Although most of the stories were written in the 1950's, there's very little that's been dated by subsequent scientific discoveries, largely because this collection isn't about hard science so much as the relationships between far-reaching technologies and human society. The protagonists aren't
swashbuckling hero types, and they usually aren't even dedicated scientists single-mindedly pursuing knowledge; they're more likely to be "little guys", ordinary working people with jobs to do, who when faced with something they should be helpless to combat, still summon up the courage to act during that one brief moment when they can make a crucial difference. Probably the most dated feature of this collection is its attitude toward women, who are frequently absent entirely, or serve only in the most stereotypical of roles. Only the touchingly sentimental "The Ugly Little Boy" treats a woman as anything like a real human being. Even so, the power of Asimov's ideas
and the scope of his vision of the future have delighted readers for over half a century. If you haven't read these stories in other collections, you'll certainly want to catch them here.

Most of the stories are great, and like many of the reviewers here I think that for "The Final Question" you should by it, but it has some weak ones too, fortunately they are short and quickly forgotten.
I do not plan to read, at the near future, any other Asimov stories, since the style is a bit out-dated, but this book was an exception and I would recommend it for all of you.
A bunch of great stories on various sci-fi themes, that make you laugh, think and be amazed...

Let me elucidate. Starting with the seemingly innocuous question, "Can entropy be reversed?", Asimov proceeds, in a style all his own, to turn the reader's world upside down. When you've finished this story, you can do nothing but close the cover and sit and think for a while. In a piece that is a textbook example of the way a short story should be written, Mr. Asimov somehow manages to address that most basic of all questions, "What is the nature of our Universe, and by extension, what is the nature of ourselves?"

As an avid reader on all subjects, I enjoy being challenged by what I read but, speaking politely, the climax of this story, barely more than 15 pages in length, knocked me flat on my behind. No story I have read, before or since, has managed to turn life's basics quite so much on their ear as did this one.

I read somewhere that Mr. Asimov always felt that this was his favourite piece of writing, and I have no problem understanding why.

Read it...If you thought your world was dark before, I guarantee that "The Final Question", indeed, all of "Robot Dreams", will shed some light on the subject.

Sincerely,

Tony Hoffmann

This is easily one of the best books I have ever read. I read it in between his robot novels and Foundation novels, and it holds its own quite well against those.

Only one of the stories is in any other collection I know of. "Jokester," "The Billiard Ball," and "The Last Answer" are some excellent ones, but I agree that "The Last Question" (as it is named in my book; not "Final Question") is the best story I have ever read. Anybody remotely interested in science fiction at all should definitely buy this book. Before long you will be an Asimov fan for life.

A story of the far future of our galaxy where a galactic empire is beginning to disintegrate. A man named Hari Seldon discovers the science of "psychohistory" (scientific 'prophecy' using mathematics and the law of large numbers as it relates to human behavior), and finds a way to minimize the decline. This plan requires the formation of a Foundation near the edge of the galaxy. The plot takes off from there.

Once you start this work, you will have a hard time putting it down. I really believe George Lucas got some of his ideas for STAR WARS from this trilogy.

--George Stancliffe

Read it and I am sure the vast majority of you will thoroughly enjoy it.

choorie@ rediffmail.com

Mention Jules Verne, and books that spring to mind are 20,000 Leagues, Around the World in 80 days, and Journey to the Center of the Earth. The Mysterious Island is one of his lesser known works, which is something of a mystery itself.

The book surpasses one's imagination and never fails to surprise. From the initial pages when Capt. Cyrus Harding and his friends decide to escape from a prison camp, the story seizes the complete attention of the reader, and unfolds at a pace and in a direction excelling Jules Verne's characteristic stories. The spirit and ingenuity of man is demonstrated in almost every page, as Cyrus and Co. find themselves marooned on a deserted island, and armed with only their wits, transform their desperate situation into a wonder world of science and technology. The reader is drawn into the adventure and finds himself trying to find solutions to the problems and obstacles that lie in plenty for the castaways, as Cyrus and his indomitable friends surmount myriad problems in their fight for survival. They are aided in their ventures by an uncanny and eerie source that remains a mystery until the very end.

This book cannot fail to fascinate and inspire awe in the mind of any reader. One begins to grasp the marvels and inventive genius behind the simple daily conveniences and devices that are normally taken for granted. The line between reality and fantasy is incredibly thin, and for sheer reading pleasure and boundless adventure, this book will never cease to please.

PS: The book has been adapted into a movie, which is one of the worst adaptations of any novel that I have ever had the misfortune of viewing. It is criminal to even mention the movie and the original work in the same breath.

He kept coming to mind as I was reading this incredible book, as the characters, stranded on an island with absolutely nothing, accomplished such amazing feats as draining a lake, making a home, building a ship, making an elevator, and a great many other things. There is excitement, suspense (what IS going on on this mysterious island??), and wonderful, likeable characters. Not a real well-known Verne book, but fortunately still in print, and one of his best and most entertaining.

(Incidentally, if you want a children's version of the same story, try to find "A Long Vacation" by Jules Verne, which is extremely similar in plot, but with younger characters and for a younger audience - very charming!)

By the way, please do read 20,000 Leagues Under the Sea first, if you have not already done so. Evidently, Verne assumed that everyone had when he wrote this novel.

Great reading!

A general problem with history books is seeing how the little bit you are looking at fits in with the big picture. Asimov doesn't over-analyse - he gives his history in bite sized chunks so the thread of the overall historical flow remains undisrupted.

Asimov has the good sense to draw the book to a close while it is still history 50 years before his writing date. The little mention of his birth is just one of the many points that raises a smile.

I would have liked more on Australia, but I guess like many parts of the world the stuff Australia did up to the middle of the 20th Century did not have major international impacts.

Start reading your history here and then specific areas afterwards.

Ellison takes several of Isaac Asimov's classic Robot short stories and weaves them into the life story of Susan Calvin, told in flashbacks to a reporter at the funeral for Stephen Byerley, First President of the Galactic Federation. Consequently, Ellison avoids the traditional pitfall of omnibus movies, such as "Tales from the Crypt," "The Twilight Zone" or "Creepshow," where whatever is used to link the segments together is of no importance to the overall film.

Ellison's introductory essay is certainly not as vitriolic as his story about what happened to his Star Trek script "The City on the Edge of Forever," but it does recount the bizzaro world of movie making. Both the essay and the script are testaments to Ellison's affection for Asimov. A special treat is Ellison's revelation as to the casting he had in mind when he wrote the script: Joanne Woodward as Susan Calvin, George C. Scott as Reverend Soldah, Martin Sheen as Robert Bratenahl, and Keenan Wynn and Ernest Borgnine as Donovan and Powell.

You may come to this book as a fan of Ellison or of Asimov or of both. Regardless of your point of origin I think it is important that you have read the original Asimov Robot stories before you read the script. The stories are Asimov's but the adaptation is Ellison's, and you have to know the original tales to appreciate the inspired organization of this script.