The city, restless, at night. A chain of eleven stories complete a circle, linked by characters with different relationships: couples, mother-daughter, friends, brother-sisters, young-old people, father-son, lovers, father-daughter, mother-son, who cannot manage to communicate through love, to caress. It is set in the present, at the end of this millennium. These are naked moments in which human beings show their most intense emotions, as well as their basest instincts, love/hate, but also love in its many forms. Despite proximity, people can be total strangers. They can talk without listening, listen without feeling and act without thinking. But there can also be a spark of hope, of communication, a few caresses. It's a very strong play.

To die: Seven independent stories that end up with the death of one of their main characters. A director who attempts to get away from his creative emptiness. A heroin addict who cannot resist drugs. A little girl who chokes on chicken bones. A hospital patient who is unable to press the alarm button. A hysterical woman who is stuck on pills and liquors. A young motorcycle driver run down by the police. An executive who is the victim of a paid killer. Not to die: The seven stories are linked together, in a humorous tone, in a complete story: none of them die, and all characters are interrelated.