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Baum wanted to transfer characters Trot (real name: Mayre Griffith) and her much older guardian, Captain Bill, of his non-Oz titles The Sea Fairies (1911) and Sky Island (1912), into Oz permanently, and they are the apparent stars of the book until the Scarecrow is introduced on its 173rd page. Though Trot, like Betsy Bobbin before her, is almost identical to Dorothy Gale in manner and appearance and would in later volumes largely fade into a pale replica of her, Baum here allows Trot to command the narrative and display a number of admirable, heartening qualities. Perennial lost boy Button - Bright (real name: Saladin Paracelsus de Lambertine Evagne von Smith), who is discovered buried face down in a small mountain of popped corn, is also a key player.
Caught in a monstrous whirlpool that appears out of nowhere while sailing on calm American ocean waters, Trot and Captain Bill awaken in a strangely lit underwater grotto. Though the narrow, claustrophobically confining passage they are obligated to enter and follow does not lead them directly to Oz, it does lead them to another of Baum's fairytale kingdoms. As in previous titles, readers may question whether Trot and Captain Bill have died and passed into the afterlife; certainly their early travails have a purgatory - like quality. In a hilarious episode, the twosome find themselves trapped on a small, lush island with the most cantankerous man living, who complains that the trees are too green, the water "dreadfully wet," and that the sun, which unpleasantly "shines in the daytime," is useless, because "it disappears just as soon as it begins to get dark." This "little old man of the island" is in exile, and certainly seems to occupy his own tiny circle in hell.
As in Sky Island, readers are given excellent expository information about Button - Bright; this is important, because Button - Bright, when appearing later in the Oz chronicle, was often portrayed as an annoying idiot with a tabula rasa for a mind ("Some folks think I'm stupid. I guess I am," he goes so far to say in Sky Island). However, in the Scarecrow Of Oz, Baum explains Button - Bright to his audience in almost Zen - like terms. Button - Bright is "almost as destitute of nerves as the Scarecrow...nothing ever astonished him much; nothing ever worried him or made him unhappy. Good fortune or bad fortune he accepted with a quiet smile, never complaining, whatever happened." Is Button - Bright a young wandering Buddha? Button - Bright, who has an exceptionally hardy appetite, is enthralled by both the beauties of nature and of happenstance. A junior lord of unforeseen contingency, an open meadow, a hedge of berry bushes, or a fluttering butterfly is all that is necessary to send him dashing off blissfully into spatial oblivion. In the Scarecrow Of Oz, Button - Bright, who lives purely in the moment, seems to possess the secret of happiness, if no longer his magical umbrella, and makes a perfect counterpoint to the more responsible, rational Trot.
The Scarecrow Of Oz is also one of the several Baum - composed Oz titles that concerns itself with witches. One of the book's three main antagonists, Blinkie, who, like the Wicked Witch in the first book, has but a single good eye, is a traditional European folklore witch: she is old, wrinkled, eccentric, power hungry, toadying, and spiteful. Interestingly, as in medieval drawings, Blinkie and her fellow witches ride their broomsticks with the brush portion forward. Baum even raises the possibility of witch burning, though, as bad luck may have it, it is the easily consumed Scarecrow and not Blinkie that is eventually tied to a stake and threatened with fire. Baum counters Blinkie with Gibson Girl look - alike sorceress Glinda the Good, who, the opposite of the witch in every way, is lovingly described: "No one knows her age, but all can see who beautiful and stately she is...her hair is like red gold and finer than the finest silken strands. Her eyes are blue as the sky and always frank and smiling. Her cheeks are the envy of peach-blows and her mouth is enticing as a rosebud. Glinda is tall and wears splendid gowns that trail behind her as she walks. She wears no jewels, for her beauty would shame them." Strangely enough, illustrator John R. Neill consistently portrays Baum's sorceress supreme wearing an unusual headdress conspicuously crowned with what looks like a cross between a healthy, long-stemmed, large-capped mushroom and a vigorous phallus.
Here more than in any of other Oz title, the Scarecrow shines, as he rightly should, though the novel is more than half over before he makes his appearance. Baum tended to dilute even his most popular characters over the course of the series, and in too many Baum titles the Scarecrow is depicted as little more than the Tin Woodman's "heterosexual life partner," though of course the Scarecrow bills and coos with the Patchwork Girl as well as with best friend Nick Chopper. The Scarecrow, sent by Glinda to rescue Trot and her cohorts from an evil king, is certainly the hero of the book: "As a conqueror I'm a wonder," he says before single - handedly but futilely demanding that King Krewl abdicate his ill-gotten throne. Happily, the sometimes Christ-like Scarecrow survives both burning at the stake and drowning in a waterfall, but not without the help of less overconfident friends.
Gorgeously illustrated in both color and black and white, the Scarecrow Of Oz is excellent in every way and belongs at the very top of the multi - volume Oz heap.
The plot is familiar to readers of other Oz books. Mortals from the outside world get hopelessly lost, but retaining their determination and good will, they move forward until they find themselves in the fairy land of Oz. All along the way Trot and Cap'n Bill meet fantastic beings and explore strange countries which the author creates with a joy and imagination that seem boundless. On this trip they meet and become fast friends with a strange flying creature called the Ork, who, although featherless, is equipped with a propeller as well as four wings. Together the three of them continue on to the Land of Mo where they inexplicably come across another beloved Baum character, Button-Bright, a boy who is unflappable and prone to getting lost. These four next find themselves in a remote and inaccessible corner of the land of Oz called Jinxland. Here they fall victim to the cruel plots of King Krewl and the magic spells of the witch Blinkie. Discovering their plight, the Scarecrow of Oz decides to go to their rescue. But what can a man of straw do to fight a corrupt king and an evil witch? Find out for yourself and enjoy every minute of it by reading this wonderful book.
The Books of Wonder edition has recreated the original first edition with all its twelve color plates, over 100 black and white illustrations, and a full color dust jacket by John R. Neill. It also includes a three page essay by Peter Glassman that discusses this work as it fits into the writings of the author, L. Frank Baum. This is a must-read for Oz aficionados and a joy to anyone interested in children's fiction.
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Newsweek just featured this book in their December 11, 2000 issue in their article about the best new kids' books (see p.72). They even show the Emerald City pop-up on their table of contents page.
I am sure that as long as we can protect this book from our precious little one-man-wrecking crew, it will be a treasured heirloom for many years-to-come. Would make a fabulous gift for the holidays.
And if you've read all the Oz books and are looking for other titles that are just as magical and just as inspired, try the Chronicles of Narnia, King Fortis the Brave or Abarat. All will introduce you to other magical worlds that are every bit as fun to visit as Oz.
Believe me they just keep getting better.
This is a lovely book to read aloud to children of all ages. I highly reccomend all of the Oz books for their amusing, imaginitve characters(in this book, The Wheelings and Billinia are introduced) , their fantastical situations (trees with lunch boxes full of food, talking chickens, a shipwreak, all in this one), sweet plot and storylines. These books still stand the test of time (written over 100 years ago!)for good reason.
This book really sets the tone for the rest of the books to follow and in my opinion the best. A must read for every family.
Dorothy, who was not in the last book, again comes into this story. After being shipwrecked, she and Billina, a yellow hen, arrive on land. They wander around to see where they are and discover a new friend, Tik-Tok, a wind-up, mechanical man. They also find a castle. Inside, lives the family of Ev, who have been captured by the evil Nome king. Only a princess who can change her heads lives inside. Dorothy, Billina, and Tik-Tok decide to rescue the Ev family with the help of Ozma. --I won't mention who Ozma is because you may not have read The Land of Oz. You will find out in a later review.--
I would highly suggest this book, along with The Land of Oz because of the adventures and fun.
Dorothy and the Wizard In Oz is the 4th book in The Wizard of Oz series.
In this story, Dorothy and Zebediah (Zeb), her second cousin, fell into the middle of the earth though a crack. When they landed, they were in a city. The rest of the story is the trying to get out of the middle of the earth.
There is one really neat thing that happens in this book. As many of you remember, whether you read the book or saw the movie, the Wizard of Oz floated away in a hot-air balloon. Well, in this book, the Wizard lands in the city where Dorothy and Zeb are. He must have been floating for a really long time!
As I have for all of the books in this series, I suggest this book for those who like to read for fun and don't mind a little major fantasy. (Like when Dorothy and Zeb fall through the earthquake to the center of the earth, they could've never survived!)
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Hearn makes a point of saying that the reproduction of the Wizard reproduces the colors correctly; this is probably less of an issue now that high quality facsimile editions are available, unlike say the Dover edition of 1960. There are plenty of annotations, often fairly long, which are interesting but aren't in the category of opening up whole new worlds of perspective on the book. There are also some b&w photos and some other illustrations which hadn't been previously published. The Annotated Wizard is probably most of interest to those with a particular fascination about Oz, and those who are interested in a historical perspective and context for Baum's first Oz book. It would have been nice if it were printed on higher quality paper -- especially the color plates.
28 x 22 cm (landscape), hardcover, 384 pages + 32 unnumbered pages of color plates. New York: Clarkson N. Potter Inc, 1973. LCCN 72-80842.
His exhaustive, extensive research illuminates this classic, and brings us into the life of L. Frank Baum in connection with his writing of this story. I also loved the reproductions of the the original color plates from the first printing, which Baum painstakingly wanted.
As a true devotee of the film, and a casual devotee of the book, I now considered myself converted and find joy equally in both, due to the reading of this new classic.
Take advantage of this low price while you can still get it!
If you are reading to your children, this book is a top choice. Kids who are read to become better readers. And what can be more quality time that hearing the loving voice of a mom or dad or even elder sibling, reading an exciting tale?
The centennial edition has 70 pages of biographical information about Baum, info on the entire Oz series (it's quite a number of books), a section about W. W. Denslow's beloved illustrations and much more. This makes the book not only a great family gift but also a good present for a child to treasure for his or her entire life. I still have my copy of Wizard of Oz, complete with a torn page (the pretty picture of Glynda on her throne), a souvenir of my baby sister (oh well) and I would NEVER part from it. This is a gorgeous edition and should be a top choice for your shelf of good children's literature.
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One of the things I like about "Queen Zixi of Ix" is that it sounds like a traditional fairey tale adventures, even more so than the Oz books, in which Baum certainly created his own fantasy universe. More importantly, characters manage to get beyond the limits of their stereotypes with surprising results, which is certainly a laudable thing to do in telling stories to children. Of course, this only cements Baum's reputation in the realm of American children's literature, but then as anybody knows who has gotten beyond "The Wizard of Oz" Baum was deservedly known as Father Goose. Check out Baum's "The Sea Fairies" and "Sky Island" as well if you like this one, which has 90 illustrations on its 231 pages.