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This book itself seems alive when you read it. And I know of very few authors who can make one appreciate more the tremendous need for all us us to learn about and become respectful of the web of life around us. This book belongs on the shelves of all armchair marine biologists and explorers of the seas.
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Some of the more memorable poems: "The Mysterious Barricades; or , The Enchaiments of Memory" which purports to explain the origin of the title of music by the same name - the explanation following a traditional chain of dance instructors. "The Sincere Poet" which satirizes the sincere, confessional poet. "Phalaris and the Bull: A Story and an Examination" which explores the reader's ethics in the context of an allegory. "Life on the Moon", a piece reminiscent of the best of Andrew Ramer, in which the waxing and waning of the moon reflect actual change in the land mass of the moon. "A Window in the Poem" a reflection on windows in painting ...
There are a few pieces I consider "duds" but this is only because the breadth of content and style is so broad that no reader will have them all "speak to me."
This book is well worth your time - as very short story or as prose poem.
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Anderson often pumped out scandalous drivel in which he conspicuously cast himself as the central figure. It could be speculated that if Anderson had not been such a successful publicity hound, he would have become a serial killer obsessed with newspaper clippings and broadcast reports of his crimes. Yet a decent and moral man emerges in this account of a colorful life.
Although several of Anderson's more convoluted conspiracy theories are rehashed (the JFK assassination chapter is incomprehensible), the book is mostly solid and an enjoyable read. Early chapters devoted to Anderson's boyhood in Depression-era Utah and his World War II adventures in China are excellent.
Anderson's running battle with the Nixon Administration, and his seething rage at what he saw as Jimmy Carter's hypocrisy and total incompetence, reveal a righteous indignation that is simultaneously tedious and fascinating. While he rightly condemns the excesses of J. Edgar Hoover, and even digs through garbage bins for dirt on the late FBI director, Anderson also is objective enough to admit the G-man never politicized his agency.
Anderson makes some very insightful observations. For example, he shares his fear that former Soviet scientists might one day assist rogue Islamic states. Written well before 2001, this and much more speculation about the aftermath of the Cold War proves well-founded.
The most surprising aspect of Peace, War and Politics is Anderson's self-deprecating humor. When potential sources offer juicy details for cash, Anderson humorously remembers he didn't have the funds to pay for them, and ethics were a secondary consideration. In addition to himself, Anderson reports on the foibles and strengths of his poorly paid interns and associates. Many like Brit Hume went on to become prominent reporters and broadcasters. The degree to which Anderson acknowledges these young, underpaid muckrakers is as admirable as it is surprising. Anderson also turns the spotlight onto a hypocritical national media that shunned him yet often followed his lead.
The highlight of the book is a very brief chapter about the return of General Anthony McAuliffe, whom Anderson describes as the most decent person he ever met, to a hero's welcome in Bastogne. Gen. McAuliffe is remembered for his reply "nuts" to a Nazi demand that he surrender his 101st Airborne troops and the Belgian town they defended during the Battle of the Bulge. McAuliffe tells Anderson that he "never cared " for General George Patton after Patton surveyed the frozen enemy bodies at Bastogne and commented "these are the types of Germans I like to see." McAuliffe, who commanded the troops who killed the soldiers, said the dead were mostly boys like the Americans who fought against them.
Given such humanistic insight into people, it is apparent Anderson never wet the bed into his late 20's, engaged in pyromania, tortured small animals in his youth, or fantasized about serial murder. No, if he hadn't become a muckraker, Jack Anderson very well could have been a Mormon church official albeit a very opinionated and self-absorbed one.
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The author is a hunter so he does justice to his subject.
In my view, this book has two serious omissions. First, the author repeatedly asserts that O'Connor was the dean of gunwriters in his time. This is true (IMHO) but the book does a poor job showing why this is true and what made JO'C's writing special.
Second, this work does not discuss the feud between Elmer Keith and O'Connor. Ostensibly the point of contention was the effectiveness of small, fast bullets like the 270 Win. But the Keith side (since Elmer's acolytes got in on the fun) made it personal. JO'C, in contrast, showed a sense of humor and charity that reflects favorably on his character.
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YEAR OF THE QUIET SUN: U.S. government casts a time machine increasingly further into the future to gather political and demographic data, in an attempt to avert a looming civil conflict.
THE WINDS OF TIME: A spacefaring race crashes a ship on earth in prehistoric times and travel to the future by hibernation, waiting for a civilization to arise with sufficient technoogy to repair their spacecraft.
THERE WILL BE TIME: Random humans are born with the ability to move themselves forward and backward through time purely by mental will. They ally and utterly change the world.
All of these are excellent stories, with THERE WILL BE TIME standing out as the best of the three. Anderson beats the stuffing out of the time travel theme, as Alfred Bester did for telepaths in THE DEMOLISHED MAN. Not only do the characters jump between historical periods, they also find interesting uses for jumps of a few minutes forward or backward. Babies time travel with surprising results. THERE WILL BE TIME is very well thought out and worth the price of the book alone.
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As a voracious reader of biographies, and having read all other Jackie novels I could get my hands on, I would rank this book as low to middling in its portrayal of the former first lady.
Granted, no one, even an autobiographer, can paint an entirely accurate portrait of a biographical subject, but this book does, I think, fall well short. Do I think Jacqueline Onassis held Aristotle in contempt, as Anderson says? I find it easier to believe Kiki Feroudi Moutsatsos's comments in her book The Onassis Women than those of Anderson; Mrs. Moutsatsos WAS quite closer to Ari and Jackie than Christopher Anderson ever was. Do I think she slept with Marlon Brando? I find myself more inclined to believe, for example, J. Randy Taraborrelli in his book Jackie, Ethel, Joan, as his account makes more SENSE than Anderson's... Jacqueline's character in THIS particular book screams with inconsistency. I think that was Anderson's point, as she was a woman bereft and hunted. However, considering the sum of Jacqueline as a biographical subject, this book's dissonance in the face of the greater context is difficult to reconcile. But it is entertaining.