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As an aspiring director I found the content very helpful, rudimentary, and although at times basic, always insightful. A must-have.
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Please pay close attention to the anectodes about Minor League Baseball. Sometimes, the greatest success stories do not occur on the grandest of stages.
Congratulations, Mr. Carter and Mr. Rovell!!
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It is amazing that so many of us who are not present and get caught up worrying about the future and bemoaning the past. The book's contention is that we paralyze ourselves with thinking and speaking too much. Reynolds contends that we are not acting on life, not doing life, not actively observing where we are now and not noticing what is around us right now. "...every act provides the opportunity for purposeful accomplishment and personal growth. Every act can involve moments of directed attention."
The author's emphasis is on accepting the current state of being, not letting that keep you from moving on in life, and creating purposeful action. The doing is the important process, not the result. Not having your emotional state or your past keep you from going on at this moment is how Morita is applied. To put what Morita is succinctly, "...to teach students to accept feelings as they are, to know their purposes, and to do what needs to be done."
In summary, Reynolds does more than to illustrate what Morita psychotherapy is with client cases, with Zen Buddhist koans (puzzle), parables, and a clear process to follow. Reynolds gives the reader a blueprint to a life without regrets, to a life that you are fully responsible for.
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I just wish someone had warned me first; normally I think "good literature" is stuffy. But this one is beautifully written AND it has low comedy and serious tragedy and bigtime action, which means that I couldn't put this thing down till past midnight. Open this one up on Friday, because you'll be wrecked at work the next day if you start it on a weeknight.
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This is the most extensive selection in English from all phases of Michaux's long poetic career. It includes excerpts from his prose works - the travel writings and the mescalin writings, although nothing was taken from A Barbarian in Asia and Miserable Miracle. There are some plates that provide a view of Michaux's often superb graphic art.
The translations stand up pretty well against Richard Ellman's in Selected Writings (also highly recommended); however, this is a much larger work. Ball is perhaps on the literal side as a translator, a respectable choice. Probably, the only way to translate a poet impeccably, is to have a team of accomplished poets working in direct collaboration with the living poet who also speaks the second language well. And, of course, that's not the case, here. As far as I know, among major 20th. century poets translated into English, only Jorge Luis Borges was tranlated in this arcadian manner. That said, there's nothing wrong with these translations, except that David Ball, though possessed of a good ear, is not himself a poet, or trying to use a translation of a poem as an occasion to write another poem. Again, this is a respectable choice. In a sense Michaux is easy to translate. His language, though highly individual, is clear and direct (except when he's creating his bombastic new words). It's this language and conscience (John Ashberry's critical insight) in service in service to a deep and powerful visionary faculty, that makes Michaux one of the truly great poets of the 20th. century.
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Percy is so very alive, that when I finished the book, I felt compelled to learn more about what had happened to him since, and was inspired to meet the author. Happily, I found him working on the sequel. I am eagerly awaiting it's publication!
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One note on the additional "filler" information added to this edition, it is both poorly written and uninteresting. While the life of George Orwell is interesting and something worth learning about, especially if you have aspirations towards being a socialist, the author of this section does such a poor job that reading tax codes in IRS publications is more interesting.
In summary, buy this book, read it, lend it to someone else, read it again, lend it to more people, read it again, and dream of a world of egalitarian communism. Or you can just read the story, enjoy the struggles and triumphs of the heroic animals, despise the greedy pigs, and share the experience with someone else.
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By having a person read a play backwards, Ball shows how to grasp the playwright's intentions, and the character's movements. It's a basic theatrical literary theatre that is surprisingly effective, especially in trying to teach young writers how to create a play.
I highly recommend this book to the theatre neophyte as well as the theatre professional.