This is mostly poetry, and I loved it all. Everyone should read this book!

Allan Keiler's biography of the great African-American contralto Marian Anderson is meticulously researched and detailed. Having exhaustively consulted contemporary sources neglected by other researchers, such as black newspapers, and personally interviewed many people, including the singer herself, Keiler sheds new light on the familiar story of Anderson's life and career.

Of particular interest is his detailed chronology of the famous events of 1939 that began with the refusal of the Daughters of the American Revolution to allow Anderson to give a concert in Constitution Hall in Washington, D.C., and ended with her outdoor concert on the steps of the Lincoln Memorial, a performance that propelled the singer to iconic status in the civil rights movement. His recounting of this and subsequent events, including her eventual success in obtaining a performance in Constitution Hall years later, reveals Anderson to have been surprisingly hesitant and passive in combatting segregation, and by no means unequivocally in favor of some of the bolder, more confrontational moves of her supporters.

Likewise, Keiler probes her personal relationships, something Anderson was reticent about in her own autobiography, and reveals a human being with faults and frailties, one who could be dictatorial and impatient toward members of her family, and aloof and uncommunicative when terminating relationships with lovers and artistic collaborators (notably Billy King, her first regular accompanist, who never recovered from the pain of being replaced by Kosti Vehanen). In no way do these revelations detract from Anderson's accomplishments as a musician; rather, they form a touching picture of the real sacrifices she had to make in the service of her talent.

The one major area in which this book falls short is a detailed examination of Anderson's vocal art. Despite her unique status in American history, the singer comes from and joins several well-defined artistic traditions--the low-voiced female classical singer, a vocal species now almost extinct; the singer who makes a career through concert and oratorio work rather than opera; and the African-American classical singer. With her well-documented performance history and large recorded legacy, the time is ripe for a definitive study of Anderson the vocal artist, writing of the kind John Ardoin and Michael Scott have published about Maria Callas and her work. Despite its many virtues this volume does not pretend to, nor does it accomplish this task.

Though Mr. Keiler does a tremendous job of putting Ms. Anderson's life on paper, at the end I still felt I did not know her. I don't know if it was because he had the cooperation of her family and was overly cautious, or if she is just a personality to complicated to really get to know. Anyway, a great read, but just left me wanting to know more.

In 1939 world-class contralto Marian Anderson was barred -- because of her race -- from performing an Easter concert in Washington's Constitution Hall when the Daughters of the American Revolution refused to rent her the space.

Instead, supported by the NAACP and Eleanor Roosevelt, Anderson sang at the Lincoln Memorial. In so doing she brought attention to both her magnificent voice and the reality of segregation in the capital.

This absorbing authorized biography puts Anderson's career before her skin color, but Brandeis University music professor Keiler, who interviewed the singer shortly before her death in 1993 at age 96, carefully documents both her musical evolution and civic triumphs.

Though clearly awed by the stately vocalist who dressed in white satin, Keiler celebrates the humanitarian who served as a U.N. delegate, funded scholarships for black youth (both Jessye Norman and Leontyne Price auditioned for one but lost), mastered works by Brahms, Schubert and Sibelius and became the first African-American to sing at the Metropolitan Opera.

An important read of a voice which sang so true.

This book is not just covering product development process for food industry, but also could be used as a general framework to understand other industries as well. A number of good figures and diagrams to illustrate the process flow.

This was my first introduction to the life of Edgar Allan Poe. The book was an easy read and satisfactorally highlighted the high (and low) points of his life. The author did a good job of using many direct quotes from primary sources and other biographies as well as from various letters. However, she seemed bent on painting Poe as a victim in every circumstance. While I do not believe everything negative I've heard about him, he was clearly a disturbed man - going from woman to woman to woman...looking for a wife, not being able to hold a job for more than a couple months, having volatile relationships with MANY people - these are not the symptoms of a mentally healthy man. The author tried to make it seem that everyone was out to get Poe and that he had little responsibility for his life's problems. While I do not doubt his genius, I see him as quite responsible for the misery he lived.

This book is great for any teenager writing a biography speech on Edgar Allan Poe! I highly recommend it!