I read this book over 20 years ago. It was my introduction to Samuel Johnson. The book inspired my deep devotion to Johnsonia. The subject, I now know, is fascinating; for over two centuries biographies of Johnson have never been out of print. But this book caught my attention and fixed it. It is a moving portrait of a person like all of us except with greater disabilities and greater strength and, after years of struggle, greater triumphs.

I urge anyone with an interest in English literature or 18th century England or in the heights to which a honest and brave man can reach to make the effort to read this book. It is, at the very least, a good read. It may also make ytou a better person.

The very idea of writing a definitive biography of a figure as towering as Samuel Johnson seems unthinkable, yet the late Walter Jackson Bate succeeds in capturing the essence of Johnson's life in spectacular fashion. Some may quibble at Bate's occasional forays into speculation, particularly when he writes about Johnson's troubled childhood and how its events shaped his later life. Because Bate imposes such detail and rigor in his scholarship, however, it would be foolhardy not to think his depictions, even the speculative ones, as pretty accurate.

The physiological analysis of Johnson's character may strike some readers as heavy-handed, yet it ultimately illuminates the full character of Johnson, helping the modern reader to understand more clearly the time and culture that produced a character as complex and powerful as Dr. Johnson.

As I neared the end of this wonderful volume, I felt the same pangs one feels toward the conclusion of an excellent novel. Bate writes with such power, clarity, and insight that I cannot foresee any other biography of Johnson dislodging this one as the definitive rendering of his epic life.

Most earlier biographies of Johnson have concentrated on the author's public life and his work as a writer. Bate's is the first to zero in on the inner man -- and it succeeds magnificently.

In some ways, Johnson's personality was as complex and as tragic as that of his best-known biographer, James Boswell. Johnson's towering genius was often at odds with his uncouth ways, his disfigured face, and his seemingly lunatic tics and stutters. He controlled his desires and needs with an iron fist of self-control, often denying himself even the most innocent pleasures in his never-ending quest for spiritual purity. Bate shows us how Johnson's neglectful childhood and his crushing poverty as a young man forged his emotional character, and how his many disappointments as an adult moulded his spiritual character.

The only qualm I have about recommending this book is that Bate sometimes goes too far in his psychological analysis. Since this book was published, a consensus has arisen that Johnson suffered from Tourette's Syndrome, a neurological condition characterized by ticcing, a quick wit, an unusual gait, and specific personality quirks. If this is the case, and if many of Johnson's character traits can be attributed to Tourette's and not emotional damage, much of Bate's analysis is incorrect.

Having said that, I still highly recommend this book. Bate can't be faulted for omitting a diagnosis that couldn't have been made at the time he wrote the book. Moreover, the bulk of his analysis is spot-on, and his love of and respect for the subject of the book are obvious in every chapter.

I highly recommend this book.

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Walter Jackson Bate is famous for his biography of Johnson, but 20 years earlier he wrote this gem, which collects the major themes in Johnson's essays, and ties together the points Johnson made on them. It is not a quotation collection, it is Bate's analysis of the themes. There is a biographical chapter, but then about 150 pages of analysis. Those chapters are called:

1. The hunger of imagination
2. The treachery of the human heart and the strategems of defense
3. The stability of truth
4. Johnson as a critic: the form and function of literature

This is a great companion volume for readers of Johnson's essays and criticism.

In this day and age of splintered and broken schools of literary theory, where nobody seems to agree what is the right way to go about reading and discussin literature, W.J. Bate's "Criticism: the Major Texts" is a wistful reminder of the days when critics were far more certain. For several decades after its publication, this collection was the classroom standard for the subject; it still serves as the best collection for any study of the history of literary theory. The introductions are brief but exacting; the texts are chosen with judicious editing; the lessons learned are not easily forgotten. In short, a wonderful read for anyone with a literary bent.

I read this book because it won a Pulitzer Prize, and because I so greatly enjoyed the biographies of Keats by Aileen Ward and by Robert Gittings. But I found much of this book tough going. The study of some of the longer poems simply did not interest me. But the account of Keats' last year is very well-done and absorbing.