Story of Cora a victim of assualt and it's after math.

I must admit I cheated and saw the movie before I read this book. I've had the novel for so long, but never got around to it. The film was stunning and I was sobbing at the end. Now after the reading the book - I am pleased to say the film follows the book closely and Gillian Anderson really captures the moral complexities of Lily Bart. I love how Wharton was able to find the hypocrisy in nineteenth century high society. Not only did she expose its follies, she also unveiled its fragility. Lily could have easily maneuvered her way out of nearing poverty, but she possesses a kind of morality that her privileged, back-stabbing friends do not. It is only by turning their backs on the truth do her peers hold up their shameful facade. I do find it disturbing that Lily believes her only way out is death...that she has nothing else to offer the world. Wharton uses this tactic, though, to symbolically represent the rich snubbing the poor - how they exist without even seeing them.

However, the most intriguing part about this novel is Lily's relationship with Seldon. In the beginning, he seems to always remind her of her vain attempts at marrying rich men. She can't go through with her designs, though. He strings her along, all the while he's having this under-handed liason with one of the most pretentious women of their social circle. Lily never gets to tell him how much she really loves him. Her pride reverts to bravery as she realizes she must face her future without his companionship. Does she die for an empty purse or a broken heart? I choose the latter.

Prior to reading The House of Mirth, I had read both The Age of Innocence and Ethan Frome. The House of Mirth deals with moneyed New York families, as does The Age of Innocence, but The House of Mirth has a more serious tone and a more tragic storyline, in that the main character is a woman who is a victim of her times. Lily Bart lives in an era when to be poor is the worst punishment of New York society. The idea of having to work for a living is untenable. Her goal in life is to marry well, but she struggles with the idea of abandoning her goals for true happiness just to marry well. The story deals with her misadventures in society, and the sometimes painful price her relatives and friends extract from her in exchange for financial support. This is a very enjoyable, although sad, novel, and I recommend it particularly to those who have already read some Edith Wharton and wish to round out their selection of writing.

I stumbled upon a review of the recent film of THE HOUSE OF MIRTH in the TLS and, in order to have the novel firmly fixed in my mind (that is, before the lush, seductive images of film forever eradicated Wharton's novel from me) I dragged my copy off the shelf for a re-read. It had been 16 years since I last read of Lily Bart and her life, and I didn't realize how much I had missed her. For me, this is one of the great reading experiences, one of a handful that make reading a book the deeply moving and human exchange that it is. Despite the distance of wealth, property, time and manners, Wharton manages to make Lily's world and life palpable to anyone who will listen. The clash of money, morals, personality and circumstance is infinitely developed and played out in front of a never fading natural world. Once again, I was deeply moved by Lily Bart and at the end, felt I had lost someone myself.