This book is a critical review of the movie career of Antionioni. It helped me to understand the Great Teatrology of the Antonioni's work - L'Aventurra, La Notte, Eclipse and Red Desert much better. Director is researching the same themes of loneliness, impossibility of love and connections in the modern world full of dehumanizing technology. Landscapes and architecture, subtle variations of mood, breeze and movement ... and sadness.

I was amazed by Chatman's bibliography list. He'd read anything and everything there is to read about Antonioni. The books follow movies frame by frame with critical acclaim given to all aspects of Antonioni's art. Must read!!!

I was amazed by Chatman's bibliography list. He'd read anything and everything there is to read about Antonioni. The books follow movies frame by frame with critical acclaim given to all aspects of Antonioni's art. Must read!!!

that I've ever read. I'm not quoting the previous reviewer---I'm wholeheartedly agreeing with him. William Arrowsmith (deceased) was a classical scholar and award-winning translator whose depth of knowledge, keen perception, and sheer talent as a writer are fully evident here. This is a poetic work of criticism. Beautiful.

Arrowsmith's fascinatingly wide-scoped analysis of Antonioni's classic films is one of the best books of criticism I've ever read. You will not find a single line of cliche film criticism in this entire book, no jargon, just insight and more insight into the how and why of Antonioni's greatness based firmly on cultural and philosophical imperatives. No self-respecting Antonioni fan should miss out on the tonic of Arrowsmith's pivotal achievement.

As with each viewing of an Antonioni film (sans "Zabrieske Point"), the essays in this book make the reader appreciate and "understand" the films of Antonioni more.

Antonioni is a genius, and what he has to say about the process of filmmaking is essential to anyone who wishes to make a respectable film.

And for those of you are still begging to know: Antonioni explains how he made that-probably the greatest in film history-final tracking shot in "The Passenger". God, what a shot that is!

This book is a collection of ideas, sketches, plots and "cuts" told by the modern master - Michelangelo Antonioni. Some of the novellas in the book (4 of them) made it into his latest movie "Beyond the Clouds"; most of the work is still to be realized on film. Reading this collection helped me to understand the Great Teatrology of the Antonioni's work - L'Aventurra, La Notte, Eclipse and Red Desert much better. Director is researching the same themes of loneliness, impossibility of love and connections in the modern world full of dehumanizing technology. Landscapes and architecture, subtle variations of mood, breeze and movement ... and sadness.