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There are some beautiful poignant moments when each of the main characters realize how influential family have been and how little they meant at the time. The first person narrative becomes a bit boring at times but otherwise the story is well told and maintains interest.
Barfoot says she writes because, "I get to live inside other lives, not only my own. This is a kind of dehydrated reincarnation: add words and stir."
Luckily for us her latest reincarnation, her eightth, is one of her best!
This time out, she inhabits forty-nine-year old successful Isla and seventeen-year-old dreamer Roddy. Isla is reveling in second chances. Roddy is about to escape his past. A chance encounter changes everything. Critical Injuries reconstructs their lives with hope and grace.
Barfoot clearly sets the stage of her main characters' inevitable meeting, describing, "One of those moments when life turns completely ass-over-teakettle, in no good way, no good way at all." --Page 12.
One character quickly runs into a store to spend her money; the other is there to improve his financial situation.
While each journey to that moment is truly unique, the way in which their individual paths cross that fateful night, forever unites them. And the consequences of this chance meeting will involve courage and choice.
"Funny how sorrow always seems more powerful than joy. Joy just kind of jogs along, but grief, that really throws a person off the track, onto a new one." pg. 202
I was fascinated with Barfoot's unsentimental voice in the bodies of Isla and Roddy. There is a striking contrast between Barfoot's gift of prose and her main characters' sparse use of verbal expression.
And while most of the characters in Critical Injuries, are "doomed to observer status in the shocking events" [pg. 51] that transpire, I was entertained. I couldn't wait to find out what happens to these characters.
Barfoot's narrative flows seamlessly between Isla's and Roddy's ongoing drama, guiding the reader to its inevitable conclusion.
Barfoot's tale convinces me that living in the moment may be a good thing, for when tragedy befalls us, you'll have more than enough time to recall your past. That is, until you focus on a place you want to be.
Barfoot's yarn is woven to perfection, words spun like the master craftswoman she is. No wonder Critical Injuries is longlisted for the 2002 Man Booker Prize and shortlisted for the 2001 Trillium Book Award!
I fully expect to see the cinimatic Critical Injuries, made into a movie and shown at Cannes and Toronto Film Festivals in the very near future. It will be well worth the wait!
The tremendous strength of this novel is in the power of Barfoot's prose to create a sense of immediacy. She does this through establishing powerful voices for her characters that comment upon situations as they occur letting their thoughts and memories leak out into the present moment. Her portrait of each character is deeply sympathetic to their struggle to live happily and thus the reader feels a strong connection to them. It is as if, through a slight alteration of fate, these moving characters could be us and their harrowing events might be ours. Each character is neither perfect nor evil. The author depicts with elegantly constructed prose the flaws of human nature using accuracy and profound wit. The intellectual conflicts the characters face are presented with emotionally rounded pictures lending depth and wisdom to their struggle. The novel makes a powerful impression.
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