The vice president is dying of a heart attack. The President and Speaker of the House are assassinated. According to the laws of succession, Senate Pro-Tempore, Calvin Smart, an eager Black senator from Illinois catapulted into politics by a powerful mob family, is the new president. But this drama isn't a multi-million dollar film in theatres It's the lurid plot for Charles Edwards' debut novel America's First." Edwards weaves a fascinating tale of mob politics, drug trafficking and inner turmoil in "America's First." The New York native, who earned his degrees in journalism and public policy from Columbia College and Roosevelt University, once ran for ward committeeman and worked in Chicago's City Hall. But during his teen years, Edwards was immersed in the criminal lifestyle and thanks supporters for turning his life around. Although he maintains that the book has nothing to do with his upbringing (he was not raised in Little Italy like his character Smart), it does reflect his lifelong interest in the subtle links between politics and crime. "I wanted to write a book I would read," said Edwards. "There are people who don't read much, but are fascinated with the Mafia through music and movies," said Edwards. While most readers of the popular book are intrigued by Smart's transformations and the ill effects political life has on his character, Edwards says "America's First" is a criticism of the nation's wqr on drugs. "More than anything, I want this book to spur real dialogue on our war on drugs and the prospects for legalization," said Edwards. The 32-year-old says he's not a full-fledged supporter of legalization, however, he does advocate a rehauling of U.S. strategy. "It's not a subject that's explored or debated about," said Edwards. "More people are getting locked up, but more drugs are coming into the country. When are we ever going to say we are losing this war?" It took Edwards two years to develop the outline for "America's First." For another four years, he dedicated himself to completing his novel. "I didn't have a social for four years." "Good writers spur change," said Edwards. "I hope this book does that." Ytasha L. Womack

Rituals Of Power & Rebellion by noted historian and calypsonian, Dr. Hollis "Chalkdust" Liverpool, is a masterpiece of scholarship, insight and impressive research. An in-depth study of the evolution of Carnival in the Caribbean and in Trinidad and Tobago in particular, "Rituals of Power and Rebellion" is that history lesson, which needed to be told and which now needs to be read by all people of the African Diaspora. Dr. Liverpool uses his wonderful skills as a storyteller to keep his readers enthralled as he unravels the many layers of social, anthropological, cultural and musical history, which have contributed to the survival and evolution of Carnival. As a history of Carnival, "Rituals of Power & Rebellion" is unparalleled. It covers all aspect of Carnival's growth and evolution. The book takes the reader beyond the shores of Trinidad and Tobago as it examines the strong cultural and social ties, which kept the displaced and enslaved African closely connected to his African traditions, as evidenced by the nature and characteristics of the Caribbean masquerade. "Enslavement, then, did not cut the cultural rope linking Africa to the New World. Rather, there was always continuity and change. The Carnival in Trinidad then, was filled with African traditions of mask, masking, masquerading, singing, and dancing." Dr. Liverpool shows how European and other ethnic traditions also influenced the manner in which Carnival evolved. "The tradition of Carnival, it will be seen, was utilized by the people as part of their organized cultural resistance, to check the imposition of European values and customs on Africans generally. "Rituals of Power & Rebellion" is a wealth of information. It brings together many of the elements - positive and negative - which have contributed to the social and cultural evolution of the displaced and enslaved African. It gives the reader an in-depth look at the traditions and customs of Africa which survived the Middle Passage - those African myths, customs and rituals, which are so important to the heritage of the displaced African wherever he happens to be. That the Carnival tradition survived from 1783 to 196 was due in no small measure to the resilience of the Africans in Trinidad and their determination to carry out their West African traditions despite the attempts of the dominant elites and the Colonial Government to rob them of their memories and legacies. Calypso is traditional Carnival and Dr. Liverpool gives his readers a master's course on this subject as he shows the direct relationship of calypso to the music of Africa in technique, rhythm and style. "The roots of music and dance as contained in the Carnival of Trinidad go back therefore to Africa, where all aspects of community life." The book gives a detailed look at the various musical instruments and the patterns of music, which have influenced the development of calypso, as well as other forms of Caribbean music. It is a fascinating account, which gives in great details, evidence of the strong connection, which the music of the Caribbean still has with the African continent. We are told that, "Singing in the Caribbean followed the African impromptu style and call-and-response patter," Dr. Liverpool gives such an in-depth analysis of the subject that this book becomes a most useful reference for students of Caribbean/African musicology. Rituals of Power & Rebellion educates the reader on the evolution of Carnival, the music and the masking and, in so doing, gives a remarkably in-depth historical review of the period in question. Not only does it provide scholarly instruction on the political and cultural aspects of the celebration of Carnival from 1763 to 1962, but it also gives an insightful account of Trinidad's history during that period. It shows the adaptability of the masses to the forces of the times and clearly demonstrates the indubitable spirit of the displaced and enslaved African in the struggle to survive the harshest of conditions in a place far removed from the land of his forefathers. On reading Rituals of Power & Rebellion one becomes acutely conscious of the important role of a people's heritage on their cultural and social evolution, often in ways not usually considered. Dr. Liverpool has written an exceptional book. To his credit as a storyteller, this remarkable historical account flows beautifully and becomes an easy read. It will, no doubt, become an important part of scholarship for students of Afro/Caribbean studies. It should also become a much-used reference on bookshelves in the homes of anyone interested in the evolution of Carnival in the Caribbean and in the cultural history of people of the African Diaspora. Hats off to Dr. Hollis "Chalkdust" Liverpool fro such an impressive tour de force. Kanchan Gilfillian & Anthony County

...I found the story captivating, and I was really impressedwith the way the president handled himself under the circumstances. I guess the love for mafia stories has always interest me even if they're fictional. For Charles to touch on an issue like the war on drugs and the role the CIA plays in it could make anyone who reads it, do a reality check. I really enjoyed reading it, and I'm proud to grace the cover as America's First Black President.....JD Mosley

I am a hugely ardent fan of the movie... and I think I have to admit that is even better. It goes into a lot more depth- this is apparently what Pogue really wanted to do with the screenplay but couldn't. You get tons more about character here too and the whole story is somehow filled out. There are some very funny bits (Gilbert's first encounter with Draco par example...), and some haunting dark passages - a lot of Einon's thoughts...
And everything describing Draco and his thoughts is just beautiful... There's a bit near the end where he wants a last flight and sunshine which completely breaks my heart *sob*.
It's the sort of book I will gladly stay up all night reading... beautifully written... just amazing!!!




(Pls. note: this review was written by me about the BOOK - I don't know how much the tape has been abridged, but I strongly suggest you read the book anyway cos, as I said, it's brilliant!!)

I read this book because of an article I read in which Charles Edward Pogue claimed that his screenplays for Dragonheart & Kull were savaged by their Directors. To give the man a fair shake, I read his Dragonheart Novel. I can see why he was so upset! Wherever the film takes a wrong turn, the Novel goes in the right direction. Everything that is wrong about the film is RIGHT in the Novel. The writing, while now and then a little spare [which is better than overwriting] and a little too modern, is, overall, exceedingly literate [some of the dialogue is close to Tad Williams level]. The characters are believable and involving. The story explains itself and it's world. I HIGHLY recommend buying a copy of Dragonheart!

Ijust have to say that I love this book!! Also the movie is Awesome!!!!

I've been a fan of the 1953 version of a the Carol for as long as I remember. It was family tradition every Christmas eve to watch it. I've looked at as many possible versions and have yet to find it's match. This book is an amazing resource of all the various interpretations of the Dicken's classic has gone through from early lantern projected pictures, through the silent era, talking films, television, and animated specials. The early version were fascinating and I found it a special bonus that the author made note of various television shows which featured a special Christmas episode inspired by A Christmas Carol. Who could ever forget the "Six Million Dollar Man" Christmas special using the ideas from the novel. This brought back a lot of great television special memories. I was even able to track down two hard to find T.V. animated specials shown in the early 1970's but not seen since. (I found them on Amazon). All in all a great read, especially for fans. I did not agree with all of the criticisms, and the text is a rather dry read, maybe a little too academic. But still great stuff!!

Fred Guida has presented an incredibly well researched and beautifully written book that blends the literary history of this story along with the history of its various screen presentations. Thank you for this unique presentation.

Everyone has a favorite film or television version of Dickens beloved "A Christmas Carol." But few of us have any idea how very many adaptations there have been. Mr. Guida's wonderful book examines first the written "Carol," then goes on to detail some of the hundreds of adaptations and variations, from the early stage versions and magic lantern slides to modern made-for-television Carols. Mr. Guida discusses the major Carols with wit and humor as well as rare discernment: his love for his subject is evident. Minor Carols and variations are also covered, albeit more briefly. If you cannot find your favorite version in the text, you are sure to find it in the superb and very thorough filmography. The filmography is worth browsing in and of itself; did you know that there have been Western, country-western, rock-and-roll, and even science-fiction variations on "A Christmas Carol"? Or that actors as disparate as Cicely Tyson, Basil Rathbone, and Mr. Magoo have played Scrooge? If you love "A Christmas Carol" or simply dote on film trivia, I promise you will enjoy this book.

Charles Ross presents an unforgettable tale of the most confusing, uneven and adventurous reign of any king in the English history. Edward IV remains the only king who was able to loose a kingdom and them successfully reclaim the crown. Possessing remarkable talents in administration and warfare, he however managed to bring the treasury to almost complete ruin by the end of his term, and botch the most impressive show of force in France any English king (including Edward III and Henry V) can ever master to assemble. Edward IV lived in the extraordinary age, full with great personalities like Richard Warwick the "Kingmaker", Margaret, the queen of Henry VI, and his own kid brother Richard, future most vilified by Shakespeare king Richard the III.

It is very easy to fell victim to novelized history when relating the events as extraordinary as the events of Edward's reign. Not Charles Ross. He is extremely well researched and versed in the records of the period, and presents the somewhat dry details of the records of the Household and Exchequer, in an interesting way and extremely well cross-referenced. Internal English sources are corroborated by continental and papal records. I would recommend this book to a serious student of history.

Also see Charles Ross's "Richard III" for a mysterious, bloody, and tragically brief concluding reign of Plantagenet dynasty. This one is also highly recommended.

Edward IV is one of the great enigmas of history. Even how he was able to become King is not self-evident. His seizing the throne was then followed by government marked by occasional brilliance and great folly. For someone who at times was keenly aware of dynastic considerations, his own marriage was the height of folly compounded by giving far too much influence to the Queen's relatives. He gave far too much trust, power and wealth to a few individuals, especially the Earl of Warrick and his traitorous brother Clarence alienating in the process much of the established nobility and wrecking in his early years the King's finances. Overthrown in the course of his reign, he nevertheless succeeded in recapturing the throne in short order and then repairing his fortunes spectacularly. Even so, this was accompanied by the strangest series of preparations for invasion of France, ending in an almost farcical procession in Northern France and a pusillanimous retreat. Lazy, debauched, perceptive and effective-many such adjectives can be applied to him - and all miss the puzzling essence of the man and his reign. What a set of stories could be woven out of this material without clearly capturing the essence of the situation! One cannot help wondering why of the adult kings between Richard II and Henry VII, Edward IV alone did not attract Shakespeare's pen.

Charles Ross wrote a fascinating book on this puzzling ruler, making as clear as the scanty and somewhat unreliable records allow the course of Edward's life and reign, and the various episodes that both fascinate and puzzle. The book (with a short introduction by R.A. Grifffiths rather than a revision by him) proceeds first by laying out the story, and then returning to give separate investigation of various aspects of Edward's rule, such as governance, his relations with the community and his finances. This latter subject is particularly well handled, as is the penultimate chapter on law and order. The story is well told, without excessive pedantry and without any attempt to hide when the record is unclear or the author has had to make large interpretations. One may not really know or understand Edward by the end of the book, but one's feeling is that it is the man himself who escapes capture by the biographer's art, not any weakness of the biographer himself. For those interested in such matters - and this is not light reading - Griffith's biography should prove highly satisfying.

The late Charles D. Ross presents here one of the most readable and interesting presentations of of English monarch ever written. Highly recommended for anyone interested in the king or his era-I used it extensively in my senior thesis!

The edition of Edward II I read was the New Mermaid Series one, which had a very good and informative introduction, and has the spelling modernized. The spelling modernization extends to place names as well as general terms. I am not sure how I feel about spelling modernization, as it is nice to see how the work was originally spelled, but it made the work very easy to read. The play itself is amazing, very engaging even though it is a history, and is mostly based on things that actually happened. The language is not as flowery as Shakespeare, but is lovely nonetheless. Some of the characters of the play are very fickle, and seem to suddenly change as you read the text of the play. (Queen Isabella goes from devoted and self-sacrificing wife to cunning adulteress.) It makes more sense on stage, and after seeing this play, it was easier to see how good it is.

Marlowe's final play is also his masterpiece. To be sure, the dramatic events in this play really did happen, but Marlowe shows himself at his best when he paints the picture. At first, Marlowe masterfully allows us to detest Edward for undoing all the fine work of his father Edward Longshanks. We also are able to feel sorry for Mortimer and Isabella. (the eventual villains). Isabella feels neglected and Mortimer can not stand to see the fine work of Edward Longshanks undone. Later, we come to have some respect for Edward II when he shows himself to have some of his father's fine qualities and he crushes the first rebellion against him with courage and intelligence. When the second uprising successful, we no longer are lead into any feelings of admiration for Mortimer and Isabella. Once they have power they are more vile and disgusting than Edward II ever was. By Act 5.1, Marlowe gives Edward II moving soliloquies and does not allow our new won pity to slack for a moment. The final scene of this play when Edward II's 17 year old son Edward III flips the tables, crushes his corrupt mother, has Mortimer put to death, and offers prayers to his murdered father is a scene that is almost unsurpassed in literature. To be sure, this did actually happen, but Marlowe not only tells us what happened, but colors it with his superb mastery of the language.

Edward the second, or to give it its full title, 'The troublesome reign and Lamentable death of Edward, the second king of England, with the tragical fall of proud Mortimer', is famous for being an Elizabethan 'Gay play', but this is only one of the subjects contained within the play. Politics, cruelty and the Feudal System are all important themes in this, one of the great masterstrokes of Elizabethan literature. The play itself is a history play, set in the 14th century featuring Edward and his previously basished lover, Gaveston, who returns after the death of Edward's father. This return enrages the barons, who were sworn to Edward's father that Gaveston would never return. This is the catalyst for a plot that races around like a cheetah on speed, culminating in one of the most excruciating deaths ever portrayed on stage. "Shakespeare? Who? Marlowe was far better!"

Crosslines Essential Field Guide to Afghanistan tells the full story about Afghanistan in a way I can't find in any other book. Whether it's politics, culture or humanitarian information you're after - it's all in there. I never realised how big those Buddhas were that the Taliban blew up until I saw a picture in this book! If you want to understand more about the country at the centre of world news, this is the book to buy!

CROSSLINES ESSENTIAL FIELD GUIDE TO AFGHANISTAN

Published by CROSSLINES Global Report and Media Action International (formerly the International Centre for Humanitarian Reporting-ICHR)

The Crosslines Essential Field Guide to AFGHANISTAN Is the only detailed guidebook dealing with the current situation of the country available in English. Although certain elements in the book have been overtaken by recent events, the field guide is still essential reading for all journalists, aid workers, diplomats and military personnel operating in the region or otherwise interested in Afghanistan. Journalists and relief workers from the BBC, TIME, UNHCR, UNICEF and other media or aid groups have already informed us that the Essential Guide to AFGHANISTAN is the best thing going for quick and informed background information.

The book features over 500 pages of political, humanitarian and military analysis, biographies of key Taliban and opposition players, essential information briefs on agriculture, medical relief, environment, culture etc. as well as all regions of the country, street maps, advice on health and security, phrasebooks in Persian and Pashto, contact details for diplomats, aid agencies and journalists. Specially commissioned essays written leading experts analyse the country's political, military, humanitarian, and cultural situation. All country data was collated through first hand field research the editors.

The editors are Edward Girardet (a journalist and former correspondent for The Christian Science Monitor; also author of Afghanistan - the Soviet War) and Jonathan Walter (a former officer with the British Army's Brigade of Gurkhas, and editor of the World Disasters Report)

This book was made for the use of relief workers working in Afghanistan. Aid for Aid participated in helping provide the maps for this book .

This book helped me tremendously. It is an excellent resource, especially if you and your spouse can come to agreement on everything - you don't need an attorney if you can agree. I read the book, copied the forms out of the book and filed them with the court, typed up an agreement that both of us signed and everything went smoothly. You really can have a "do it yourself" divorce for the cost of the court filing fee. Highly recommended book.

I found this book at the library, it was soooo helpful! i would recommend it to any one with a divorce issue!i just copied the stuff at a copy machine and filled it in! I only had to pay $65.00 to have it filed and everything!,very good book!enjoy!

Excellent book...There is no telling how much money that it saved me, well into the thousands, because when my now ex-wife and i could not agree on one or two small things and I had to get an attorny, after all. All i did was give my lawyer the Papers that the book helped me write and he basically copied them for the Divorce. He asked me if I had had any leagel training. (NO) Then I showed him the book, and he made the commit under his breath "We hate those things" He then asked to review it and asked for the number were he could get it. The next week, I was in his office to sign some papers and he had a brand new copy of it laying on the corner of his desk. Thanks alot for the help Amazon.com

This book is unquestionably a classic. My first introduction to the Arabian nights(this is much easier to type than the title of the book)was as a kid when my mother would recite these stories during mealtimes. Being an Indian, I was not new to the world of Jinnh's, magic carpets and other such wonders. Everyone enjoys the popular stories such as Alladin and Ali Baba(thanks/no thanks to Disney). However, this book is one way of getting to the real Arabian nights that have not been adultrated by Disney. Sorry Disney fans, but the truth is often bitter. The thousand nights and one night is a perfect source of transporting oneself to the ancient middle east. The land of the Caliphs ,where women were immensely beautiful and heros truly heroic. Each story in this volume is a wonder. There is much to be learnt from these stories since they reveal age old wisdom in addition to pure joy to the heart. The stories themselves go beyond plain narration and successfully give the reader an insight into the life in the ancient middle east. Oh! I know that the thought of people flying around in magic carpets sounds preposterous. It is the cultural background that I am talking about. The book reveals middle eastern charm, something that is to be found in traces even today if you were to visit the middle east.The book begins with the disillusionment of King Shahriyar by his wife, something that makes him an absolute tyrant. He kills her and then decides to marry every night and put the bride to death in the morning. The vizier's daughter who marries him decides to change his distressing behaviour for good. She starts the practice of reciting captivating stories every night that are left unfinished in the morning, thus extending her own life. This is the birth of the thousand nights and one nights. When I read this book, I spent several sleepless nights trying to finish it. I believe that it is a true classic just like the Iliad, Odessey, The Poetic Edda, Mahabharata and the Ramayana. A piece of the old world that we are lucky to retain.
However, I MUST add a note on the content. This book is definitely NOT for kids. There are plenty of adult language and situations that would definitely not do for a child. One must make allowances here since this book is probably a direct translation of the original text. In addition, there is a strong bias regarding non islamic communities. Since this book is but one for a four book series, the bias may not necessarily be a part of this book. While reading the entire series, I had to make allowances for racial and religious discrimination. Remember the age in which these stories were written and then try to forgive the original authors for their attitude and mentality.
On the whole, a wonderful read for people interested in old folk/fairy tales.

Almost nothing can be said about the Thousand Nights and One Night, except what is obvious to anyone who understands its substance. It is one of the truly essential pieces of world culture, and probably the most extensive universe of stories in history.

Something must be said, however, for those who are NOT aware of the extent of this work. This is not the simple batch of a dozen or so stories -- Aladdin, Ali Baba, Sinbad, and the like -- that most people think it is. This is over 2400 pages of narrative, comprising close on 100 stories -- some of which are themselves as long as novels, and many of which contain smaller stories within themselves. The stories range from the profoundly epic to the delightfully whimsical, and there is variation in mood and length throughout the series that it not only serves as a collection of discrete stories but functions as a unified whole.

As such, the attempt to read the Thousand Nights and One Night in its entirety can not be a halfhearted one. The reader must be prepared to invest considerable time in the reading. The rewards, however, are incalculable. The complete experience has few parallels in fiction, because few works of such volume possess such unity. Reading moves from the hasty and immediate to the comfortable and regular. The difference is akin to that between listening to a 3-minute pop song and listening to a 30-minute symphony. The individual stories fade into memory, retaining their own identities but also falling into place within the whole.

I will not attempt to address the individual stories themselves in any detail. Suffice it to say that they narrate love, lust, sex, war, peace, contemplation, action, commerce, politics, art, science, and many other things, in the spheres of the supernatural and the mundane. The Thousand Nights and One Night is a virtually complete panorama of human existence, with each story a component scene.

I will, though, address the issue of translation. I have perused other editions of the tales in varying degrees (although this is the only one I have read completely). In the first place, any translation which omits some stories is not worth consideration. Although there is some controversy over whether Richard Burton (the first to translate the tales into English) corrupted the original text and inserted spurious parts, there is nothing to be gained by being persnickety in this regard. This edition contains more tales than most others I have seen, and therefore is more likely to contain the "right" tales somewhere inside. On a less abstract level, this text is simply more fun to read than most others, and, as mentioned, there is more of that fun text to be read.

Also, it can be plausibly speculated that this translation is particularly likely to have fewer Burton-induced inaccuracies, since it is not in fact a direct translation from Arabic to English. This 4-volume edition is a translation into English, by Powys Mathers, of a French translation, by J. C. Mardrus, of the original Arabic. It is somewhat surprising that an indirect translation such as this should be of such high quality, but I have found it to be so. In particular, this Mardrus & Mathers version includes substantial verse passages (which in other translations are often rendered as prose) and is refreshingly frank in its translation of the more ribald passages (which are numerous).

The Thousand Nights and One Night is not merely a book that can be read; it is a world which can be experienced, and the memories of that experience can mingle almost indistinguishably with memories of reality. Only a work of this size can work on large and small levels, with many intricate details but also many large thematic components. As an added benefit, by the time you have finished reading the fourth volume, your memories of the first will be fading, so you can begin a new reading immediately, and experience the joys of the Thousand Nights and One Night all over again.

The stories contained within are truly wonderful. They oftentimes read with such beauty and vividness that I almost believed I was there! If there's such a thing as a darn-near perfect translation, these books are it imho. Why not introduce your children to the tales of the Arabian nights via these books? I'm no historian, but these tales have a much more authentic feel than others that I encountered as a child. Read a few stories each night, and enjoy the whole series over a period of time! Or dive in and don't surface until you're done!

Lee the last years is a great read on the life of ROBERT E LEE after the war between the states.
My only complaint is that I would have liked just a little more reaction to lee's death around the South,and north ...

It is good that someone write about Robert E. Lee's final years after the U.S. Civil War. Charles B. Flood has written a fitting summary of Lee's final years (1865-1870) from the surrender at Appomatax to his final years at Lexington, VA. Lee is portrayed as a silent, thoughtful, regretful, gentleman who may have chosen to rebel against his former army, but still is a proud and dignified man. Flood is to be commended in bringing out the characteristics of the private, distinguished gentleman that Lee was. From his dealings with his family to the students at Washington University, his thoughts, motivations and insights are given with honesty and clarity. This is the definitive work of the last quiet years of Robert E. Lee, and is highly recommended for all U.S. History/U.S. Civil War History enthusiasts.

This book shows a side of Robert E. Lee that seems to have been lost in the history books. After the end of the Civil War, we hear little or nothing about General Lee. In truth, he died five years after the war ended, but he made the most of that time in trying to repair the damage done by the war. This book is an excellent chronicle of those years.

Lee lost most of his property during the war. He was a career soldier, and didn't have many prospects for employment. He hoped to move onto a farm and to live quietly in the country.

However, other plans were being made for him. The trustees of Washington College in Lexington, Virginia, voted unanimously to offer him a job as president of the college. Lee was not a professional educator (although he had served as superintendent of West Point), but the trustees believed that his leadership and integrity were just what the college needed to survive the harsh economy left by the war. For his part, Lee saw this as an opportunity to help young Southern men to become productive citizens.

The college's wager paid off. Enrollment grew each year that Lee spent at the helm. The college developed new programs, and Lee's stature and good reputation were such that Washington College received large donations from philanthropists, even in the Northern states. Lee took a personal interest in the students, learning to address them by name and taking responsibility for disciplinary measures.

Yet Lee's last five years were not years of unabated bliss. His health declined steadily, his wife was an invalid, his brother died, and his reputation suffered from some unjust attacks in Northern newspapers. Throughout it all, Lee held his head high and maintained his dignity, his character, and his principles.

Lee put much effort into healing the wounds left by the war. He appreciated the esteem in which he was held by his fellow Southerners, but he encouraged them to be loyal citizens of the United States of America. He never said a word against General U.S. Grant, and even rebuked an employee of Washington College who did. One of the most fascinating (and mysterious) episodes in the book is Lee's trip to Washington, D.C., to visit President Grant in the White House. No one else was present for the meeting, and so no one really knows what they discussed.

The book ends abruptly with an account of Lee's death, without going reporting on his funeral and his family's life without him. Even so, this book makes great reading and has fascinating insights into the private life of an American icon.

This book was well written for as far as it went. It did not cover very much outside of her Civil War period. Could have been more comprehensive.

Once I began reading about Dr. Mary Walker I could not put the book down. This is a rare find.

I have been looking for this book for years! It is a wonderfully detailed biography about a very fascinating person of whom little is written in books.. Mr. Snyder's bibliography is almost all from contemporary accounts of Mary Walker's life. I was afraid Mary Walker was in danger of being lost to history, but am so glad the book is available! She emerges from the book as a wonderfully complex individual who "did her own thing" long before it was really possible for women.... idealistic on the one hand and impossibly hard to get along with on the other! One of the first women doctors, Civil War heroine, women's dress reformer, published author, on the public speaking circuit in Europe and the US.... and sometimes she DOES sound like a bit of a crank, bless her heart! As far as I know, this is the most comprehensive book on her life, a life that deserves to be remembered!