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The book begins by covering industrial safety topics. Major OSHA regulations affecting operators are listed. For the sake of brevity and to maintain true "pocket-guide" size, regulations are cited and described however, since the full text is available on the internet, their inclusion would just be clutter. Safety in handling of chemicals gets special attention. For self-protection, operators need every safety reminder they can practically use.
The U.S. Chemical Safety and Hazard Investigation Board reports that, on average, there are roughly 60,000 "commercial - chemical" incidents per year. At plant sites there have been about 30 deaths per year and about 1,000 injuries.
Chemical plant operators are regularly called upon to make physical property determinations. They and must clearly understand the "short-hand" of chemical nomenclature. The author covers the most common properties (melting point, boiling point, flash point, density, specific gravity, viscosity, and surface tension) together with sketches of equipment arrangements for their measurement.
It is necessary for the chemical operator to understand not only what the job entails but the more important issue to the operator may be understanding why certain things occur. Some basic knowledge of inorganic and organic chemistry is necessary to provide these answers. In several sections, the author provides a unique blend of rudimentary, basic explanations of matter, how to read the periodic table of the elements, chemical bonding, chemical and structural formulas, figuring molecular weights and chemical naming. Of every day use is the discussion of molecular, mass, and volume relationships along with a detailed discussion of solution terminology and acids and bases. The chemical families are clearly described along with their occurrence and uses in industry and specific precautions to take when handling them.
All employees who deal with chemicals in the workplace are required by OSHA to be trained in the Hazard Communication Standard or HAZCOM. In the section of the handbook on Chemical Handling, chemical labeling and packaging are well covered. Also covered are: material handling (forktrucks), bonding and grounding (flammable materials), spill cleanup for the different groups of chemicals, and chemical disposal. Confined spaces (such as tanks, vats, columns, reactors, and mixers), that are usually encountered in the chemical process industries, are defined and OSHA's Permit Entry system is explained. Lock-Out / Tag-Out and Blanking, both of which are integral parts of the confined space standard, are defined and illustrated. Having several years of OSHA training experience, it is one reviewer's opinion that this section, along with the section on MSDSs, if mastered, would fulfill OSHA's requirements for HAZCOM training.
As the primary means of conveying liquid and gaseous chemicals is by pumps and compressors, understanding the section on pressure and vacuum is essential. Thorough coverage is given to the operation and troubleshooting of pump systems along with explanations of pressure and vacuum measurement. These explanations will help prevent the confusion many operators experience with psig and psia measurements, for instance. The reader will also learn how different types of pressure gauges work.
Other sections such as Fluid Mechanics and Plumbing, Standard Operating Procedures, Basic Electricity, and Process Operations contain information with which the chemical operator should already be familiar. However, they are excellent references none the less. The section on Energy, Work and Power will take the guess-work out of chemical energy and electrical power calculations, and pump and motor selection.
Throughout the handbook, the author provides tables, conversions, calculations, and examples that allow readers to "test" their mastery of the information presented in a given section.
The NST/Engineers, Inc. reviewers believe that this handbook should be provided by supervisors to their employees as an aid to answering those frequent questions such as when I do this, why does that happen? Also, why do we do it this way?
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Kerouac was first and foremost a writer. Miles' book emphasizes this. It discusses virtually each of Kerouac's major works, and minor works as well, in the context of his life -- when, precisely, they were written, what they are about, and where each book fits, in Miles's usually well-considered opinion, in Kedrouac's work as a whole. Such writing is more the purview of literary criticism than biography but Miles does it well and it is needed in a consideration of Kerouac's life and work. He focuses on the spritual side of the beats, their quarrel with conformity, materialism, and repressed sexuality, and their emphasis on feeling and the expression of feeling. Miles properly places Kerouac in the romantic tradition of literature and within American Romanticism in particular as a follower, most immediately, of Thomas Wolfe.
Miles does not spare Kerouac the man, in a discussion that should discourage any tendendy to hero-worship or mystification. Kerouac was selfish and inconsiderate of others, adolescent at the core, unduly attached to his mother, on the far fringes of the American right (although he probably deserves to be praised for not adopting the hippie, ultra-left, anti United States attitude of his followers and colleagues), and lead a destructive life, to his own talents and to the lives of people who loved him and had a right to depend upon him, such as his daughter.
As a writer, Kerouac emerges in the book as a person of talent with a vision of American life that is valuable (though hardly unique, I think). He wrote well but too much and too carelessly and too much under the influence of drugs. He also, as Miles suggests was overly dogmatic and rigid in his use of spontaneous prose.
The beats were a unique literary movement and Kerouac was an integral part of it. His books, I think will continue to be read and valued not for the most part as literary masterpieces, but as expressing the mood of a generation. There is much in them that is worthwhile. Miles' portrait of Kerouac and his work is judicious. It also encourages the reader to explore Kerouac's writings for his or herself, which is the goal of any good biography or a writer.
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The book is interesting. Jack, of course, makes almost no mistakes, and his wife is a perfect angel. She understands when he says, "yes, I went to the strip bar, but that's where the debriefing session was held."
The unexamined assumption that OF COURSE men who work hard have to relax by drinking all night, having bar fights, and visiting strip joints is overdone.
The book does provide information about a little-understood group of airmen who put their lives on the line to rescue others in what can be very difficult situations, much like the Coast Guard rescue jumpers. Their main purpose is to rescue downed pilots and personnel in need of medical help, on land or sea, but they're also available to help civilians when civilian rescue agencies don't have the resources available.
There is some understanding of the mentality of repeatedly putting your life on the line -- you might as well die doing something you love, while helping others.
The book could have argued for better equipment -- although the author repeatedly recounts stories of how difficult it is for helicopters to refuel from tankers during rough weather, the author doesn't argue for a better, heavier, longer, wider (or whatever) fueling drogue design.
The Perfect Storm part takes 30 pages, IF you include the soap opera parts about the wives calling each other for news. A pararescue helicopter and tanker was dispatched during the Perfect Storm to rescue a sailor doing a solo trip around the world. The rescue was aborted due to heavy seas, and the rescue helicopter itself ditched on the way back to base, with the loss of one airman. The helicopter ditched because it was unable to refuel with the existing drogue design. The author, in charge at the base, grounded rescue attempts of this airman due to his orders and impossible conditions. Yet his men took their anger out of him, sometimes in petty ways. They stole his jacket, and snuck a bottle of booze into his luggage as he was about to fly into a Muslim country, which if discovered would have gotten Jack in enormous trouble. There's so much talk of the "teamwork" ethos in the book -- where did it go when his men were angry at Jack, and caused him to have to leave command of the unit?
Especially wonderful is the support and commitment Jack and his wife have given to each other and their family. That is what a marriage should be - a partnership. I also thoroughly enjoyed the stories of the other PJs and what happened in their lives. It is good to know heroes still exist and that there are parents who will do what is best for their children, not just what is convenient for the parents.
As I was reading, I often thought, "These guys are nuts!" However, it takes extraordinary men to do what they do and it is comforting to know the PJs are there for those who need them. It is heartening that, so far, it seems the PJs have been able to avoid the "kinder, gentler" political correctness that is destroying our military. I can only pray that the rest of the military and country wakes up before it is too late.
God bless Jack and Peggy Brehm and the other PJs for sharing their stories with us.
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I would recommend the book because it is an interesting, inspiring story. The writer's style is easy to read. It is straightfoward and chronological.
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Jack London centers his story on a dog by the name of Buck. Buck is a big, strong dog, his father being a St. Bernard and his mother being a Scottish shepherd dog. At one hundred and forty pounds, Buck was no mere house pet. Kept physically strong with a love of rigorous swimming and constant outdoor exercise, Buck was a lean, formidable dog. Undoubtedly, his great condition was part of the reason that the gardener's helper dog-napped and sold him to dog traders, who in turn sold him to Canadian government mail couriers. The gold rush in Alaska had created a huge demand for good dogs, which eventually led to the "disappearances" of many dogs on the West Coast. Buck was no exception. He was sold into a hostile environment, which was unforgiving and harsh. Although civilization domesticated him from birth, Buck soon begins almost involuntarily to rediscover himself, revealing a "primordial urge", a natural instinct, which London refers to as the Call of the Wild.
This book is set in the Klondike, a region in Alaska that was literally stormed by thousands of men looking to get rich quick via the gold rush. Transportation was increasingly important, but horses were near useless in winter, prone to slip and fall on snow and ice. Dogs were by far the best means of transportation in Alaska at the time, somewhere near the end of the 19th century. As the demand for dogs grew, the prices for good dogs skyrocketed. This price hike inevitably created a black-market- style selling of dogs, and the gardener's helper Manuel did what many men did; they sold the dogs for a good price.
A recurring theme in London's novel is the clash between natural instinct and domesticated obedience. Soon after the dog traders captured Buck, a man broke him with a club. Buck is thoroughly humiliated, but learned an all-important truth of the wild: The law of club and fang. Kill or be killed. Survival is above all. Buck resolved to himself to give way to men with clubs. In the beginning, Buck had problems with this new restriction, but learned that when his masters' hands hold whips or clubs, he must concede. However, that did not keep Buck from doing little deeds like stealing a chunk of bacon behind his masters' backs. However, as London says, "He did not steal for joy of it, but because of the clamor of his stomach . In short, the things he did were done because it was easier to do them than not to do them." In this way Buck learns the way of the wild but also acknowledges his inferiority to men with clubs or whips. Eventually in this novel, Buck throws away his old life completely and replaces it with his natural urge, the primordial version of himself, the Call of the Wild.
Another underlying theme is the relationship between dog and master. In the beginning, Buck is acquainted with the Judge with a dignified friendship, his sons with hunting partnership, his grandsons with protective guardianship, the mail couriers Francois and Perrault with a mutual respect. Against the man with a club he despised but gave respect. However, when Buck met John Thornton, he loved his master for the first time ever. There wasn't anything Buck wouldn't do for his master. Twice Buck saved Thornton's life, and pulled a thousand pounds of weight for Thornton's sake. Even after Buck routinely left his master's camp to flirt with nature, Buck always came back to appreciate his kind master. However, even after Thornton was gone and Buck had released all memories of his former life, Buck never forgot the kind hands of his master, even after answering the Call of the Wild.
Jack London truly brings Buck to life. Using a limited 3rd person view, the reader is told of Buck's thoughts and actions. Obviously, London gave several ideal human qualities to Buck, including a sharp wit, rational reasoning, quick thinking, and grounded common sense. However, he does not over-exaggerate the humanity in Buck, which would have given an almost cartoon-like feeling for a reader. Rather, being a good observer, London saw how dogs acted and worked backwards, trying to infer what the dogs think. The result is a masterful blend of human qualities and animal instinct that is entirely believable. It is obvious that Buck's experience was similar to many other dogs' experiences.
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Then somewhere along the line, the book loses what little bit of charm it has and suddenly you're finding yourself not liking Phoebe that much. As each man revolves his way through her life, you begin to dislike her and her choices more and more. Some of the boyfriends listed aren't even boyfriends but rather fantasy characters, penpals and in the case of Arnold Allen (the only Black guy who stereotypically appears on her list) a criminal. By the end of the novel you're thinking that she deserves everything that has happened to her. Some guys aren't good enough, others are too good and why doesn't she have any friends? One word for you Phoebe: THERAPY!!
At first I thought this was going to be a Sheila Levine for the new millenium. Whereas Sheila's self-depreciating humor and poor choices in men endeared you to her, Phoebe's self depreciating humor had you hoping she would grab a bottle of sleeping pills and end it all. I guess Mrs. Rosenfeld is a fairly talented writer as she was able to evoke such dislike for her protagonist from me, but overall this novel went absolutely nowhere and was a complete waste of my time. I liked Bridget Jones better and that's a stretch. I wouldn't really recommend this to book anyone. If you can find a copy, check out Gail Parent's 'Sheila Levine is Dead and Living in New York'. Although it's well over trhity years old now, it still maintains a crisp, hip, cutting edge feel to it unsurpassed by any other writer writing in the same vein as What She Saw.
each chapter takes a look at a different boy/man the main character dated/went with/screwed. a fun idea, but there's such a distance on the page... it's difficult to understand her convictions. i wanted to laugh, and groan in aggreeance, but was left slightly unsympathetic and befuddled. the book begs to be written in the first person, but for some bizarre-o reason lucinda rosenfeld gave us a third person story.
after reading the first chapter i thought it was clunky, and decided to shut it for good, but i was at work, with nothing elese to read, so i kept going, and somehow fell in. i still didn't really like it, but felt hooked nonetheless. weird.
i gave it four stars due to the 'it hooked me factor;' what does it all mean? i suppose it's just as confusing as what she really did see in all of those guys.