, for others a profound weakness of the work.

Whatever one's opinion of the approach, the outcome is spectacularly suggestive. The work provides something like a study of the form that the expression of the American dream has taken since the beginning. Most of the discussion concerns the iron exhorations of early American religious leaders. The jeremiad exists in America and seems inseparable from communication of the American people's greatest desire. The jeremiad, since it is a form or perhaps even a genre is not only durable but mutable, applicable to seemingly all realms of American discourse.

I heartily recommend this perceptive little book to those curious about American discourse and the shared form that religious, political and cultural concerns take.

As a long-standing and avid reader of the fiction volumes produced by the Library of America, I eagerly awaited this book and now I can't understand why they printed it. I stopped reading after about 400 pages and haven't been able to garner the energy and patience for more. 'Miss Lonelyhearts' was slightly interesting, but a very slight novel written in an artless manner. As for the rest of what I read, I consider it time not at all well spent. Dreiser, another author featured by the Library of America, created artless prose also...but he did so in the context of engaging stories that offered intellectual stimulation. I'll give this book away rather than have it consume valuable shelf space.

It's beyond me how anyone could describe the prose of Lonelyhearts and Locust as "artless" (as one reviewer did). I can understand how some might find the bitterness and despair of these two works not to their liking. But artless? Years after reading these two novels, I can recall entire passages by heart and picture the scenes vividly. Such effects are not achieved by artless amateur writers, only by those with considerable literary talent.

That said, I must agree with the other reviewers here: The remaining stuff collected by LOA is distinctly second-rate, the product of West on a bad day or before he reached his stride. Only if you are a scholar researching twentieth-century American novelists should you buy this volume. Get the inexpensive paperback book published by New Directions, containing the two imperishable works Lonelyhearts and Locust.

Little known during his lifetime, Nathanael West is today considered one of the 20th Century's most influential authors, a writer whose pitch-black satires focus on the emptiness of an American society choking on its own regurgitated mythology. His reputation rests squarely upon two works: MISS LONELYHEARTS, the tale of a newspaper advice columnist who is overwhelmed by the tragedies of those who write to him for advice, and THE DAY OF THE LOCUST, a savage vision of American society turning upon the illusions fosted upon them by a Hollywood mentality.

Both MISS LONELYHEARTS and LOCUST are powerful works, every bit as vital and unnerving today as when they were first published in the 1930s; I recommend both very strongly. But the remainder of West's cannon is extremely problematic. Like the little girl with the curl, when West was good he was very, very good, and when he was bad he was horrid. And with its inclusion of his lesser writings, this Library of America anthology gives us a detailed tour of the latter.

THE DREAM LIFE OF BALSO SNELL, West's first novel, was an experimental tale that parodies intellectual pretentions through religious, mythological, and aesthetic motifs--but while it has a number of fascinating ideas and conceits, it is at best an interesting failure. A COOL MILLION, West's third novel, is a satire on the Horatio Alger myth; it is considerably more readable than SNELL, but it lags far behind both LONELYHEARTS and LOCUST.

The rest of the anthology consists of a failed Broadway play, an unfilmed screenplay, unpublished stories and fragments, juvenalia, and personal letters. Both the play and screenplay--GOOD HUNTING and BEFORE THE FACT respectively--are written very much against the grain; it is not difficult to see why the play failed and director Hitchcock (who filmed BEFORE THE FACT as SUSPICION) ordered a completely new script. The remaining items are mediocre at best, dire at worst, and although West's letters are interesting from a historical standpoint they have no literary merit per se.

West's life was cut short by an automobile accident just as he seemed to be finding his true voice, and it is interesting to speculate on how his writing might have developed if he had lived to write more. This is an important collection--but it's importance is largely of an academic nature rather than a literary one, of more interest to the serious student of American literature than to a casual reader. If you fall into the latter catagory, I strongly recommend that you read MISS LONELYHEARTS and DAY OF THE LOCUST (both of which are available in inexpensive editions) rather than purchase this particular volume--and only after, if you like so many others among us find yourself fascinated by West's work, contemplate purchase of this anthology.