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Anderson's life is never short of violence as he is the ultimate and sadistic leader of a dangerous group of bandits that have borderline allegiances to the Confederate cause. Portraying to be Union Cavalry, Anderson and his band of murderers steal, burn, kill and ravage towns of Union sympathizers. Union Militia throughout the state of Missouri is quickly and badly organized to hunt down Anderson and his company that seems to constantly grow larger in membership. Anderson raids towns such as Fayette and Centralia leaving deadly results by killing many former Union soldiers, burning depots and various other buildings while looting stores. Anderson and his gang are always drinking and whiskey seems to elevate their need for murder and money that never ends.
Is he ever stopped?
Like many, I couldn't resist this book and wished for more though there is quite a bit of useful information for a short book of roughly 144 pages. It was descriptively well-written, concise, maps and pictures were included which gave the book a great rhythmic flow as far as content. 5 STARS!!
The only problem I has with it is that at 150 pages, it was a bit too short. Then again, the subtitle does say Short and Savage life.
Well recommended for Civil War or military history buffs.
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Thomas [and Averroes] reintroduced Aristotle to Western thought and Thomist scholasticism has illuminated the path from the 13th century to the 20th, he was perhaps the greatest intellect of the Middle Ages. Anderson's edition may be the best means of introducing oneself to St. Thomas Aquinas.
Do not expect a comprehensive exposition of Aquinas's metaphysical thought, for this was clearly not the intent of the late James F. Anderson. In fact, the book does not introduce us to certain basic metaphysical notions such as substance, accident, prime matter and substantial form. For this reason, some knowledge of classical metaphysics is highly desirable, while not absolutely necessary, to benefit more fully from this outstanding compilation.
The selection is of tremendous educational value, especially if we consider that some of the incorporated texts are difficult to find in translation. Excellent for teachers and students alike.
In brief (in just 116 pages), this book reveals some of Aquinas's greatest contributions to classical, perennial "first philosophy." The result is a well-organized, fluent introduction to Aquinas's own thoughts in Aquinas's own words.
This book also represents a great introduction to metaphysics in general, at least for a person who is trying to teach himself philosophy, such as myself.
I have found other compilations of Thomas' writings to be difficult to understand because they assume an understanding of the transcendentals: being, one, true, good and beautiful and their relationships to each other; and other philosophical terms such as act, potency, form and matter, substance and essence, etc.
In around 100 pages the author is able to convey the central concepts of Thomas' metaphysics very clearly, thus opening the way for further study in Thomas' writings.
I am very grateful to have discovered this book. I am sure you will be too.
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The titles of the five volumes are as follows:
Summa Contra Gentiles: God
Summa Contra Gentiles: Creation
Summa Contra Gentiles: Providence, Part I
Summa Contra Gentiles: Providence, Part II*
Summa Contra Gentiles: Salvation
Each volume is formally divided into about 100 short chapters. A typical chapter gets its title from some proposition that is to be affirmed, or in some cases refuted. Each paragraph is an argument in support (or denial) of that proposition. The chapters are themselves ordered so that the later chapters build on what the arguments in the earlier chapters have established, and it is this arrangement of chapters that constitutes the real structure of "Summa Contra Gentiles".
Although in his later "Summa Theologica", Thomas formalized the higher-level structure of his writing, he did not do so here, which somewhat complicates any presentation of this structure - the book titles are so high level that they give little feel of the work, and the chapter titles so numerous that the reader is easily overwhelmed by a list of them.
In order to give the reader some sense of the overall work, I've prepared an outline of the work that (hopefully) is short enough to be readily comprehensible and long enough to give the reader an understanding of what topics are covered and in what order. This outline is presented below:
1.0 Summa Contra Gentiles: God
1.1 Intention of the Work (1 - 2)
1.2 Truths of Reason and Revelation (3 - 9)
1.3 That God Exists (10 - 13)
1.4 That God is Eternal (14 - 20)
1.5 God's Essence (21 - 28)
1.6 That God is Known (29 - 36)
1.7 That God is Good, One and Infinite (37 - 44)
1.8 God's Intellect and Knowledge (44 - 71)
1.9 God's Will (72 - 96)
1.10 God's Life and Beatitude (97 - 102)
2.0 Summa Contra Gentiles: Creation
2.1 Purpose of the Work (1 - 5)
2.2 That God is the Creator of All Things (6)
2.3 God's Power Over His Creation (7 - 29)
2.4 For and Against the Eternity of the World (30 - 38)
2.5 The Distinction of Things (39 - 45)
2.6 Intellectual Substances (46 - 55)
2.7 The Intellect, the Soul and the Body (57 - 78)
2.8 Immortality of Man's Soul (79 - 82)
2.9 Origin of Man's Soul (83 - 89)
2.10 On Non-human (Angelic) Intellects (90 - 101)
3.0 Summa Contra Gentiles: Providence (Parts I and II)
3.1 Prologue (1)
3.2 Good, Evil, and God as the End of All Things (2 - 25)
3.3 Human Felicity (26 - 63)
3.4 How God's Providence Works (64 - 94)
3.5 Prayer and Miracles, Magic and Demons (95 - 110)
3.6 Rational Creatures and Divine Law (111 - 130)
3.7 Voluntary Poverty and Continence (131 - 138)
3.9 Rewards and Punishments (139 - 147)
3.10 Sin, Grace, and Predestination (148 - 163)
4.0 Salvation
4.1 Forward (1)
4.2 The Trinity (2 - 16)
4.3 The Incarnation (27 - 55)
4.4 The Sacraments (56 - 78)
4.5 The Resurrection (79 - 97)
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* in searching for Part II of "Providence" in Amazon's book catalog, be sure to search by the full title, or the search results may just return part I.
This volume, the second volume in the work, "Creation", is more demanding. When the reader reaches the chapters concerning the intellect, the reader may well feel in reading it that he has come in on the middle of a long and complex argument. The reason that he may feel this way is because that is what he has done.
The center of the controversy is Aristotle's analysis of the intellect. His exposition on that point was not successful if we measure success by the ability of intelligent careful readers to come to a shared understanding of what he thought. Thomas's part in these controversies are the heart of this, the second volume of "Summa Contra Gentiles".
While the best thing that the reader could do to prepare himself to read this book would be to be well-read in Aristotle in general (and his "De Anima" in particular), that may not be possible for all readers. Therefore, as an aid to readers, this review will present the key terms in the controversy and what they meant (at least what they meant to Thomas)*:
Sensible - objects of sense - things that can be seen, heard, felt, tasted or smelled. Individual houses would be sensible. Contrast with "intelligible".
Intelligible - objects of reason - things that can be understood, but not sensed. The concept of "house" would be intelligible. Contrast with "sensible".
Phantasm - a sensation, whether the immediate result of the sight, hearing, touch, smell or taste of a sensible object, or a recollection of one of those sensations, or an imagined sensation. Contrast with "knowledge".
Knowledge - a correctly understood intelligible object; remembered sensations are not themselves knowledge. Contrast with "phantasm".
Memory - the repository where phantasms can be kept for later recall. Images of houses could be kept here so as to enable later recognition of them. Contrast with "possible intellect".
Possible intellect - the repository where knowledge is kept. Knowledge of what "house" means would be kept here. Contrast with "memory".
Cognitive power - sometimes used to refer to the intellect, sometimes more narrowly to the power that responds to phantasms - for example the ability to see a house, recall the image from memory, and recognize that house. Contrast with "agent intellect".
Agent intellect - the power that deals with knowledge - both in creating new knowledge from phantasms and from previously existing knowledge. Contrast with "cognitive power".
Soul - when classical philosophers debated what "the soul" was, what they were debating was what differentiated living things from non-living things. While Thomas followed Aristotle in the view that the soul was the form of the body (i.e. - what differentiated living things from non-living was not what they were made of, but how they were put together)
Nutritive soul - that most general power of the soul by which life is present in anything: its operations being reproduction and the use of nutriment. All living things have a nutritive soul.
Sensitive soul - that power of the soul through which a living thing is aware of its environment, as through touch, smell, taste, hearing and sight. The difference between animals and plants is that animals have a sensitive soul while plants do not.
Intellectual soul - that power of the soul that gives the ability to reason. According to Thomas, the intellectual soul differs from the nutritive and sensitive soul in that it is not just a form, but a substance as well, and so can exist without the body. Much of "Summa Contra Gentiles: Creation" is devoted to establishing this doctrine against competing doctrines of Plato, Alexander, Avicenna, and Averroes, among others.
Separate substances - intellectual beings without bodies, such as angels.
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* In my review of "Summa Contra Gentiles: God", I included definitions for more basic Aristotelian terms than these, such as form, matter, substance, etc. Readers unfamiliar with these more basic terms might want to read that review.
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Study, Understand, Expose The Enemy!
Adeymi Joashan
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The shooting script is brilliantly written -- Anderson has developed a wonderful way of describing things and writing dialogue, which can, at times, sound shockingly realistic.
It's a delight for fans of the film, like myself, to read scenes that were deleted from the film, most notably, Stanley Spector meeting the mysterious character "Worm". After reading this part, you understand how it fits into this film.
This is a really well-crafted work of a story, which complements Paul Thomas Anderson's creative talent, and showcases everyday problems like regret, love, fear, and loneliness and shows how touching they can really be.
The pictures at the end of the book are very colorful and gorgeous to look at it, because the capture the feeling of the movie so well.
But, I'm a little dissappointed with the interview with Anderson, which comes after the screenplay. It's interesting to hear him talk about the inspiration for the story and characters. But, it doesn't feel very satisfying, because it feels severely edited, leaving you wanting to know more.
But, that's okay. The screenplay explains it all, giving you a wonderful, heartfelt story about real people struggling with the problems and unusual circumstances in their lives.
If you enjoyed the movie, this book will only make you love it more.
Basically, the thing that makes Anderson's characters real is that they ARE real. They are normal people whose lives have, along the lines, come apart at every possible seam. No people live absolutely perfect, happy lives, and this is what Anderson gets across. Many of the characters in the script on first look seem invincible, strong, glorified, and beautiful. It does not take long for the reader to see, though, that the most perfect people have the weakest constitutions and strength.
The film is superb. The actors and actresses Anderson used were the ones that could get the job done, not just the big names (okay, despite Tom Cruise and maybe Julianne Moore) that would pull in the crowds. Anderson's direction is also brilliant, for you see that he and his script pulled every ounce of his characters out of his cast.
Anderson is somewhat like the Mel Brooks of the modern, dramatic realm of film. He writes his scripts, does the directing, and he uses the actors and actresses that he knows will deliver. Many of the castmates in Magnolia also appeared in Boogie Nights, and some even in the earlier Anderson film, Hard Eight. He...in truth...is brilliant, and this script is his best one yet I think. My fingers are crossed for him at the Academy Awards this March for his Screenplay nomination, but I'm only upset that no more than three people (Anderson, Aimee Mann, & Cruise) were recognized by the Academy for their amazing performances in the film (especially Melora Walters).
And the bottom line...Anderson is pure brilliance and is one of the next great film makers of our time, and I cannot wait to continue following his career.
At first I thought that so many characters would make the story incoherant, harder to conceptualize exactly what was going on. The beauty of scripts, in my opinion, is the fact that you can visualize the film in your head, see the characters doing these things, ESPECIALLY if you haven't seen the movie, which I'm dying to do. Paul Thomas Anderson can't make a bad movie, or a bad script. The three stories intertwine and revolve around one long day in the San Fernando Valley; from the old, disheartened Quiz Kid, the young and new Quiz Kid, from the dying man and his frazzled bride, to the lonely cop with low ambitions. They all circle around one another beautifully, from scene to scene telling you the ultimate story about love, life, and what it means to actually BE there for someone. It doesn't have to be perfect, or beautiful, or meaningful, you can only do the best you can. At moments the script even pokes fun at itself, saying in one situation "this is the part in the movie where you help me out" which I thought was cool and funny and cute at the same time (and the FROGS! The FROGS!...) Don't doubt PT Anderson, his next will probably blow this one away.
But he'll have a hell of a time trying.
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