Related Subjects: Author Index Reviews Page 1 2 3
Book reviews for "Barth,_John" sorted by average review score:

The end of the road
Published in Unknown Binding by ()
Author: John Barth
Amazon base price: $
Used price: $0.22
Collectible price: $1.98
Average review score:

Barth roars out of the starting gate
When you pick the book up you think to yourself, "There's no way this is John Barth" after all after holding the book for several minutes, your muscles aren't aching at all from the weight. Heck the novel is almost pocket sized. Yes, kids, early on Barth was reasonable concise in length (not that I don't like his longer stuff), at least for his first two novels (I think his third was the Sot-Weed Factor) so this makes a good place for novices lacking the stamina to jump right in. And actually for a first effort this is remarkably good and remarkably daring, considering that it was published in the late fifties. It's the story of Jake Horner, a young guy recently hired to teach grammar at a small college, and the infidelity he gets involved in with one of the other professor's wives and what happens because of that. The fairly standard story is completely changed by Horner's narration though. Cynical and uncaring, but somehow oddly admirable, Barth manages to make him seem almost likeable, even when his behavior verges on being that of a total monster (emotionally at least). His verbal sparring with his fellow professor Joe, who's outlook on life is equally extreme as Horner's is nonexistant (you could probably make a case and say that the story is existential in nature but I don't know enough about the philosophy to say for sure). But while the story remains at its heart a tale of infidelity, toward the end it takes a decidedly dark turn as Barth shows that everything has consequences. If the tone and nature of the story was daring for its time, its unsparingly frank view of abortion must have been absolutely shocking and even today is probably enough to turn people off. It shouldn't. While not his best book, it shows a master beginning to stretch his muscles (or at least realize he had muscles to stretch) and announced the entrance of a new literary talent with a voice that could be both uproariously funny and starkly grim all in the same story.

A moral essay on personal responsibility
This book is oddly melancholic. It tells all of the failings of human beings in conducting relationships. This book was written in a time when one could still be deemed responsible of his or her errors: see the crucial passage when the protagonist thinks he's got away whit adultery...and he discovers he did not. From the times when "I did not want to do this (meaning the Devil,genes,society,Life,the Universe and Everything made me do this)" was not accepted as an excuse.


Floating Opera
Published in Mass Market Paperback by Bantam Books (April, 1979)
Author: John Barth
Amazon base price: $3.50
Used price: $0.01
Collectible price: $4.95
Buy one from zShops for: $1.79
Average review score:

Short AND bleak AND funny
Barth has so many big huge enormous novels that his first two shorter works are perhaps unjustly overlooked in the shadows of their bulkier brethren. This novel coupled with The End of the Road established him as a new voice with a distinctly different point of view. No doubt readers were hardly ready to read the book and find out that it's about a man who one day decides that the most logical thing for him to do is commit suicide and so he spends the entire book discussing what exactly led him to this decision. Barth somehow turns this jarring premise into something both witty and often extremely funny. Told in the first person, like most of his best books, the constant barrage of mythological references that characterize most of his work haven't appeared yet and so the book remains mostly straightforward (though the copy on the front cover amusingly compares the book to famous literary personages) . . . or at least as straightforward as Barth gets. The narrator tells his story in a roundabout fashion, jumping all over the place in time, sometimes stopping the story for brief asides that occur to him along the way, always reminding the reader of the planned end result of all of this. Barth manages to keep his narrator witty and involving, his viewpoint is detached and often bordering on existential, yet the book isn't cold and sterile, in fact it's move very quickly and despite its subject matter is pretty enjoyable. It's not as dark as The End of the Road and even though it's about suicide it really isn't all that depressing. For some reason the original ending was changed at the request (more like demand) of the publisher, later versions have restored the original and I'm not sure what the fuss was all about, there's nothing really shocking about it. Different times I guess. Still, along The End of the Road, this remains one of the best ways to ease your way into Barth before tackling the more complicated, erudite stuff he would later accomplish. Everyone has to start somewhere. You might as well start here.

Thought provoking up-close and personal entertainment
This work of fiction is told from a sort of 3-D first person perspective. The main character/narrator tells his story while adressing you as the reader on such subjects as his writing skills (or lack there of) and his idea of how a good story should be told. The just of the story is that of how the "author" comes to the conclusion that he is going to commit suicide and tells you of the many events leading to that conclusion only then to have his mind changed by an extraordinary event one day. The autobiographical aspect of the author's life gives some serious food for philosophical thought that leads the reader with wit and humor.


Giles Goat Boy
Published in Paperback by Fawcett Books (April, 1978)
Author: John Barth
Amazon base price: $2.95
Used price: $0.95
Collectible price: $3.95
Average review score:

"A-Plus!"
Giles Goat-Boy (or the Revised New Syllabus) By John Barth (or maybe WESCAC) "A-Plus!"

This tremendous book opened with a "message from the publisher", declaring that two of their five associate editors quit over the decision to publish this book and included a written statement from each editor about their opinion of the book. Even though that set up the book (in my mind) to be much more raunchy and heathenistic than I thought it actually was, it was an extremely amusing addition to an already great book.

The story begins in a goat barn and we meet our hero Billy, George and GILES, alternatively. Max, an old Moishian (Jew) brought up Billy as a goat intentionally in order to shield him from human misery. After meeting a human woman, Billy decides he wants to become learned.

This story uses a university as an allegory for the Universe and everything within - religion, politics and literature - follows that same allegory. One is "passed" instead of "saved" and "flunked" instead of "damned". The political leader is, of course, the Dean. God is the Founder and Satan is the Dean O' Flunks. Oedipus Rex and the Emperor's New Clothes (which both figure strongly in the story) are, respectively, Taliped Decanus and the Chancellor's New Gown.

Throughout the story is mention of the "Quiet Riot" New Tammany College is having with their neighboring Student-Unionist College. Both have Super computers, one WESCAC and the other EASCAC, that can EAT (steal the vital energy) of humans.

It turns out the goat boy decides he is the next Grand Tutor (messiah) and travels to New Tammany College to declare himself as such. There he meets a handful of memorable characters (including another Grand Tutor) and must complete a list of assignments given him by WESCAC to "commence" and "graduate" so he can go on to graduate others.

This book includes bestiality, rape, incest, homosexuality, and many other things some may consider objectionable, but it is amazing how normal it sounds coming from George's viewpoint.

A volatile reworking of human thought and history.
This is an amazing book once you've committed to it. The energy in the prose comes from the clash between a forced, post-apocalyptic perspectives and rosy-eyed romanticism. The most twisted, most brilliant reworking of the mythological paradigm, tackling along with it the cliches of authorship and modern society.


Hope in Barth's Eschatology-Interrogations and transformations beyond tragedy (Ashgate New Critical Thinking In Theology & Biblical Studies)
Published in Hardcover by Ashgate Publishing Company (February, 2001)
Author: John C. McDowell
Amazon base price: $84.95
Average review score:

Boldly going where Barth Studies have never Been Before
In the overcrowded world of Barth studies this one doesn't get lost in the crowd! This is a unique thesis - McDowell points out that eschatology and hope are central to what Barth is doing with his theology. Its not always an easy read, but definitely well worth persevering with. It has revolutionised my understanding of Barth.
Dr Helen K Bond, Aberdeen University

Author's Summary
As Jürgen Moltmann has famously argued, hope makes a difference to life and practice. Tracing this through the writings of Karl Barth, this study endeavours to call into question the paucity of critical comment on Barth's eschatology, the theological soil from which his Christian hope grows. Failing to acknowledge and do justice to his distinctively christomorphic hope, then, misses something essential in Barth's theological perspective. Yet certain tensions are identified and questioned through interaction with the use of the genre of the tragic in George Steiner, Donald MacKinnon and Friedrich Nietzsche in particular.


Humanity of God
Published in Paperback by Westminster John Knox Press (December, 1960)
Authors: Karl Barth, John N. Thomas, and Thomas Weiser
Amazon base price: $10.47
List price: $14.95 (that's 30% off!)
Used price: $5.99
Collectible price: $5.99
Buy one from zShops for: $7.69
Average review score:

Three Easy in One Book
Karl Barth is arguably one of the greatest Protestant theologians of the last 200 years. This book is one of his most easier to understand material. Here he writes for the average Christian and not the academic scholar.

The writing is engaging as Barth's essays deal with three different subjects, yet, compliment each other. The first essay is "Evangelical Theology in the 19th Century." Barth concisely examines the dangers of liberal theology and the effects it had on the 20th Century.

The second essay is "The Humanity of God" of which the book is titled. This essay is a Christological work and is well worth the read.

The last section, "The Gift of Freedom", deals with the Christian life i regards to God's gift of Freedom. Frredom is a gift from God that He alone can bestow on us.

This is a great work which is very easy to read and quick to get through (only 96 pages). This book will inspire to read more works by this great Christian thinker. Whether one agrees with him or not, Barth is always engaging.

The Church Father of the 20th Century!
This is a short, readable introduction to the man who has influenced 20th century religiosu thought more than any other. The book is actually a collection of three separate essays. The first is a critical analysis of 19th century theology with its tendency to focus on human beings rather than on God. The second essay addresses the nature of God and God's relationship to humanity. The final essay addresses the issue of Christian freedom and Christian responsibility. The collection is theologically deep enough to entice academics, while readable enough to be approachable by any serious layperson.


Letters
Published in Paperback by Fawcett Books (March, 1982)
Author: John Barth
Amazon base price: $11.95
Used price: $2.56
Collectible price: $9.95
Average review score:

One book you really got to work your way up to.
I never heard of any epistelary novels until I read this one. Imagine a book consisting of letters amongst the diverse characters from the author's other novels. Technically, we are advised, it is not essential to have read these other books in advance, but for all intents it would seem a moderately strong expectation.
It helps that the books that one must read, Barth's early masterpieces, are of such genius as to take up a whole corner of the best of modern literature showcase. And if you are lucky enough to have stumbled onto Letters after already working through all the rest, than you can bask in the glow of the misconception that you are amongst some lucky few whose devotion to the writer has earned unexpected reward.
For this is a truely stunning piece of work, more elaborate than Vlad's Pale Fire, and more satisfying than anything this side of Pynchon. At his best, Barth had few peers.

Like the tide, Barth's stories cleanse and refresh our life

I suppose it is inevitable that, as the post-war boomers approach the big six-zero over the next decade, we will see a tidal flood of tender, soul-searching narratives. Boomers want to understand rather than simply experience life, and most have been frustrated by life's refusal to obey our expectations.

John Barth seems to have made such soul searching his life work, and I seem to have followed him book for book, life experience by life experience over the years. A clever "academic" writer (read: "he writes like a dream but his wit sometimes overwhelms the story"), Barth has addressed boomer experience and frailty .

Seeming to be five to ten years ahead of boomers, his books have ranged from the tragedy resulting from a terribly botched abortion (long before we openly spoke of this horror), through the visionary and usually misguided quest of the idealist (Sot-Weed Factor and Giles Goatboy), the terrible pain of realizing one is an adult (the clever but exhausting Letters), to more leisurely and accessible mid-life reassessment as protagonists take "voyages" on the emotional seascape of middle age (Sabbatical, Tidewater Tales, Last Voyage of Somebody the Sailor, Once upon a Time...).

Each five years or so, I eagerly await his newest offering, devour it, and then feel frustrated when his literary games seem to detract from his story.

But, then, each time I realize (as if for the first time), the essential nature of his writing. Like the age-old games from which his writings spring (the quest/redemption stories of the Iliad and Oddessy, the "doomed" prophet stories of the Old and New Testaments, the mistaken identity games of Shakespeare and thousands of authors since, and the metaphor of story as voyage and voyage as growth from Chaucer, 1001 Nights, etc), Barth plays his games to remind us that the act of story telling *is* the experience, it *is* the reason we read: the experience of hearing ghost stories around the camp fire remains with us long long after we have forgotten the actual story.

And then I remember that, as a reader, I have no more "right" to expect neatness and closure in a Barth story than I have the right to expect neatness and closure in my own life. Try as we might, our own work, our own story is always in progress. And like Barth's beloved Tidewater, the ebb and flow of our own story defies our attempt to capture to master it.

In the end, life and Barth's stories remain as delightfully cleansing as the tide itself.

KRH www.umeais.maine.edu/~hayward


The Wood Warblers: An Introductory Guide (Corrie Herring Hooks Series)
Published in Paperback by Univ of Texas Press (October, 1998)
Authors: Barth Schorre and John Rappole
Amazon base price: $17.95
Used price: $14.84
Buy one from zShops for: $14.59
Average review score:

Worth it for the photography!
The most stunning photography of warblers you will ever see, bar none. The pictures are worth the price alone. The author lives on the western coast of the Gulf of Mexico and setup a blind with strobes near water in his backyard during migration. If you love warblers, buy this book.

Superb photographs
Schorre has taken some of the finest photographs of warblers ever seen. Unlike some of the other bird photographers, he has pictures of wild birds, not mist-netted or aviary warblers. A stunning achievement. Warblers are, next to rails, the hardest birds in North America to photograph, and Schorre has superb photographs of them including the rarest, most secretive warblers. When reading this book, you can sense Schorre's passion for these most-beautiful of birds and for photography.

The photographs are accompanied by some introductory information on each warbler and this book would serve as a richly illustrated guide to these birds.


Birds of the Southwest: Arizona, New Mexico, Southern California & Southern Nevada (W.L. Moody, Jr., Natural History Series, No. 30)
Published in Paperback by Texas A&M University Press (April, 2001)
Authors: John H. Rappole, Barth Schorre, Vernon Grove, David Parmelee, William Paff, and Vireo
Amazon base price: $12.57
List price: $17.95 (that's 30% off!)
Used price: $12.52
Buy one from zShops for: $11.50
Average review score:

One of the best guides I've seen for birds in the Southwest
This book provides color photographs, in-depth descriptions, and migration/nesting habits of many birds in the southwestern US.

Bird species include water birds, birds of prey, hummingbirds, songbirds, etc. that residents or visitors to the southwest may encounter.

The book is very well organized and is useful as a quick reference when viewing birds.


The Sot-Weed Factor
Published in Hardcover by Doubleday (June, 1967)
Author: John Barth
Amazon base price: $10.00
Used price: $5.90
Collectible price: $19.58
Buy one from zShops for: $30.00
Average review score:

I'll never look at an eggplant the same way again
If you've read the book, then you know exactly what I'm talking about and are probably doubled over in laughter just at the mention of it . . . if you haven't, well there's just one more reason to start reading this. Widely considered Barth's best novel (I'm very much a novice with him, this being only my second book so I'm no man to judge) I can easily see why it deserves such a status. A parody of historical novels, Barth writes the story in the style of that time so it seems like all those books your teachers made you read in high school, but better. The book is massive and concerns the various adventures of would-be poet Ebenezer Cooke, writer of the poem "The Sot-Weed Factor" as he becomes involved, willingly or otherwise, in more situations than any man should reasonably have to undertake. An attempts to summarize the plot are useless, it's too sprawling, people who want instant gratification will be at a loss here, this is a book you have to absorb over the course of a few days and get used to the style before it sinks in just how much fun it is. The characters play everything seriously, making the jokes (and there are plenty, with the funniest of a vulgar nature and often involving the story of Captain John Smith of Pocohantus fame) come off as utterly hilarious, but at the same time Barth manages to make you care just a little bit about them, as quirky as they are, they still come across as typically flawed human beings. Probably the best thing about the book is its sheer unpredictability, not shackled by the morals of the 16th century, anything and everything does happen, nobody is what they seem and situations shift gears so rapidly that it'll make your head spin even as you can't stop laughing. A truimph on nearly every level, this is something a lesser writer would have only managed to turn into a stale stylistic genre exercise, something to wow the kids in the creative writing workshop . . . what Barth creates here is something lasting and no matter what century it was written in or evokes, will probably wind up being timeless.

A Masterpeice of Satire!
Perhaps most impressive of all of John Barth's picaresque classic is the fact that it succeeds on many levels. It is quite difficult to imagine anyone taking this novel completely seriously, however it can be read as an epic. Most likely it will be enjoyed as a brilliant satire providing most readers with innumerable passages that will have them laughing out loud. However one senses many philosophical statements and themes communicated through the characters' preposterous actions and attitudes. It was the characters, in fact, that impressed me the most about "The Sot-Weed Factor," while appearing at times ridiculous to the point of being hilarious, most readers will likely find a little bit of themselves in characters like Ebenezer Cooke, Henry Burlingame, etc. My favorite character was Ebenezer's servant whose name eludes me at this time. Barth has coined himself a "smiling nihilist" and this book is a fine example of this sentiment, though most readers will likely spend less time smiling and more time doubled over in laughter. A must-read!

Brilliant, Funny and Spellbinding
I know it's supposed to spoof historical novels, but I didn't read "The Sot-Weed Factor" that way at all. To me it read like a darkly comic epic, reminiscent of "Water Music" by T. Coraghessan Boyle. I loved the characters, especially the main protagonist, Ebeneezer Cooke, the wannabe Poet Laureate of colonial Maryland. He starts out as a prim, officious twit, but his character is befouled almost continuously from the outset, so that by the end of the book he is a resigned (if not wholly self ironic) and nearly sympathetic character. And I guess that is what makes this book work for me: it follows all the rules for successful story telling. There is a central conflict (and a thousand hilarious ancillary conflicts), a crisis of spectacular proportion, believable resolution, and character transformation. The story is riddled with deception, fraud, betrayal, mistaken identity, errant bravado, sex, scatalogical humor, and enough action and adventure to hold the attention of almost any reader. At 750+ pages, it took me a month to read it (if you travel cross-country, it's perfect for those four-hour plane trips), and now that I'm finished, I'd have to say it was one of the finest months I've ever spent reading. I wish I was starting it all over again for the first time. Haply I'll read it again.


Chimera
Published in Unknown Binding by ()
Author: John Barth
Amazon base price: $
Used price: $0.50
Collectible price: $5.79
Average review score:

Gripping, thought-provoking, humorous, generally excellent
This is one of the finest works by a fine author. Several scenes and lines from it have entered my personal mythos.

Each of the three novellas is a gem in its own way, and the trio work beautifully together. In each, the basic idea is to show a legendary figure as a real human being. We see Perseus after his glory days have passed, for example, and also meet Bellerophon who secretly feels that he has been a faker all along. But it's much more than yet another retelling of old legends.

It will make you think. It will probably also make you laugh in places and move you in others.

The wrapup is unexpected. Some will love it; some will hate it.

Do yourself a favor and read this. It's well worth the price of the paperback.

The myth that lives down your street
Now, I'm not nearly as erudite as John Barth is (or thinks he is) and thus missed about a million references to our Greek literary forebears in his novel here and I like to think that I know Greek mythology fairly well. However, I really enjoyed this book and if one isn't bothered by the simple fact that unless one teaches mythology at the local college, one probably will not "get" pieces of this book. Oh well. Basically the book is some sort of post-modern look at myths and how they conform to reality, told through three interconnected novellas. The first has to do with the lady from Arabian Nights, retelling the story from the point of view of her younger sister. The second has to do with Perseus, who is remembering his life after he slew the hideous Medusa and how it seemed to go downhill and that all the best moments of his life passed him by. The last part has to do with the guy who flew the Pegaseus who feels that he's never really done anything important with his life and he's just wondering what it all means. And that's basically the theme for all three of the stories, Barth seems to be trying to strip away the myth and act like these were people and give human faces and emotions to these heroes. And it's funny. Really funny. Maybe the shorter form works better or maybe he's actually being funny in a subject that I actually know something about but this was funnier than Giles Goat Boy, which has its merits, but this made me laugh outloud several times and if you're paying attention, it'll make you laugh too. Sometimes it gets a bit too pretentious for its own good, Barth writes himself in at several moments (I won't say when) and I'm not sure what that's supposed to be implying. But his writing is as good as it ever was and if any of his books deserved the National Book Award, this one is it. And while the three novels each have their own good points and great moments, if the end of the third novella doesn't take some part of your breath away, well . . . you're not me at any rate. Excellent stuff, maybe more accessible because of the length (though everyone says that about the short novels by authors like this) but packed with enough "thinking stuff" to make your head hurt, this shows Barth as a master of the form.

A great read!
It's interesting. It's fun. It's "literary," for those of you who care. It makes you think. It's worth reading more than once.


Related Subjects: Author Index Reviews Page 1 2 3

Reviews are from readers at Amazon.com. To add a review, follow the Amazon buy link above.