The maps and schematic drawings at the beginning of the encyclopedia are the best of their kind. The text is interspersed with an abundance of fine photographs and illustrations. Appended to the work are a detailed and reliable chronology of the poet's life, useful lists of the popes and emperors, a chronology of musical settings of Dante's Comedy, a list of available recordings of these settings, a list of reference works (including electronic resources), a complete pronouncing index, with textual citations, of the Italian and Latin proper names used by Dante, and an exhaustive index of subjects and illustrations.
So big, so accurate and comprehensive, the Dante Encyclopedia completely supersedes its predecessors and promises to remain authoritative for many years. No college or university, no lover of poetry and world literature will want to be without it.
As my own metric, I like to pick a topic that is not altogether esoteric and that is the subject of at least several competing theories. In studying Dante, that topic for me is numerology. I was especially pleased to read the article on numerology because the Dante Encyclopedia fairly explained the competing theories on the use of numerology by Dante. Never have I seen one source that provides the in-depth overview that this book does. For the serious student of the classics, this is a must-have! Gracie! And bravo!
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