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Unfortunately, the translation is poor, and there are many inconsistencies which can make it hard to follow descriptions: for example, the same component in the chronograph mechanism may be referred to by several different names. Also, the final editing of the English version leaves a lot to be desired, especially in a book of this price. Having said this, it's still a very good book, and I wholeheartedly recommend it.
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All is done for you to have the idea of the rolex mechansim, the complexity of the product and the time used to create this brand.
I recommend it for all who like to know why Rolex is Rolex!!!!
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Many of the poems in this collection are ostensibly about loss. Death in the family, the withering away of love in marriage and in other human arrangements, the yearly spectacle of ruin in the garden, these are the "conclusive" losses that bring the dramatic arc to the poems, but these narrative turns are like a "forked pole," there to support the graduation of an insight from green sapling to ripened fruit.
Loss, "what's dead," is the fertile ground, the attentively tended plot of these poems, from which a greater understanding and a deeper love for the world can flower. In this sense, Margaret Kaufman's poems, like the free-flying red-winged blackbirds of the poem "Fennel," "...land where they have to land,/so delicately sped, shouldering/to perch on impermanence,/to rest on the strength of what's dead."
I was very impressed with Mr. Pascal's 'way' of writing, and you will love his sense of humor, and of course the clear, and presise drawings help even the beginner get a quick grasp on the finer points of appling the locks.
The book has become one of the most important books in my martial arts library, and I continue to use it as a reference. I highly encourage you to order this book, you owe to yourself!
BIG Sean Madigan
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While the book, as a whole, is excellent, there are still some areas that I feel prevent it from being a 5-star book. First, the chapters could have been expanded to include more information about the watches. For example, the chapter on the Sumariner and Sea-Dweller (Ch. 12), while providing the basic underlying premises and history for both models, is far too brief. As with some of the other chapters, the authors should have included more information, even if that meant deleting a few pictures. While the authors obviously uncovered a lot of new information (mostly technical, to their credit), their text also "recycles" facts that most Rolex aficionados already know. Perhaps the book is intended for the generalist as well as the specialist; however, the short chapters create a text that cannot fully meet the needs of either. Secondly, the book could have used some additional editing. The writing is acceptable, but for such an expensive book a few more drafts could have smoothed out the prose style, which is at times a little rough and detracts from the subject.
In sum, while I love this book because it is certainly the best book about Rolex that exists, it is also likely that it will not fully meet the needs of many people who purchase it. Maybe there is a need for two volumes: one that is intended for the novice, and one that is intended for the experienced collector. In this book, it seems as though Dowling and Hess try to placate everybody, but they do so with mixed success, revealing the book's limitations as well as its strengths. But go ahead and buy the book for its strengths alone--it is definitely worth it.
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P.S. Look elsewhere for information on modern quartz or early manual winding watches. If you like bumper and/or full rotor automatic winding wristwatches then this book is for you.